star trek final voyage

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Star Trek V: The Final Frontier

Captain Kirk and his crew must deal with Mr. Spock's long-lost half-brother who hijacks the Enterprise for an obsessive search for God at the center of the galaxy. Captain Kirk and his crew must deal with Mr. Spock's long-lost half-brother who hijacks the Enterprise for an obsessive search for God at the center of the galaxy. Captain Kirk and his crew must deal with Mr. Spock's long-lost half-brother who hijacks the Enterprise for an obsessive search for God at the center of the galaxy.

• William Shatner
• Gene Roddenberry
• Harve Bennett
• Leonard Nimoy
• DeForest Kelley
• 387 User reviews
• 88 Critic reviews
• 43 Metascore
• 5 wins & 5 nominations

Top cast 33

• St. John Talbot

• Caithlin Dar

• Captain Klaa

• (as Spice Williams)

• "God"

• Young Sarek
• High Priestess

• All cast & crew
• Production, box office & more at IMDbPro

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Did you know

• Trivia During pre-production meetings, screenwriter David Loughery jokingly proposed to have Commander Uhura appear as an erotic dancer in order to lure away the hostage takers from the Paradise compound. He was surprised when the producers approved of the idea right away.
• Goofs When Kirk, Bones and Spock are flying up the turbolift shaft, the deck number gets higher as they go upwards. However Star Trek ships are numbered the opposite way round with the higher decks having lower numbers. For instance, the bridge (at the top of the ship) is on deck 1.

Kirk : Damn it, Bones, you're a doctor. You know that pain and guilt can't be taken away with a wave of a magic wand. They're the things we carry with us, the things that make us who we are. If we lose them, we lose ourselves. I don't want my pain taken away! I need my pain!

• Crazy credits "Highest descender fall recorded in the United States: Ken Bates." (I.e., Kenny Bates .)
• Alternate versions The CBS broadcast premiere removed a number of scenes from the movie. 1) All scenes featuring the dancing triple-breasted catwoman were removed. 2) The campfire scene was trimmed, ending with Spock producing the 'marshmellon' - effectively removing the much criticized 'Row Row Row Your Boat' sing along between Kirk, Spock and McCoy. 3) The scene between Uhura and Scotty on the bridge as they receive new orders from Starfleet Command. 4) The "I could use a shower" scene between Kirk and Spock in the turbolift.
• Connections Featured in Siskel & Ebert: Star Trek V/No Holds Barred/Dead Poets Society/Let's Get Lost/Renegades (1989)
• Soundtracks Fanfare From Star Trek TV Series by Alexander Courage

User reviews 387

• KnightsofNi11
• Feb 18, 2011
• How long is Star Trek V: The Final Frontier? Powered by Alexa
• Why was J'Onn digging holes on Numbus 3 at the beginning? Also, what was his pain?
• What was the creature pretending to be "God"?
• What is 'The Final Frontier' about?
• June 9, 1989 (United States)
• United States
• Star Trek: The Final Frontier
• Owens Lake, California, USA (the dry lake bed stood in for the desolate Nimbus III)
• Paramount Pictures
• See more company credits at IMDbPro
• $27,800,000 (estimated)
• $52,210,049
• $17,375,648
• Jun 11, 1989

Technical specs

• Runtime 1 hour 47 minutes

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Star Trek V: The Final Frontier

"The greatest enterprise of all is adventure."

When a renegade Vulcan captures the Federation, Klingon, and Romulan ambassadors on Nimbus III, the so-called "planet of galactic peace," it can only mean one thing: the vacation is over. Captain James T. Kirk and the crew of the new Starship Enterprise -A are pressed back into service to come to the rescue. But, when the Vulcan has a prior association with Spock, it allows him to seize control of the Enterprise and put it on course for the center of the galaxy where he and his followers believe they find the place from which creation sprung.

• 1.1 Prologue
• 1.2 Act One
• 1.3 Act Two
• 1.4 Act Three
• 2 Log entries
• 3 Memorable quotes
• 4.2 Characters
• 4.3 Merchandise gallery
• 5 Awards and honors
• 6 Apocrypha
• 7.1.1 Opening credits
• 7.1.2.1 Live Action Effects Unit
• 7.1.2.2 Model Unit
• 7.1.2.3 Optical Unit
• 7.1.2.4 Additional Optical Effects
• 7.2.1 Starfleet Galactic Memory Bank references
• 7.2.2 Meta references
• 7.2.3 Unreferenced material
• 7.3 Related topics
• 7.5 External links

Summary [ ]

Prologue [ ].

" You're a Vulcan! "

On the desert planet Nimbus III , a scavenger named J'onn is digging holes in a field. He stops digging and sees, emerging from the dust in the distance, a man riding towards him on a horse . Dismounting from the horse, this man has a strange power to cleanse people of their emotional "pain," which he uses to join the scavenger to his cause. " What is it you seek? " he asks. The man tells him he seeks what he seeks, what all men have sought since time itself began – the ultimate knowledge. To find it, he notes, they will need a starship . J'onn mentions that Nimbus III has no such vessels, but the mysterious man reveals he may have a way to bring one to them. When J'onn asks how he plans to accomplish this, the man throws back his hood, showing the scavenger his distinct pointed Vulcan ears . He then begins laughing.

Act One [ ]

Just hanging around

The recently- demoted Captain James T. Kirk is back on Earth , spending his shore leave free climbing El Capitan in Yosemite National Park in North America. Halfway up he is greeted by Spock , who has followed him wearing levitation boots . Dr. McCoy is watching with binoculars from a safe distance while cursing Kirk's "irresponsibility" for climbing the mountain. In a moment of distraction, Kirk falls off of El Capitan. Spock dives after him. After a terrifying moment for the captain, he's snatched from certain death by Spock who catches him by grabbing his ankle only mere centimeters from the ground.

Spock saves Kirk at the last minute

Out in the galaxy , three ambassadors from the United Federation of Planets , Romulan Star Empire , and Klingon Empire meet alone in Paradise City on Nimbus III for a private conference. The young Romulan ambassador, Caithlin Dar , rides into Paradise City on a horse, and expresses optimism in Nimbus III, which had been billed as "The Planet of Galactic Peace" at its founding twenty years before . However, the Human and Klingon ambassadors, St. John Talbot and General Korrd , are much more jaded and cynical, and point out that it has rapidly devolved to a barren wasteland rife with corruption and debauchery. Talbot points out that they had forbade weapons, but the settlers began to fashion their own projectile weapons . Korrd, in particular, is a decorated and respected Klingon general who fell out of favor with the Klingon High Command, and has become a bitter, apathetic drunk.

