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USA International Ballet Competition

201 East Pascagoula Street Jackson, Mississippi 39207-3696

• Phone: (601) 355-9853

USA International Ballet Competition 201 East Pascagoula Street Jackson, Mississippi 39207-3696

One of the world’s most prestigious dance events, the USA International Ballet Competition (USA IBC) is a two-week “Olympic-style” competition where tomorrow’s ballet stars vie for medals, cash awards, company contracts and scholarships.

Designated as the official USA ballet competition by a Joint Resolution of Congress, the USA IBC is held every four years in the tradition of sister competitions in Varna, Bulgaria; Moscow, Russia; and Helsinki, Finland. Audiences and participants from more than 20 nations enjoy a festival of events that includes lectures, exhibits and an International Dance School. The next USA IBC will take place in 2023.

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Get Schooled: USA IBC XII’s Educational Programming

If you're a fan of ballet or dance, then you won't want to miss out on the USA International Ballet Competition's educational programming in Jackson, Mississippi.

Dancing Their Way Into Legend: The History Behind USA IBC XII

In 1964, the first International Ballet Competition premiered in Varna before rotating among the three cities of Varna, Moscow, and Tokyo, adding Jackson, Mississippi in 1975.

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From Russia with live: Your guide to the World Cup

By Adrian Pennington 2018-06-14T06:58:00+01:00

• No comments

UHD, HDR, AI, VR and social media expansion make debut for FIFA’s World Cup. 

It’s the World Cup of broadcasting. No event is bigger and every four years you can bet that viewing records will topple.

In 2014, more than one billion fans tuned in for at least a minute to watch Germany play Argentina in the final from the Maracanã, with the competition as whole reaching a global in-home television audience of 3.2 billion people, according to final figures from FIFA and Kantar Media.

An estimated 280 million people watched matches online or on a mobile device, in a further sign that more and more fans are embracing OTT technology for sports content.

When broadcasters buy the rights to show the World Cup they are purchasing the full production package from FIFA. They will tailor coverage with their own commentary and unilateral presentation from locations in Russia, but the entire live match feed including immediate pre- and post-game packages of the stadium and player/manager interviews is managed by FIFA’s TV division and its regular subcontractor the Paris-based Host Broadcast Services (HBS).

In total FIFA says FIFA TV produces more than 95% of the content the average fan watches at home.

It does so with help of a team of 3,000 on the ground in Russia who are working to a production plan “based on tried and trusted methods” established over successive tournaments.

The main innovation this time around is that all 64 matches will be produced in UHD as well as HD with the UHD feed also coming with High Dynamic Range (HDR) and immersive audio for rights holders set up to accept it.

Each of the 12 stadia are ringed by 37 cameras (up from 34 cameras in Brazil) including eight cameras capable of UHD/HDR and simultaneous 1080p/SDR output and another 11 with 1080p/HDR and 1080p/SDR dual output.

37 cameras: World Cup stadium camera plan

Source: FIFA

The use of progressive scanning as a baseline production format and HDR “will guarantee an improvement of image quality” all round regardless of the delivery format, says FIFA.

The UHD feed itself is being produced within the traditional 3G-SDI arrangement for ease of routing around outside broadcast trucks which have yet to make the switch to IP. Around 75% of the live match cut is estimated to be in full UHD HDR with the remainder up-converted.

Match coverage is supplemented by eight super slow motions, a cable cam and Cineflex Helicam. Two ultra-motion polecams join the roster from the quarter final stages.

The production and flow of content is co-ordinated from the IBC, a 54,000 m2 facility (the Crocus Expo centre) in Moscow’s north west outskirts, housing a satellite farm and the studio and production teams of 74 broadcasters.

The MCR is the central distribution point within the IBC for all incoming and outgoing feeds and for the first time all the signal formats including UHD HDR will be monitored within the IBC.

The headline innovation on and off the pitch is the video assistant referee (VAR) which will be run from the IBC. The VAR team supports the referee from a centralised video operation (VOR) able to view all relevant camera feeds from the 12 stadia and talk to the officiating referee ref via a fibre linked radio system. FIFA will be hoping that VAR goes a lot better than its trial at the Confederations Cup when there were several controversial decisions.

Going social Aside from the main match, FIFA is also hoovering up more than 5000 hours of content into a massive server from which rights holders can cherry pick and assemble their own packages of highlights.