Dar and Talbot taken hostage

Their meeting is interrupted when the city compound is overrun by fanatical followers of the Vulcan who informs the ambassadors that they are his hostages. Caithlin Dar defiantly tells the Vulcan that she doesn't know who he is or what he wants but assures him that their three respective governments will stop at nothing to ensure their safety. The Vulcan retorts " That's exactly what I'm counting on. "

Sitting in the Spacedock One , undergoing repairs and refits, the new USS Enterprise -A sits lifelessly under the care of Chief Engineer Montgomery Scott , who notes in the shakedown cruise report that the new Enterprise must have been the product of a team of monkeys – while the warp drive is up to Scott's exacting standards, he laments that half the doors on the ship won't open and that it's his responsibility to repair them, among other disabled systems aboard the ship, primary of which is the ship's transporter . As Scott repairs the helm/navigation console on the main bridge , Nyota Uhura arrives from a turbolift with his dinner – understanding that the extensive repair schedule will cancel their shared plans for shore leave. At that moment, the Enterprise 's mangled red alert system goes off and a voice from Starfleet announces to Scott and Uhura that they have a priority 7 situation at the Neutral Zone. Scott is incredulous that Starfleet would assign the mission to the Enterprise considering that the ship is currently "in pieces" and has less than a skeleton crew aboard. Uhura asks Starfleet if they are aware of the Enterprise 's current status. Starfleet acknowledges and tells Uhura to stand by to copy operational orders and to recall all key personnel.

" Admit it – we're lost! "

Uhura contacts Hikaru Sulu and Pavel Chekov , who are lost hiking in the woods. Chekov is grateful that they'll soon be rescued but warns Sulu not to tell Uhura that they got lost after she instructs them to return to a set of prearranged coordinates. Sulu and Chekov try to explain they're caught in a blizzard and can't see which way they're going. Uhura, monitoring the weather on the sensors, reads nothing but sunny skies and 70 degree Fahrenheit weather and assures them she won't tell anyone about their embarrassing situation as she sends a shuttlecraft to pick them up. " Uhura, I owe you one. Sulu out, " the Enterprise 's helmsman says as he flips shut his communicator .

Meanwhile, Kirk, Spock, and McCoy are sitting around the campfire at Yosemite, where the three discuss their time together and philosophize about life and death around a pot of whiskey -spiked baked beans , roasting " marsh melons ," and singing " Row, Row, Row Your Boat ", although Spock cannot grasp the meaning of the words and thus declines to sing along. McCoy admonishes Kirk for risking his life on crazy stunts, such as falling off El Capitan earlier and McCoy wonders if it crossed Kirk's mind that he should have died when he fell off. Kirk admits it did – but, even as he fell, he knew he would not die. Spock does not understand. Kirk says that he knew he'd survive because the two of them were with him – " I've always known… I'll die alone. " After Kirk's revelation, McCoy offers that the three of them spend so much time together in space, getting on each other's nerves, yet spend their shore leave together. Kirk believes that while other people have families, they don't.

Out in space, the long-lost Earth probe Pioneer 10 is intercepted by a Klingon Bird-of-Prey commanded by the young Klingon warrior Klaa , who easily vaporizes the probe with his disruptors . Klaa tires of shooting space garbage, as he believes it is no test of a warrior's mettle, and wishes for a target that will fight back. The Klingons are soon notified about the hostage situation on Nimbus III as well, which piques Klaa's interest as it is obvious that the Federation will send a ship of their own to deal with the situation and sets his course for Nimbus III.

Back in action

Kirk, Spock, and McCoy's leave is interrupted when Uhura takes the Galileo down to their campsite in Yosemite since the Enterprise 's transporters are inoperative, waking up all three men with the Galileo 's bright landing lights . She informs Kirk of important orders from Starfleet Command . Kirk wonders why she didn't contact him via his communicator but she notes he conveniently forgot it. The Galileo eventually arrives in the Enterprise 's shuttlebay and the problems with the starship are immediately obvious to Kirk as the turbolift malfunctions en route to the bridge, a console shorts out and the viewscreen barely works. Chief of Starfleet Operations Fleet Admiral Bob eventually comes through and orders Kirk to Nimbus III and assess the hostage situation. Kirk tries to decline the mission due to the problems plaguing the ship and suggests another vessel nearby handle the situation. The admiral refuses on the grounds that while there may be other ships out there, none of their captains are as experienced as Jim Kirk. With an " oh, please " dismissal on his lips, Kirk signs off and orders the Enterprise to Nimbus III.

Ghost in the machine

Klaa and his crew discover that the Enterprise has been dispatched to Nimbus III as well. Klaa is well familiar with the Enterprise being Kirk's vessel and wonders what defeating Kirk in battle would do for his reputation. His first officer Vixis marvels that destroying the Enterprise and and defeating Kirk would make Klaa the greatest warrior in the galaxy. Klaa, originally hoping for an engagement with just any Federation starship, is now elated at his chance to fight Kirk and the Enterprise and orders maximum speed. The Enterprise , so plagued with technical problems that Kirk can't even record an entry in the captain's log recorder , finally receives a copy of the hostage tape sent from Nimbus III. In the tape, Dar, Talbot, and Korrd plead with the Federation to send a starship to parlay for their release at once, per the instructions of the leader of the Galactic Army of Light , the Vulcan who enters the frame and begins addressing the Federation. He claims to regret his desperate act and has no desire to harm the hostages but will do so if the Federation does not respond immediately. Spock, taken with the Vulcan, calls up a freeze frame of him on his science station 's monitor and regards it intently. Kirk wonders if Spock is familiar with him. Later, Spock is in solitude in the Enterprise 's observation lounge when Kirk and McCoy join him. Spock recounts for Kirk and McCoy a brief history of Sybok , a gifted Vulcan who at a young age broke with tradition and decided that emotion, not logic, was the key to self-knowledge. According to Spock, Sybok was banished from Vulcan when he attempted to lure other Vulcans to his worldview.

Act Two [ ]

" Imagine that, a passionate Vulcan! "

The Enterprise arrives first at Nimbus III. Paradise City demands to know their intentions but Kirk tells Uhura to respond with static and make them think they are having some difficulties – which is not far from the truth. Kirk tries to simply beam the hostages aboard but Scott tells him that the transporter is still inoperative. The captain realizes they'll have to go down and take them out by force. However, Spock detects the Bird-of-Prey entering the area leaving them 1.9 hours before their weapons come to bear. An assault team consisting of Kirk, Spock, McCoy, Sulu, Uhura, and a detail of security personnel head down in the Galileo leaving Chekov in command of the Enterprise . Despite the primitive scanning equipment of the natives of Nimbus III, their sensors are nevertheless effective and it forces the Galileo to land significantly far away from the settlement.

Meanwhile, Chekov hails Paradise City from the Enterprise and poses as the ship's commanding officer with the intention of distracting the enemy from Kirk's actions. The Vulcan responds and is amused by Chekov's posturing, who orders him to release the hostages or suffer the consequences. Chekov, not backing down, informs the Vulcan that a Klingon vessel is on the way. The Vulcan, unmoved, replies that it's likely that they'll be fairly angry. Chekov tries to impress upon him that the Klingons are likely to destroy the whole planet but the Vulcan knows that a Federation starship would not stand idly by and let the Klingons do that. He then instructs Chekov and his first officer to beam down to his coordinates. Chekov tries to stall the Vulcan as Kirk and Spock realize that they don't have enough time to get to Paradise City on foot. The captain notices a stable of horses through his binoculars and has Uhura perform a seductive dance (with a team of armed security guards out of sight) to distract the wranglers while the assault team steals the horses. The ploy works and the assault team rides into Paradise City. Under the cover of nightfall and covered in cloaks, the assault team looks no different than the wranglers. J'onn believes them to be their lookout party and allows them access to Paradise City. However, J'onn soon becomes suspicious as Spock locates the hostages on his tricorder . The Galactic Army of Light begins to open fire on the assault team with their primitive weapons, but they respond with their Starfleet-issue phasers . The Vulcan becomes aware of the commotion outside and Chekov orders him to surrender at once as he is under attack by superior Federation forces. The Vulcan is incensed as bloodshed is the last thing he wanted. Chekov tries to reason with him but he flees. Kirk fights hand to hand with the Galactic Army of Light's warriors and the fight continues. With a clear entrance into the bar where the hostages are being held, Kirk orders Uhura to bring the Galileo down so they can make a quick escape and goes for the captives. After a brief struggle with an exotic alien dancer, Kirk and Spock free the hostages. However, Korrd and Dar turn their weapons on them and hold Kirk and Spock hostage instead.

Outside the bar, the Galactic Army of Light has also captured the Galileo , Uhura, Sulu, McCoy, and the rest of the security detail. As they loudly cheer their victory, the Vulcan suddenly recognizes Spock among the group and joyfully reveals that he is, in fact, Sybok. However, Spock is not cheered by the apparent reunion and informs Sybok that he is under arrest for seventeen violations of the Neutral Zone Treaty . Sybok and the others laugh at the notion – they clearly have the Enterprise team outnumbered. Spock offers Sybok leniency if he surrenders, but Sybok jovially announces he can't surrender as he isn't through violating the treaty and intends for his next crime to be the theft of something " very big " – the Enterprise herself. Kirk finally speaks up and indignantly inquires if Sybok has staged this entire affair just to get his hands on his ship. Sybok, equally indignantly, wonders who Kirk even is. He clarifies that he is the captain of the Enterprise . Sybok realizes that Chekov had been deceiving him and applauds Kirk's clever tactics but moves on and asks Spock if he would like to join him. Kirk is also curious as to what Spock will say but Spock simply states that he is a Starfleet officer. Sybok understands and states he will just take the Enterprise without Spock's help.

Unaware of the serious situation on the planet's surface, Chekov and Scott are faced with another serious situation – the Klingon vessel is closing on their position. Klaa orders their cloaking device engaged in preparation for their attack on the Enterprise . Scott notes the loss of the Bird-of-Prey on sensors and deduces they must have cloaked. Chekov, knowing his first responsibility is to the ship, orders Scott to raise shields . Scott protests that the shuttlecraft is coming up from the surface but Chekov firmly repeats his order and follows it up with an order to go to red alert . Scott obliges and the Enterprise prepares for battle. The Galileo approaches the Enterprise and while Kirk retains his command of his officers, Sybok and his followers have them all under their command. Talbot informs them that once they have seized control of the Enterprise , they will bring up the rest of the Galactic Army of Light. Kirk, in an untenable position, laments that with the Klingons on their way, they will be lucky to even get back to the ship at all.

" Stand by to execute Emergency Landing Plan… B. "

Chekov hails the Galileo , informs them of the situation and recommends they find a safe harbor until the situation is secured. However, Sybok refuses and orders Kirk to bring them aboard. Kirk desperately tries to explain to Sybok that in order to dock the Galileo , the Enterprise will be vulnerable to a Klingon attack as her shields must be down for at least fifteen seconds to enter the shuttlebay. Korrd tells Sybok that Kirk is speaking the truth but Sybok refuses to return to Nimbus III. He allows Kirk to take whatever action is necessary in order to get the Galileo aboard. Kirk tells Chekov that they cannot return to the planet and cryptically tells him to stand by in executing "Emergency Landing Plan B." Chekov and Scott have no idea what Kirk is talking about but get the general idea when Kirk says that "B" stands for "barricade." Kirk intends to forgo the tractor beam and fly the shuttlecraft in manually in order to minimize the time the Enterprise 's shields will be down. Klaa, meanwhile, has been monitoring the communications channel and realizes that Kirk is on the shuttle and alters his attack course to bear down on the Galileo . The Enterprise lowers her shields just as the Bird-of-Prey decloaks. Sulu engages the shuttle's thrusters and makes a hasty course for the shuttlebay. With no tractor beam, the shuttlecraft blasts into the bay, throwing its occupants to the deck and knocking out its systems. The barricade in the shuttlebay flies up to contain the craft before it crashes through the wall and decompresses additional compartments of the ship. The Bird-of-Prey fires at the Enterprise , but Chekov orders immediate warp speed and she streaks away just as the torpedo misses. Klaa is enraged but impressed at Kirk's cunning and orders his officers to track the Enterprise 's course.

" Warp speed now! "

In the Galileo , the Starfleet officers and the outlaws are in various states of unconsciousness from the crash. Sybok recovers as Kirk does and both note a projectile weapon on the deck. They struggle for it but Sybok gets the upper hand and orders Kirk to change course at once. The captain agrees to take Sybok to the bridge but tries to get the weapon away from Sybok as they disembark from the shuttle. The Vulcan easily outmatches Kirk in physical strength and grabs him in a choke hold. Kirk is able to get the weapon away from him and it slides across the deck to the feet of Spock, who picks it up and orders Sybok to surrender. Sybok refuses and bluntly tells Spock he must kill him. Kirk bellows for Spock to " SHOOT HIM! " but Spock cannot and the weapon is confiscated by Sybok, who is relieved as he thought Spock might have actually done it. J'onn takes an injured Dr. McCoy and Kirk to the brig as Sybok asks Spock to accompany him to the bridge but again Spock refuses. Sybok tells him he has no choice but to join his friends in confinement. Korrd, Dar, and Talbot escort Sulu and Uhura out of the Galileo as Sybok requests a moment alone with them in order to release their pain as he had done to the others. From the observation deck , a disturbed Scott watches as the Galactic Army of Light pour out of the Galileo and out to the rest of the ship and goes into hiding.