HBS have crews embedded with each of the 32 teams including a dedicated reporter churning out “exclusive and unparalleled content” destined for social media. This includes short form video featuring enlarged text and thumbnails to give users an imperative to press play; curated infographics culled from match stats; and stills with metadata designed to be “immersive, relevant and shareable” by being produced in a 1:1 aspect ratio to best suit handheld devices.

FIFA will publish and update Facebook community fan groups – one per team – and will produce a daily curated Instagram Story taking fans behind the scenes. However, Twitter is the social network of choice, provided with exclusive player and coach interviews, as well as video of pre- and post-match press conferences.

Kay Madati, Twitter’s vice president and global head of content partnerships said the World Cup, presents an “opportunity to marry the conversation that’s happening around the sport, and amplify it on our platform.”

The 2014 World Cup semi-final, in which Germany dismantled Brazil 7-1, received nearly 700 million tweets, apparently the most-tweeted event in Twitter’s history.

Fox Sports is devoting a lot of attention to the platform too. Its partnership includes a daily, 30-minute live show and near-live highlights. Fox says it will turn around and publish clips of key moments, like goals, to the site in about two minutes.

Read more  Analysis: Has Amazon scored with its Premier League package?

Digital with Fox Sports Fox Sports must have been confident that the Yanks would qualify for Russia when they spent $425 million to broadcast the 2018 and 2022 tournaments. The US teams’ failure this time may dent the broadcaster’s bid to recoup the cost in advertising but it is throwing the weight of technology behind the event to reach the widest possible audience.

For a start all 64 matches will be aired in UHD HDR on Fox channels to customers of AT&T-owned satellite network DirecTV.

After testing logistics in the cut-down production operation for last summer’s FIFA Confederations Cup in Russia, Fox is planning to stream every match live and throw in five ‘bonus’ streams alongside the main broadcast. There’s a Team Channel that offers three live video feeds including the match, players and the coach/bench alongside real-time stats. There will also be Match 360, a behind-the-scenes package running two hours before game time covering items like team arrivals and warm-ups. Tactical View is from FIFA’s cable-cam positioned high above the pitch, for analysis of team formations. After the match, the tactical feed switches to interviews and press conferences.

Also on the digital side, Fox has teamed with IBM and built an application called Highlight Machine. Fans are encouraged to build their own highlights reels from this World Cup and 300 archive World Cup matches from 1958 to 2014 and share it on social media.

The archive includes every final, most knockout matches, historic matches and epic upsets, and games played by the winning team. The platform will also spotlight classic players like Pele, Maradona, Cruyff and Zidane. Every match from 2018 will be available within minutes of the final whistle.

IBM’s Watson is doing the heavy lifting by sifting requests for content from different tournaments, teams, players and goals, fouls and more. The platform is sponsored by Adidas.

“To maximise fan engagement, sports broadcasters are driven to showcase relevant gameplay as quickly as possible,” explained Kristen Lauria, general manager of Watson Media and Content at IBM in corporate messaging. “This drive is even more critical during tentpole sporting moments like the World Cup. Our project with Fox Sports emphasises IBM’s focus on aligning its technology to simplify how media brands can efficiently deliver winning fan experiences.”

The IBM Watson technology has also been used on other premiere sporting events, including The Masters and Wimbledon. Fox Sports debuted IBM’s suite of AI-powered cloud video technologies at the 2017 US Open tennis.

Like the BBC and ITV, Fox is using the iconographic Saint Basil’s Cathedral at Red Square as backdrop to its main presentation. Its studio there will be ‘manned’ by robotic cameras, in part to make the most of a crammed real estate. A Mark Roberts Motion Control StudioBot offers up to nine axes of synchronised motion capability, and it can be programmed with repeatable shots including track, curve, rotation and reach moves.

Private box seat VR has moved from trial to commercial reality for FIFA which has managed to sell its VR product for the World Cup to several broadcasters including Telemundo, BBC, Fox Sports and TF1.

All will be taking a FIFA-produced VR content which includes video for all matches as a live 180° stream as well as a set of 360° clips.

Each of the broadcasters is taking the basic FIFA-supplied app, developed by Deltatre, and customising it with their own commentary, graphics and language. The centrepiece is a virtual VIP lounge, an app which has been specially commissioned for the event, offering multiple 180-degree camera angles, highlights and a some 360-degree VOD features.

World Cup stadium map

Distribution over Samsung Gear VR, PlayStation VR, Google Cardboard and Daydream, and Oculus Rift players. Clips will also be published to Facebook 360 and YouTube VR.

MediaLab TF1, the R&D-wing of the French commercial broadcaster, is also experimenting with interactive content accessible by Microsoft HoloLens glasses.

Holo Foot has been co-devised with Paris-based AR/VR specialist Immersiv.io and is suggested as “the future of entertainment”. Using gesture control, users can interact with statistics, stadium overviews, different view points, even 3D avatars of the players.

UHD HDR streaming milestone The BBC is leading the way with UHD HDR streaming by planning the most extensive live coverage online in this format by any broadcaster anywhere to date.

It can only be considered a trial though, which the BBC itself emphasises, since the stream published to the iPlayer app will need a connection to the home of at least 40Mb/s for viewers to receive the full fat UHD HDR version. Bandwidth capacity of the UK’s internet network will reduce the numbers able to view this stream to the “tens of thousands” reckons the BBC. Even then viewers would also need a 4K TV display capable of showing HDR.

Since the production workflow for the World Cup is not natively in HLG – the BBC’s preferred HDR format enabling standard dynamic range UHD receivers to exploit the backwards compatibility of the signal – the BBC will be converting it to HLG.

“For future events we hope the ground-breaking work [on HDR at the Royal Wedding] will lead to simpler, native HLG workflows which allow HD, UHD and UHD HLG versions of the event to be produced from the same camera feeds and without the complexity of metadata to manage through the broadcast chain,” asserts Phil Layton, Head of Broadcast & Connected Systems, BBC R&D.

The BBC is positioning the trial as another milestone in its long term aim to use the public internet as the backbone for all service provision.

“It will be interesting to see how the World Cup trial helps in the development of a universal open UK internet that supports such events,” says Layton.

  Read more  Football bodies and broadcasters to tackle live UHD HDR

• High Dynamic Range (HDR)
• Live Production
• Live Streaming
• Sports Production
• Sports/Outside Broadcast
• Virtual Reality

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MILAN - AUSTRIA - CROATIA - BOSNIA - MONTENEGRO - ALBANIA - MACEDONIA - BULGARIA - TURKIYE

13 days 10 nights discovery of balkan 9 countries.

  ITINERARY

  INFO

  NOTES

NO PCR REQUIRED!

ONLY 2 DOSE VACCINE

DAY 01  :  KLIA DEPARTURE

• Assemble at KUALA LUMPUR INTERNATIONAL AIRPORT (KLIA 1) — 03 hours before departure  for your flight to Milan

DAY 02  :  MILAN ARRIVAL  -  VENICE  (D)  [2 HOURS 57 MINUTES]  (275.3 KM)

• Arrival at  MILAN INTERNATIONAL AIRPORT.
• City tour in Milan . Visiting  Church of Santa Maria Delle Grazie, Sforza Castle,  luxury stores of glamorous  Galleria Vittorio Emanuele.
• Departure for Venice .
• ​Transfer to hotel, dinner, and accommodation

DAY 03  :  VENICE  -  VIENNA  (B/L/D)  [6 HOURS 6 MINUTES]  (610.1 KM)

• Breakfast at the hotel. Trip to Venice .
• ​City tour in Venice . During the city tour: Piazza San Marco or simply wander through its maze of alleys, charming squares and superb art galleries will be visited
• VENICE - GONDOLA RIDE (Max 3 Person) 50 EURO (per person) 
• Proceed to Vienna . Lunch
• Transfer to hotel, dinner, and accommodation.

DAY 04  :  VIENNA  -  ZAGREB  (B/L/D)  [4 HOURS 15 MINUTES]  (375.8 KM)

• Breakfast at the hotel and continue our trip, City Tour of Vienna , Austria .
• City tours includes the Opera House, Ringstrasse, Hofburg Imperial Palace, City Hall, Parliament, St. Stephen’s Cathedral, and Stadpark will be visited
• Proceed to Zagreb .
• Transfer to hotel, dinner, and accommodation

DAY 05  :  ZAGREB  -  PLITVICE  -  BIHAC  (B/L/D)  [1 HOUR 50 MINUTES]  (130.0 KM)  -  [28 MINUTES]  (20.1 KM)

• Breakfast at hotel
• City tour: Zagreb city tour – Dolac Bazaar , St Mark Church , Lotrscak Tower ,  Ban Jelacic Square, and Geo-History Museum
• Proceed to  Plitvice Lakes. (Optional Entrance - 50 EURO)
• Proceed to Bihac.