In the brig, Kirk is cursing Spock for betraying the entire crew. Spock says it's worse than that – he's betrayed Kirk and does not expect the captain to forgive him. Kirk simply cannot believe it – why wouldn't Spock defend his ship and follow orders and just pull the trigger on the weapon he had on Sybok? Spock claims he could not because Kirk ordered him to kill his brother. Kirk is incredulous and claims he knows for a fact that Spock does not have a brother. Spock agrees that Kirk is technically correct – he has a half -brother . Dr. McCoy tries to make sense of it all – that Spock and Sybok have the same father but different mothers. Spock says that Sybok's mother was a Vulcan princess and upon her death, Sybok and he were raised as brothers. Kirk can't believe Spock never mentioned any of this to them before and Spock apologizes for it. Kirk is fuming but McCoy tells him to stop berating Spock as he could no more kill Sybok than he could kill Kirk. More to the point, they have bigger problems to deal with like escaping from the brig. " I'll say one thing, Spock. You never cease to amaze me, " McCoy says. " Nor I myself, " Spock responds. Kirk, sitting on the brig's toilet , shakes his head.

Sybok assumes command

On the bridge, Sulu and Uhura enter with several of Sybok's followers. Chekov wonders where Kirk is but Uhura tells him not to worry about it – Sybok will explain everything. As Sybok's followers begin to take up positions on the bridge, Sulu begins entering commands into the navigation console. Chekov demands to know what he's doing and Sulu answers that he is plotting their new course. Chekov is incredulous as Sulu has no authority to take that action. Sybok arrives on the bridge as Chekov demands an explanation. All Sulu will say is that Chekov simply has to listen to Sybok. The Vulcan tells Chekov that he won't force him into anything but encourages him to share his pain with Sybok as all the others have and gain strength from it. As a result, Chekov can't help but be taken into Sybok's cause like the rest. In the brig, several efforts to escape prove fruitless as Spock has personally tested the new design of the brig and found it to be "escape-proof." Back on the bridge, Sybok has fully assumed command of the Enterprise as they proceed on their new course at warp 7. As they are now underway, Sybok announces his intentions to the rest of the ship. Via the ship's intercom and computer terminals, Sybok asks the crew of the Enterprise to consider the questions of existence – the same questions that man himself has considered ever since he looked up at the stars and dreamed. They dreamed about a place where questions of existence would be answered. Although modern dogma says that place is a myth, Sybok believes it exists and has taken the Enterprise with the intent of making the greatest discovery of all time – the discovery of Sha Ka Ree , which lies beyond the Great Barrier at the center of the galaxy .

Kirk, Spock, and McCoy watch from the brig. Kirk is alarmed as the center of the galaxy cannot be reached – no ship has ever entered the Great Barrier and no probe has ever returned. Suddenly, a mysterious tapping sound is heard coming from the wall of the brig. Kirk and Spock immediately recognize it as Morse code – the taps spelling out the letters: "S," "T," "A," N," "D," "B," "A," C," "K." As they realize what the message wants them to do, the wall explodes outwards and Scott, from the other side, chides them for not recognizing a jail break when they see one. Sybok, Sulu, J'onn, and some followers enter the brig – Sybok still intent on converting Kirk, Spock, and McCoy to join his cause but realizes they have escaped. He orders Sulu and J'onn to find them. Decks below, Scott tells Kirk that the crew is sympathetic to Sybok and they cannot be trusted now. Spock reminds Kirk of the emergency communications transmitter in the observation lounge but they cannot easily access it as it is in the forward section of the ship, far and away from their current position near the bottom of the secondary hull . Scott tells them they may be able to avoid the search parties if they get there by accessing turboshaft 3 as it is closed for repairs, but warns it's a long and dangerous climb. Kirk tells Scott to finish repairing the transporter because they'll need it if they can contact a rescue ship and head for the turboshaft. As they depart, Scott inadvertently smacks his head off a low-clearance bulkhead and falls unconscious just as the red alert goes off – the search parties consisting of Sybok's followers mobilize to find Kirk, Spock, and McCoy. Sulu and J'onn quickly find Scott's unconscious body and rush him to sickbay . As the trio begin their climb, Spock immediately makes a quick and quiet exit – he realizes that using the levitation boots will be much faster than climbing up all those decks. Kirk and McCoy join him, but their added weight is too much for the boots and they begin to descend back to the bottom of the turboshaft where Sulu and a contingent of Sybok's followers have found them. Kirk orders Spock to use the booster rockets on the boots but Spock warns against it. Kirk is insistent and Spock obliges, but the boosters propel them upward at an incredible rate, nearly right into the top of the shaft. Nevertheless, they exit the shaft and head for the observation lounge.

From the lounge, Kirk sends out a distress call on the emergency channel . Starfleet Command responds, and Kirk informs them that they've been hijacked by a hostile force that has put them on a direct course for the Great Barrier and they require immediate assistance. However, the responding voice is not in fact Starfleet Command, it is Vixis aboard the Bird-of-Prey, impersonating a Starfleet officer. After Kirk signs off, Klaa orders them into the Great Barrier as well with the intent of following Kirk wherever he goes. As the three exit the lounge, they are intercepted by Sybok and his armed followers, who trusts that their message has been received. Kirk claims that he can't expect them to sit by and let Sybok take the Enterprise into the Great Barrier. Sybok claims that what Kirk really fears about the Great Barrier is that it is an unknown and cites numerous examples from Earth's history about similar fears – Christopher Columbus proving the Earth was round, Chuck Yeager breaking the sound barrier , and Zefram Cochrane achieving warp speed. Sybok desperately wants Kirk's respect and understanding and challenges the captain to hear him out. Meanwhile, in sickbay, Scott has recovered and returns to work on repairing the transporter.

McCoy releases his pain

Sybok continues to speak of Sha Ka Ree to Kirk, Spock, and McCoy – that it is Heaven , an Eden . The Klingons, Romulans, and Andorians all have different names for it but they all have a shared concept of it. For the Enterprise , that concept will soon be a reality. Kirk is less than convinced, however – the only reality he knows is that he is a prisoner aboard his own ship and challenges Sybok about the power he has over the minds of his crew. Sybok retorts that he doesn't control minds – he frees them. McCoy, a bit more inquisitive, wonders how this is accomplished. Sybok explains that he forces people to face their pain and draw strength from it. Once that's the done, he continues, fear cannot stop you. McCoy is less than convinced and compares it to brainwashing . Sybok begins to peer into McCoy's pain, claiming it runs the deepest of the three of them – he can feel it, surely McCoy can. An apparition begins to appear in the corner of the room – an elderly man in a bed, sick and dying, calling out to him. McCoy approaches it and discovers that it is his father, David . McCoy begs Sybok not to put him through this memory but Sybok continues. David weakly begs his son to help him – the pain of the disease that is afflicting him is too much to bear and he wishes to be released . McCoy turns to Sybok and laments that with all his medical knowledge, he can't save his father. Sybok whispers to McCoy that's he's a doctor – he should know the reality of that life. McCoy responds that he's also his father's son and deactivates the life support system sustaining him. He watches as his father dies before his eyes. Sybok questions why McCoy did it, who responds that he did it to preserve his father's dignity. But Sybok knows that the act itself wasn't the pain the McCoy carried with him all these years. McCoy admits that it wasn't – the real sorrow was that not long after he euthanized his father, a cure to the disease was found – had he not killed him, he might have lived. McCoy doesn't know if he did the right thing or not and hasn't been able to answer that question all this time. His pain has been released.