DAY 06  :  BIHAC  -  SARAJEVO  (B/L/D)  [4 HOURS 48 MINUTES]  (306.5 KM)

• Proceed to Sarajevo and city tour of Sarajevo covers - Gazi Husrev-Beg Mosque, Catholic Cathedral, Sebal, Husrev Beg Bazaar, Fire of Freedom, Tower Clock, Medresa, Bascarsija Mosque, Latin Bridge, Fatih Mosque will be visited. Free time for shopping
• Dinner and accommodation. Overnight in Sarajevo

DAY 07  :  SARAJEVO  -  MOSTAR  -  BUDVA  (B/L/D)  [2 HOURS 6 MINUTES]  (129.3 KM)  -  [3 HOURS 35 MINUTES]  (209.6 KM)

• Breakfast at hotel. Proceed to Mostar .
• Arrival to Mostar and city tour covers:  Old Town , Koski Mehmet Pasha Mosque , Karagoz Bey Mosque , Mostar Bridge, Ottoman Hamams , Homes and War Museum
• Dinner and accommodation. Overnight in Budva

DAY 08  :  BUDVA  -  KOTOR  -  TIRANA  -  OHRID  (B/L/D)  [26 MINUTES]  (22.8 KM)  -  [4 HOURS 9 MINUTES]  (202.1 KM)  -  [2 HOURS 19 MINUTES]  (131.3 KM)

• Breakfast at the hotel.
• Trip to Kotor and start with city tour covers:  Shame Wall, Orthodox Square, Major Building, Tourism School, and Weapon Square
• Pass by to Tirana .
• Lunch at Tirana and continue to Ohrid . 
• Dinner and overnight at Ohrid

DAY 09  :  OHRID  -  SKOPJE  -  SOFIA  (B/L/D)  [2 HOURS 36 MINUTES]  (171.6 KM)  -  [3 HOURS 24 MINUTES]  (242.9 KM)

• Breakfast and proceed to Skopje.
• Arrival Skopje , City tour covers: Macedonia Square, Stone Bridge, Statue of Alexander, Skopje Fortress, Mustafa Pasha Mosque, Murat Pasha Mosque, and Yahya Pasha Mosque will be visited
• Lunch at local restaurant
• Proceed to Sofia . City tour in Sofia  covers:  Alexander Nevsky Cathedral, Holy Synod, National Theatre, Banya Bashi Mosque  will be visited
• Dinner and overnight in Sofia

DAY 10  :  SOFIA  -  ISTANBUL  (B/L/D)  [6 HOURS 8 MINUTES]  (549.5 KM)

• Breakfast in hotel and depart to Istanbul . Stop in Edirne . 
• After arriving at  Istanbul, start visiting the Roman Hippodrome  where horse chariot races and events were held.
• Sightseeing of the  Blue Mosque - Roman Sultan Ahmet  by passing at  St Sophia (Aya Sofya) (Entrance fee : Optional). Topkapi Palace (Topkapi Sarayi)
• Dinner at local restaurant
• Transfer to hotel and overnight in Istanbul 

DAY 11  :  ISTANBUL  (B/L/D)

• Breakfast at the hotel. Free activity in Istanbul for shopping at Grand Bazaar  and other local bazaar
• Lunch and dinner at local restaurant
• Overnight in Istanbul

DAY 12  :  ISTANBUL DEPARTURE  (B)

• After breakfast, free time until flight time and later transfer to airport. End tour.  

DAY 13  :  KUALA LUMPUR ARRIVAL

• Arrival at KUALA LUMPUR INTERNATIONAL AIRPORT (KLIA).
• Return home with sweet memories and souvenirs

1) Based on EU Law the bus driver is only allowed to drive max 12 Hours and each city in EU we will arrange City Tourist Guide.

2) Regarding The itinerary we have to cover 9 Countries as that time will be limited for shooping and we have to passed those countries , Due to that the itinerary may be differ followed to the group punctual time. 