Sybok next turns his attention to Spock, claiming each person's pain is unique. Spock claims to hide no pain but Sybok doesn't believe him. Spock allows Sybok to proceed and another apparition appears. The image of Amanda Grayson giving birth to Spock on Vulcan appears. As Spock is born, the midwife presents the child to Sarek, who coldly regards the infant and dismisses him as being "so Human." Kirk regards Spock who is disquieted by the experience. Sybok claims he has done nothing to either Spock or McCoy and wonders if Kirk knew this about either of them. Kirk claims he did not. Sybok offers to help Kirk learn something about himself but the captain refuses. McCoy tries to tell Kirk to be a bit more open-minded about what Sybok is proposing but Kirk can't believe any of it. He knows what his mistakes are and doesn't need Sybok to point them out to him. McCoy tries to tell Kirk that Sybok took away his pain, but Kirk tries to tell him that being a doctor he should know better than anyone that pain can't be taken away with the wave of a magic wand – the good and bad experiences in one's life are what make us who we are. If one loses that, they lose themselves. Kirk is adamant that he doesn't want his pain taken away, he needs it. At that moment, Uhura's voice comes over the intercom, informing them that the Enterprise is in approach of the Great Barrier. Sybok regrets he couldn't help Kirk but believes he has swayed Spock and McCoy to his cause and asks them to join him on the bridge. McCoy agrees to go but Spock still refuses to join – he belongs right where he is, which is by Kirk's side. Sybok doesn't understand but Spock explains that while Sybok is his brother, he does not know Spock. Since the time he was an outcast boy on Vulcan until now, Spock has found himself and his place and knows who he is and he cannot go with Sybok. This rings true to McCoy, who chooses to stay with Kirk and Spock. Sybok, with a smile, allows them to remain. Kirk is still unconvinced that the Enterprise will survive the trip through the Great Barrier. Sybok challenges Kirk to be convinced that his vision was true if they do survive. Sybok claims his vision came from God , who waits for the Enterprise on the other side of the Great Barrier. Kirk cannot believe his ears and claims that Sybok is mad . Sybok, allowing the possibility to exist, says that they will see.

Act Three [ ]

" Amazing. The land… the sky… just as I knew it would be. "

The Enterprise bears down on the Great Barrier. The bridge crew, along with the three ambassadors, Sybok, and his followers, are awestruck by the swirling vortex of blue and green colored electrical energy discharging before them on the viewscreen. Sulu ominously reminds Sybok that it's been said that no ship can survive the Great Barrier but Sybok disagrees – the danger is an illusion. Chekov cannot get any sensor readings on the phenomena – is it there or isn't it? Sybok is convinced it isn't and orders Sulu to enter the Barrier. The Enterprise engages her impulse engines and breaches the barrier. The journey through is not as dangerous as had been predicted as the starship rather easily completes the journey. As the distortion clears, a planetoid appears through the mist, which looks to be made of pure energy. Kirk, Spock, and McCoy watch from the observation lounge and are awestruck, as is the rest of the crew. Sybok is overjoyed – he believes this planet is Sha Ka Ree. Kirk, Spock, and McCoy return to the bridge. Sybok says the ship needs its captain and returns command to Kirk with no conditions as he believes that even though Kirk didn't believe Sybok before, what they have discovered would seem to indicate he was right and Kirk won't refuse to investigate it. His assumption is correct and Kirk agrees to take a landing party down to the planet via a shuttlecraft and asks that the rest of Sybok's followers remain aboard until he has determined exactly what they have found. " Well, don't just stand there. God's a busy man, " he says just prior to entering the turbolift.

" What does God need with a starship? "

The shuttlecraft Copernicus heads down to the planet carrying Kirk, Spock, McCoy, and Sybok. As they descend, Spock discovers that some external force has taken control of the shuttlecraft and lands it for them. Kirk wants to bring a phaser along with him but Sybok recommends he leaves it behind. Kirk agrees and the four make their way down a mountain range. As the crew watches in amazement from the bridge, no one notices on the sensors that Klaa's Bird-of-Prey has entered into sensor range. Sybok calls out to whatever force might be on the planet, saying that they have traveled far but gets no response. With nothing apparently there, Spock attempts to console Sybok but the ground begins to shake. Large pillars explode out of the ground to form a large amphitheater-like enclosure and the sky turns completely dark. As the four move in to investigate, a magnificent blue pillar of light bursts from within the enclosure, far up into the sky and outstretching past the Enterprise in orbit. A booming voice calls out to them. McCoy wonders if it is the voice of God and indeed, a face appears that claims to suit the expectation of such an entity.

The face of God?

The Sha Ka Ree entity in the guise of Sybok

" Why is God angry? "

Sybok is convinced and vindicated. The entity claims that the journey to reach him could not have been an easy one. Sybok agrees that it wasn't – it took a starship to breach the Great Barrier. The entity wonders if this starship could carry his wisdom beyond the barrier. Sybok agrees that it could and the entity makes claim to the Enterprise . Sybok jubilantly calls the vessel his chariot. Kirk, however, is less than convinced. Why would God need a starship? The entity continues to boast what it will do with the Enterprise but Kirk presses on and repeats his question. The entity asks who Kirk is. Again, Kirk is incredulous – wouldn't it know if it really were God? Sybok tells the entity that Kirk simply has his doubts. The entity is outraged that Kirk would have the audacity to doubt it. Kirk simply states he seeks proof but McCoy cautions Kirk not to ask "the Almighty" for identification. The entity answers all of Kirk's questions by blasting him backwards with an electrical charge emanating from its "eyes". Kirk, almost mockingly, asks why "God" is angry? Sybok cannot believe that he would attack Kirk like this. Spock presses Kirk's issue on as the entity has not answered anything and repeats the question – "what does God need with a starship?" The entity attacks Spock as it did Kirk. It then turns its attention to McCoy and dares him to doubt it as well. McCoy claims he would doubt any god who would inflict pain for his own pleasure. Sybok claims to the entity that the God of Sha Ka Ree would not do such things. The entity mocks Sybok's vision of Sha Ka Ree as a vision that Sybok created himself and morphs itself into an image of Sybok and demands that he give him the Enterprise or he will destroy all four of them. It is now apparent that the this is not the God of Sha Ka Ree, Spock says, or any other god but merely a malevolent life form imprisoned on this planet behind the Great Barrier and it needs the Enterprise to escape.