3) In some countries we will take late lunch as arrival from another country to another country distance is longer but there will be lunch provided as mentioned. 

4) Prayers Time Subuh is done in the hotel and Zuhur & Asar ( Jama'a) in the restoran or any place we get for prayers , Maghrib & Isyak  ( Jama'a) in the hotel. 

Additional Infomation

1.Plitvice Lakes ( Optional Entrance 50 EURO ) .

2.Gondola Ride (Max 3 Person) 50 EURO (per person)

Hotel Name :

1) Seyeban Hotel, Istanbul or similar

2) Novotel Hotel, Sofia or similar

3) Panoramika Hotel, Skopje or similar   

4) Kam Hotel, Ohrid or similar  

5) Pozzo Hotel, Budya or similar

6) Koncept Residence Hotel, Sarajevo or similar

7) Empoprium Hotel, Bihac or similar   

8) Phoenix Hotel, Zagreb or similar   

9) Stadt Wagram, Vienna or similar

10) Albatros Hotel, Venice or similar

Terms & Conditions

Important notes.

Terms & Conditions

• The above rates quoted are subject to change without prior notice. 
• For any changes of date, is subject to the current price of the package.
• Reservation will be made upon confirmation from your side.
•  Hotel room confirmation is subject to availability upon booking.
•  Tour fare deposit amount paid is non-refundable after booking.
•  Full payment must be made during promotion due date.
•  High season surcharges to be advise.
•  The itinerary is subject to change at the discretion of the land operator.
•  IBC Tours Corporation (Malaysia) SDN BHD and its agent reserve the right to change or alter the program and revise fares without prior notice due to unforeseen circumstances
• Refund would not be entertained for unused services due to unforeseen circumstances (unused service is not refundable.
• The Person who cannot pass the immigration in the International Airport , Tour Fare would be not refunded or compensated.
• Validity of Passport has to be  more than 6 months.  Any issue with immigration fully bonded by customers.
• IBC Tours Corporation (Malaysia) SDN BHD. acts only as your agent to provide you to service providers such as Airlines, Hotel, Ferry, Coaches, and others. We shall not in any circumstances be held liable for and will not accept responsibility or liability for the acts omissions, defaults on the past of these services provides and government change of regulations.
• All packages are under Series Group Departures if the group are below of our 25 paxs & maximum 40 paxs, we will be informing our customers as our Company SOP 1 Month Before Departure. The customer might choose the optional as per below :

13.1.Postponed travelling 13.2.Refund Full Amount Paid 13.3.Change or Postponed to other destination  

• After receiving total amount paid only then further process such as Travel Insurance will be done 14 days before departure as it is a Series Tour.
• Kind Reminder : Tour Escort from IBC Tours will be sent if the group is more than 25 pax below to that our representative guide will be receiving at the country’s airport

Once payment received customers consider agree to the Terms & Conditions.  https://www.ibctours.com/traveldez/articles/?cat=terms-conditions

DEPOSIT & TOUR PAYMENTS

1. Booking should be made during promotion date with a deposit of RM 1000 per pax. Full payment to be advice by IBC STAFF once you received total Performa Invoice from IBC Tours Corporation (M) SDN BHD. 2. Booking will be released automatically if we do not receive any payment. 3. Please send the rooming list at least 01 Month before arrival. 4. Final Payment 03 Months before travelling.

BOOKING PROCEDURE : 

Step 01 : Kindly sent us by Email ( [email protected]  ) or Whatsapp ( 012-4931020 / 017-6969253 )  your passport copies or I/C 

Step 02 : Please provide us full information as follows. 

• Name.  
• No of Adult.
• No of Child. 
• Email Address. 
• Contact Number.
• Confirmed Destinations. 
• Date of Travelling.

Step 03 : Forward us your Payment Slip ( RM 1000 Per Pax Deposit ) to IBC Official Account as follows 

BANK DETAILS : 

Bank Name         :  Maybank 

Account Number :  5143 - 4765 - 8747

Account Name    :  IBC TOURS  

CANCELLATION

Refer as the Link attached : http://ibctours.com/traveldez/articles/?cat=terms-conditions

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Qatar / oman / etihad / air arabia,   hotel accommodation,   departure date.

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Promosi pre matta fair, adult single, child w/bed, child no bed.