" You must save yourselves. Forgive me, brother. Forgive me. "

Sybok confronts "God"

Sybok turns to Spock and cannot believe any of it. He claims his own vanity and arrogance created this situation and now he must do what he has to do to ensure that Spock, Kirk, and McCoy are protected from the entity. He begs Spock to forgive him and holds up his hand in the Vulcan salute . Spock returns it as Sybok asks the entity about his pain. The entity is caught off-guard by the question. Sybok claims it runs deep and attacks the entity. As they struggle, Kirk, on his communicator, orders Sulu and Chekov on board the Enterprise to fire a photon torpedo at the encompassing entity. Chekov protests as Kirk, Spock, and McCoy are too close but Kirk tells him to fire immediately. The Enterprise opens fire and the torpedo obliterates the amphitheater. Spock laments that Sybok has been lost in the blast, but the entity has not been completely destroyed. Kirk and the others make a hasty escape back to the Copernicus but Spock finds that the thrusters have been rendered inoperative as the entity then violently shakes the shuttlecraft. Kirk flips open his communicator and begs with Scott to tell him that he has finally repaired the transporter. Scott replies that it has partial power and might be able to beam up two of them. Kirk tells Scott to bring up Spock and McCoy, the latter of which protests all the way up. Back aboard, Spock instructs Scott to now bring up the captain, but before he can, Klaa's Bird-of-Prey opens fire on the unshielded Enterprise , severely damaging her. Kirk now finds himself face to face with the entity, who has manifested itself in the cockpit of the Copernicus . The captain takes off running with the entity in pursuit.

Spock and McCoy return to the bridge, which is in a state of disarray. Klaa hails them and claims he hasn't destroyed them yet because he has come for James T. Kirk and promises to spare the lives of the crew if Kirk is handed over. Spock claims that Captain Kirk is not among them, he is on the planet below. Klaa wants his coordinates but Spock has a better idea. He asks General Korrd for his assistance as he is Klaa's superior officer. Korrd is skeptical about what good he can do as, while he might have been a great military leader at one time, he is now a "foolish old man." Spock implores Korrd to at least try and rehails Captain Klaa, stating that someone wishes to speak with him.

" So, it's me you want, you Klingon bastards?! "

On the surface of the planet, Kirk is pursued by the entity. With nowhere to hide from it, Kirk stares down his impending death as the entity closes in for the kill when Klaa's Bird-of-Prey closes in and destroys it with a thunderous blast from its disruptors. Kirk realizes that the Klingons have come for him as they target their disruptors in his direction next, but is surprised when they instead beam him aboard. The captain is escorted to the bridge where, to his great surprise, General Koord has ordered Captain Klaa to apologize to Kirk – the attack on the Enterprise was not authorized by the Klingon Empire. Koord entreats Kirk to meet the new gunner of the Bird-of-Prey. From the gunnery chair, Spock spins around and welcomes Kirk aboard – it was Spock who saved Kirk's life from the entity. Kirk tells him that he thought he was going to die, echoing their earlier conversation around the campfire. Spock, likewise, tells him that it was impossible as the captain was never alone. Kirk, feeling like he wants to hug Spock, moves to do so but Spock advises against it – not in front of the Klingons.

Comrades in arms

Aboard the Enterprise , the Starfleet crew hosts a reception in the observation lounge for the Galactic Army of Light, the three ambassadors and Klaa's crew, reflecting on their voyage to the center of the galaxy. Even Klaa himself offers a sign of respect to Captain Kirk, one warrior to another, which Kirk reciprocates. As McCoy and Spock speculate on whether or not God is actually out there, Kirk postulates that while God might not be out in space, perhaps he goes with them wherever they are in the Human heart. As Spock mourns the death of his brother, Kirk comforts him by relating that he once lost a brother. While McCoy may have thought he was referring to his late brother George Samuel Kirk , the captain adds that he was lucky enough to get that brother back, implying Spock, instead. McCoy challenges Kirk's earlier claim at the campfire that "men like us don't have families," but, Kirk concedes that he was wrong – that both Spock and McCoy are his family, and the three of them resume their trip in Yosemite, this time with Spock singing "Row, Row, Row Your Boat" and playing the song on his Vulcan harp .

Log entries [ ]

Memorable quotes [ ].

" Each man hides a secret pain. It must be exposed and reckoned with. It must be dragged from the darkness and forced into the light. "

" 'You'll have a great time, Bones. You'll enjoy your shore leave. You'll be able to relax.' You call this relaxing? I'm a nervous wreck. If I'm not careful I might end up talking to myself. "

" Captain, I do not think you realize the gravity of your situation. " " On the contrary, gravity is the foremost on my mind! "

" Goddamn irresponsible! Playing games with life! "

" Mind if we drop in for dinner? "

" Borgus frat! 'Let's see what she's got,' said the captain. And then we found out, didn't we?! "

" You really piss me off, Jim! Human life is far too precious to risk on crazy stunts! "

" I've always known I'll die alone. "

" It's a song, you green-blooded… Vulcan. You sing it. The words aren't important. What's important is that you have a good time singing it. " " Oh, I am sorry, doctor. Were we having a good time? " " God, I liked him better before he died! "

" Captain. " " Spock, we're on leave. You can call me Jim. " " Jim. " " Yes, Spock? " " Life is not a dream. " " Go to sleep, Spock. " " Yes, captain. "

" You told me you could get this ship running in two weeks. I gave you three! What happened? " " I think you gave me too much time, captain. "

" I could use a shower. " " Yes. "

" Jim, if you ask me – and you haven't – I think this is a bad idea. We're bound to bump into the Klingons, and they don't exactly like you. " " The feeling's mutual. "

" We'll beat those Klingon devils even if I have to get out and push. "

" I miss my old chair. "

" Imagine that. A passionate Vulcan. "

" Hello, boys. I've always wanted to play to a captive audience. "

" Be one with the horse! "

" Forgive you? I ought to knock you on your goddamn ass! " " If you think it would help. " " You want me to hold him, Jim? "

" I'll say one thing, Spock. You never cease to amaze me. " " Nor I, myself. "

" This person didn't by chance have pointed ears and an unending capacity for getting his shipmates into trouble, did he? " " He did have pointed ears. "

" Spock, my only concern is getting the ship back. When that's done and Sybok isn't here, then you can debate Sha Ka Ree until you're green in the face. "

" What are you standing around for?! Do you not know a jailbreak when you see one?! "

" I know this ship like I know the back of my hand. "

" I'm afraid of nothing. "

" I don't control minds. I free them. "

" I don't want my pain taken away. I need my pain! "

" You are mad. " " Am I? We'll see… "

" Are we dreaming? " " If we are, then life is a dream. "

" Is this the voice of God? " " One voice, many faces. "

" Who is this creature? " " Who am I? Don't you know? Aren't you God? "

" Jim, you don't ask the Almighty for his ID! "

" You have not answered his question! What does God need with a starship? "

" Do you doubt me? " " I doubt any god who inflicts pain for his own pleasure. "

" Stop! The god of Sha Ka Ree would not do this!! " " Sha Ka Ree?! A vision you created. An eternity I've been imprisoned in this place! The ship. I must have the ship! Now… give me what I want! "

" What's wrong? Don't you like this face? I have so many, but this one suits you best. "

" I couldn't help but notice your pain. " " My pain? " " It runs deep. Share it with me! "

" General, I require your assistance. " "My assistance? " " You are his superior officer. " " I am a foolish old man. " " Damn you, sir! You will try! "

" I thought I was going to die. " " Not possible. You were never alone. "

" Please, captain. Not in front of the Klingons. "

" Cosmic thoughts, gentlemen? " " We were, speculating… is God really out there? " " Maybe He's not out there, Bones. Maybe He's right here… the Human heart. "

" I was thinking of Sybok. I have lost a brother. " " Yes. I lost a brother once . But I was lucky, I got him back . "

Background information [ ]

• Co-Writer and Director William Shatner once remarked that he initially intended this movie to be written by thriller and fantasy author Eric Van Lustbader . " My biggest failure [in the making of the film] was I had read some books by Eric Van Lustbader, who had written some wonderful novels about an American in Japan and how out of place he felt. I thought, 'God, that'd be perfect for a Spock movie.' I went to see him and we walked the streets of New York pondering the plot of Star Trek , " Shatner recalled. " He was a fan. I thought, 'God, I've got a bestselling author ready to do a Star Trek .' And then they couldn't agree on the novel rights. So I lost him and my movie was going downhill before it even started. " ( 50 Years of Star Trek , p. 15)
• William Shatner stated in his memoir Star Trek Movie Memories (1995, pp. 278-279) that he came up with the story idea of the search for what turned out to be a false god, while he was watching the at-the-time controversial televangelist couple Jim and Tammy Faye Bakker, on television. He became amazed and disgusted by the idea how such vulgar people had the audacity to purport they alone were the harbingers of God and had become rich from donations by their followers.
• Though Paramount Pictures President Frank Mancuso, Sr. was a religious man, he was sympathetic to Shatner's story outline and green-lit the production of the movie when Shatner pitched his story outline to him in person. ( Star Trek Movie Memories , 1995, p. 282)
• Star Trek creator Gene Roddenberry had, since Star Trek: The Motion Picture , no formal creative say in the Star Trek films by that time, only the title of "Executive Consultant". All subsequent movies were vehemently resisted by Roddenberry, particularly The Final Frontier . Roddenerry went as far as to have his attorney Leonard Maizlish prepare legal procedures against Shatner. The legal action did not proceed. Roddenberry's position did not allow for this but Roddenberry declared the film "apocryphal". ( Star Trek FAQ 2.0 , chapter 13; Star Trek Movie Memories , 1995, pp. 283-284)
• The Final Frontier approximated Roddenberry's atheist worldview, and was reminiscent of his own 1975 unrealized movie script The God Thing , a reworked version of which became In Thy Image and then, reworked further, the script for The Motion Picture . Richard Arnold , who was working at Roddenberry's office at the time, was present when the first story outline of The Final Frontier was delivered to Roddenberry as an FYI, later explaining to Shatner why Roddenberry reacted as he did, " So when you came along, though it was years later, with very similar themes, Gene was really hurt. I think it hurt Gene's ego that you finally going to tell the story that he wanted to tell ten years earlier. You were about to succeed where he had failed. At the time, Gene's secretary, Susan was making matters worse by walking around the office stating things like 'I can't believe it! He stole your idea. Bill's an asshole. Bill's a bastard.' So that did not help, and additionally, I know there was a fairly legitimate concern on Gene's part that your sense of humor [in regard to the way the secondary cast was eventually portrayed in the movie] was a little different than had ever been visualized before. " While Susan Sackett's reaction might be construed as personally motivated, she actually had, in all fairness, a point; Shatner himself has related how he had stumbled upon Roddenberry ten years earlier when the latter was busy writing The God Thing , and was on that occasion given a beat-for-beat summary of the story. Some of this may have nestled in Shatner's subconscious. ( Star Trek Movie Memories , 1995, pp. 46-49, 289-291) Though Shatner had implied as much in his memoir, Arnold's remarks confirmed that Shatner had neither consulted nor communicated with Roddenberry even once, during the entire production of the movie.
• Co-Writer/Producer Harve Bennett , partly responsible for the three previous successful Star Trek movies, initially did not want to make the film as both his relationship with several key production staffers, in particular with Leonard Nimoy , had started to deteriorate with Star Trek IV: The Voyage Home . He was also fed up with Roddenberry's interloping. Shatner trusted Bennett, but had a hard time convincing him to come aboard. ( Star Trek Movie Memories , 1995, pp. 283-285)
• Star Trek V , released in June 1989, was the last Star Trek movie to be released in the summer months until 2009's Star Trek .
• Star Trek V was the first Star Trek production to be made in tandem with another ( Star Trek: The Next Generation , whose second season was in production during the filming) and one of only two productions to be made during that time period without any involvement from Rick Berman .
• Star Trek V has provoked controversy among fans. Many consider this movie to be the weakest Star Trek film ever made, although financially, the later Star Trek Nemesis performed even worse worldwide, though it was initially the number one film at the box-office on its first weekend of release and grossed a solid US$17 million. It ultimately earned over $52 million in the US and Canada plus over $17 million overseas. [1] It was not as successful as its predecessor, Star Trek IV: The Voyage Home , which had grossed US$109.7 million in North America alone. ( see also : Star Trek films: Performance summary )
• During the 1988 Writer's Guild of America strike, the film's pre-production and shooting schedule were severely trimmed.
• Paramount decided that Star Trek V would be as comedic as Star Trek IV .
• Star William Shatner made a deal with Paramount that if Star Trek IV was successful, he would be contracted to direct the next film, although according to Star Trek Movie Memories (1995, p. 244), both William Shatner and Leonard Nimoy had what Shatner referred to as "favored nation clauses", in their contracts meaning essentially that what one got, the other got. According to Shatner, it was Nimoy who put the idea of directing Star Trek V in his head during the production of Star Trek IV , telling Shatner that because of their favored nation status, he could successfully demand to direct the next film.
• There was public dissatisfaction with Star Trek: The Next Generation among fans at the time.
• Industrial Light & Magic (ILM) was not contracted to do the effects for the film, due to the unavailability of the company, with the job going to a lesser known company, Associates & Ferren . The result was poor quality, and in some cases, obviously unfinished special effects shots.
• Intense competition during the summer of 1989 with the release of a multitude of blockbusters, including the long awaited Tim Burton Batman film, Lethal Weapon 2 , Ghostbusters 2 , and Indiana Jones and The Last Crusade (according to Harve Bennett in Star Trek Movie Memories – 1995, pp. 395-396).
• Principal photography began on 11 October 1988 and ended on 28 December of the same year. The first scene filmed was Harve Bennett's cameo as Rear Admiral " Bob ". Production began shooting at Yosemite National Park , then moved to the Mojave Desert , then back to Paramount Studios, where they filmed next door to Star Trek: The Next Generation . The last scenes filmed were the Kirk-Spock-McCoy trio's campfire singalongs. ( Star Trek V: The Final Frontier DVD special features)
• On 28 December, the last production day (only a few missing special effects shots were filmed that day), a press conference was held on the set to various newspaper, television, and radio reporters. Producers Harve Bennett and Ralph Winter, director William Shatner , and the entire Star Trek main cast participated, answering questions. ( Star Trek V: The Final Frontier DVD special features)
• The Star Trek V novelization also references and shows Sybok showing the crew how to radically adjust the deflector shields in order to be able to pass through the extreme radiation environment of the Great Barrier .
• Another oddity is the Enterprise 's trip to the center of the galaxy, which should have taken decades but seemed to occur in less than a day. In the novelization of Star Trek V , it is mentioned that Sybok's tinkering allows them to decrease their travel time. The Bird-of-Prey scans the Enterprise during their pursuit and is able to duplicate their rate of travel as well as Sybok's shield modifications allowing them to penetrate the Barrier.
• The film was the "winner" of the 1990 Razzie awards for "Worst Picture," "Worst Actor" (Shatner), and "Worst Director" (Shatner). It also received nominations for "Worst Picture of the Decade," "Worst Supporting Actor" (Kelley), and "Worst Screenplay" (Loughery, Shatner, and Bennett). In 2006, former Mystery Science Theater 3000 co-stars and writers Mike Nelson and Kevin Murphy mocked the film in a downloadable audio commentary track for Nelson's RiffTrax service.
• Because of its failure at the US box office, in some countries this film was not distributed in the theaters, but only on VHS.
• In the United Kingdom the film was released theatrically on 20 October 1989 . The Final Frontier was a modest success, opening at the top of the box office and earning £1,451,378 overall. [4]
• Some of the special effects in this movie are markedly different than those featured in previous Star Trek films. Among other changes, photon torpedoes have a different design and color (the torpedo from the Enterprise was a slightly recolored reuse of V'ger 's "whiplash bolt" from The Motion Picture , and a slightly different effect was used when going to warp speed. The release of Star Trek VI: The Undiscovered Country , however, marked a return to the effect designs that characterized earlier Trek films.
• ILM, the company which did the special effects for the previous three Star Trek films and TNG : " Encounter at Farpoint ", was unavailable because the company was working on Indiana Jones and the Last Crusade and Ghostbusters II at the time. The result of this is the considerably cheaper-looking effects seen in the film.
• The sequence of "God" chasing Captain Kirk on the Sha Ka Ree planet was originally conceived to be much longer and extensive, but it had to be severely cut as a result of awful-looking special effects.
• In addition, some of the outer space shots are stock footage from the previous films. The shot of the Enterprise in spacedock is from the end of The Voyage Home . Also, a few Klingon Bird-of-Prey shots are reused from Star Trek III: The Search for Spock . The spiraling starfield during Kirk's unfinished log entry is lifted from the opening titles of Star Trek II: The Wrath of Khan .
• William Shatner's first outline for this film was entitled "An Act of Love" and, according to William Shatner's Star Trek Movie Memories, would have been a much darker tale and would have seen the first true falling out between Kirk and Spock and McCoy. Also, Spock and McCoy would also have joined with Sybok, leaving Kirk alone. This was changed when Nimoy absolutely refused to play that, stating that there was no chance whatsoever that Spock would ever turn on Kirk, especially after what Kirk risked and sacrificed for Spock in Star Trek III . Director Shatner talked to Nimoy, attempting to change his mind, but Nimoy was firm in believing that pain or no pain, brother or no brother, Spock would not betray Captain Kirk. Shatner eventually conceded and had the script adjusted. In the book, Shatner comments that he was aware there was no chance he could know Spock as well as Nimoy would and he certainly couldn't force Nimoy to play the part as written. According to Shatner, on the same day that Nimoy objected, DeForest Kelley also refused, believing that McCoy would not turn against Kirk either and Kelley was as adamant about it as Nimoy was. Shatner said that he didn't know and still doesn't know if changing the script was the right decision to make, but he also conceded that if someone else had come in and written a scenario where Kirk would turn against Spock and McCoy, he too, would "raise the roof" over it. Nevertheless, Shatner said he would still have loved to have seen and been able to play the original version of the scenario.
• The name "Sha Ka Ree" was taken from " Sean Connery ", the actor Star Trek producers originally wanted to play Sybok. Unfortunately, Connery was busy working on Indiana Jones and the Last Crusade , and was unavailable to play the part. ( Star Trek Movie Memories 1995, p. 292)