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2049 SE June Park Drive,  Port Saint Lucie, FL 34952

Single Family

John C Lewis

Direct Real Estate Services

Last updated:

August 17, 2024, 08:50 PM

RX-11013300

About This Home

3/2.5 Single Family. Beautiful 3 bedroom, 2 1/2 bath single family home in desirable East Lake Village! Roomy, open floor plan first floor. Beautiful wood cabinets, granite counters and stainless steel appliances in the kitchen that overlooks the dining and living areas. The second floor offers 3 spacious bedrooms with a master suite featuring beautiful windows, en suite bath and walk-in closet. A second bath and convenient second floor laundry complete the upstairs. Fantastic neighborhood with wonderful amenities and in a great location. Close to shopping, great schools, entertainment and the beach.! Don't miss this beautiful home!

Built in 2006

Price Summary

$216 per Sq. Ft.

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1,481 Sq. Ft.

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2,021 Sq. Ft.

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DVEO to Introduce Brutus Cloud Video Distribution Platform at IBC 2024

Brutus Cloud provides high-performance, flexible transcoding and streaming for IPTV, OTT and FAST TV

SAN DIEGO —DVEO will unveil Brutus Cloud, a new platform designed to transform video distribution, at IBC 2024, Sept. 13-16, at the RAI Amsterdam Convention Center.

Brutus Cloud offers advanced capabilities to meet the growing demands of IPTV, OTT, and FAST TV services, providing high-performance, flexible video transcoding and streaming, DVEO said.

Brutus Cloud is engineered to deliver top-tier video transcoding and streaming solutions and provides seamless integration and quality across various platforms, it said.

Features include:

• Transcode multiple channels for IPTV. Manage and deliver numerous HD channels, enhancing the viewer experience with reliable and high-quality IPTV service.
• Transcode multiple resolutions in HLS DASH ABR for OTT. Adaptively transcode videos into different resolutions using HLS and DASH protocols.
• Insert SCTE35 ad insertion markers into HLS DASH for FAST TV. Enhance ad delivery and monetization for Free Ad-Supported TV (FAST TV) services by inserting SCTE35 markers into HLS DASH streams.
• Live video distribution :  Distribute live video streams with high quality and low latency.

In addition, Brutus Cloud has been integrated with 1Legion, a cloud computing innovator. 1Legion offers a cost-effective GPU compute rental service and renewable energy-powered private cloud. Its unique model aggregates third-party compute resources through advanced API integration, offering scalable, on-demand access to powerful GPU technology, it said.

This approach not only democratizes access to high-powered computing but also significantly reduces costs and minimizes environmental impact. By partnering with 1Legion, Brutus Cloud leverages these cutting-edge capabilities to enhance its global video distribution and security features, ensuring superior performance and sustainability in video transcoding and streaming, it said. See DVEO at IBC 2024 Stand 5.B5.

More information is available on the company’s website .

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Phil Kurz is a contributing editor to TV Tech. He has written about TV and video technology for more than 30 years and served as editor of three leading industry magazines. He earned a Bachelor of Journalism and a Master’s Degree in Journalism from the University of Missouri-Columbia School of Journalism.

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Marshall Brings Auto Tracking To IBC 2024 with New CV612 PTZ Camera

AMSTERDAM —Marshall Electronics has announced that it will be featuring its newest auto-tracking camera, the CV612-TBI/TWI PTZ camera, at IBC 2024 (Stand 11.A17). 

The Marshall CV612, available in black (CV612-TBI) and white models (CV612-TWI), features the ability to automatically track, follow and frame presenters using AI facial learning for accurate and smooth self-adjusting maneuvers. With advanced AI tracking, the PTZ camera “learns” who is the prime subject and won’t “lose” the presenter when other persons or objects enter the shot, the company said. 

“As the broadcast and production landscape continues to evolve, having a high-quality track and follow camera as part of your inventory on set or on location is a great way to ensure that you get the right shot, every time,” says Robert Ramos, west coast regional sales manager, Marshall Electronics. “We look forward to showing the new CV612 to our international partners and customers at IBC 2024.”

Equipped with 12X optical and a 15X digital zoom, the CV612 offers a 4.1mm-49.2mm (6.6-70.3 degrees) field of view. It is built around a professional-grade 2-Megapixel 1/2.8-inch, high-quality HD CMOS sensor, which provides format resolutions from 1920x1080, 1280x720 down to 640x480, making this the ideal solution for smaller venues, interviews, web production, live presentations, classrooms and HOW, to name a few, as it has a maximum range of 18M (almost 60-feet), the company explained. 

The CV612 has a flexible interface with simultaneous 3GSDI, HDMI, RTSP streaming and USB 3.0 Type C outputs for ease of connection for various applications. It can stream HEVC directly from the camera over IP (RTSP) or USB C while simultaneously outputting via SDI and HDMI, making it an ideal solution to stream live to YouTube, Livestream, Facebook (Meta), or Twitch while capturing local HDMI content, it said. 

The system features 170 degrees, tilt rotation of -90-+90 degrees, and variable pan and tilt and preset speeds. All of this in a compact (6-1/3 inches high) package that is unobtrusive and easy to hide from other camera angles. Setup and manual control (if desired) is available via Ethernet Network, RS232 3-wire and USB C interfaces. One Ethernet (CAT) cable installation with PoE+ simplifies setup and operation. The control interface includes RS232, Visca, Pelco, Visca-over-IP and Onvif protocols as well as LAN control. Also included is a handheld IR remote control. 

For more information, visit www.marshall-usa.com . 

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The Shameful Controversy Over Olympic Boxer Imane Khelif

This story was originally published in WIRED Italia and has been translated from Italian.

Algerian boxer Imane Khelif won her first match of the 2024 Paris Olympics when her opponent, Angela Carini of Italy, quit after taking several blows to the face in the opening seconds of the bout. The victory only fueled the misguided controversy around Khelif, who has been targeted by critics who have misgendered her throughout the Games.

Born in 1999 in Tiaret, Algeria, Khelif has been boxing since she was a child and has always competed in women's categories. In her career, she competed in the Women's World Boxing Championships in New Delhi in 2018 (finishing in 17th place), then competed in Russia the following year. She competed in the 2020 Tokyo Olympic Games, reaching all the way to the quarterfinals, and she finished second in the 2022 Women's World Championships in Istanbul.

Everything seemed to be running smoothly until the 2023 World Cup, organized by the International Boxing Association. The Russia-led IBA, which is not recognized by the International Olympic Committee, disqualified Khelif after a gender eligibility test allegedly found she has XY chromosomes. IBA president Umar Kremlev has said that both Khelif and Taiwanese boxer Lin Yu-ting, who allegedly had a similar test result, “were trying to deceive their colleagues and pretend to be women.” Khelif has contested the allegations.

The Olympics Controversy

Both Khelif and Lin were admitted to Olympic boxing competitions. Admission rules in this case are handled by the so-called Boxing Unit, which has ensured that all athletes participating in the Games' boxing tournament comply with the rules of eligibility and registration for the competition as well as all medical regulations, which also includes the appropriate demonstration of medical certificates stamped and verified to at least three months before the start of the competitions.

“These boxers are completely eligible. They are women on their passports, they are women who have competed in the Tokyo Olympics and have been competing for many years, I think we all have a responsibility to tone it down and not turn it into a witch hunt,” said IOC spokesperson Mark Adams, at a news conference on Tuesday.

Still, prominent figures on social media decried Khelif's participation in the Games. X owner Elon Musk amplified a tweet from swimmer Riley Gaines that “men don't belong in women's sports,” while author J.K. Rowling falsely referred to Khelif as “a male who’s knows he’s protected by a misogynist sporting establishment enjoying the distress of a woman he’s just punched in the head.”

The fact is that Khelif is participating in the Games because she is allowed to by the rules, and has passed the IOC's standards. “The current aggression against these two athletes is based entirely on this arbitrary decision,” said the Boxing Unit and IOC in a statement Thursday, referring to the IBA ban. “[It] was taken without any proper procedure—especially considering that these athletes had been competing in top-level competition for many years. Such an approach is contrary to good governance.”

The controversies of the past few days took serious issues such as hyperandrogynism—the excessive production of testosterone by female bodies—and intersexuality, in which someone is born with sex characteristics that don't fit neatly into traditional definitions of male and female, and debased them. They then further poisoned an already very sensitive debate around transgender women's participation in the Olympics and sports competitions in general.

Beyond everything, however, the fact remains that Imane Khelif has always defined herself as a woman and the IOC is allowing her participate in the Olympics as such. Even in the face of assaultive public opinion, there is nothing to add.

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