The "Rock Man" in the deleted scene

• In the original script, Kirk was attacked by ten large "rockmen" emerging from the rock faces of Sha Ka Ree. Unfortunately, with an extremely limited budget (which was responsible for other "high budget" items being removed from the final script, as well as for the use of cheaper effects for the space scenes), only one animatronic " Rock Man ", portrayed by stuntman Tom Morga , was created. The single rockman was filmed attacking Kirk, but the scene was thought too poor to include in the film, although an extremely brief (a few frames) glimpse of the creature occurs in the final print during the scene where "God" fires energy blasts at Captain Kirk. Some test footage of the creature is available in the Special Edition two-disc DVD release. The idea did make it to theaters in the Star Trek parody Galaxy Quest . A few images of Morga as the rockman were later released in the special feature "Tom Morga: Alien Stuntman" on the 2009 box release Star Trek: Original Motion Picture Collection (DVD) .
• Closeups of the El Capitan climbing scenes were filmed on a fake wall made of fiberglass. The real mountain can be seen at distance.
• Closeups of Kirk's fall were actually shot horizontally, then flipped so that they appeared vertical.
• When Kirk returns to the bridge of his ship for the first time, he is given his uniform jacket by a yeoman . The yeoman is played by Shatner's youngest daughter, actress Melanie Shatner , and had been credited for it as such. Incidentally, her two older sisters, Lisabeth and Leslie , had already had uncredited cameo appearances as two of the Only girls in Star Trek: The Original Series episode " Miri ". Upon the conclusion of the movie, daughter Lisabeth wrote a book on her father's experiences making the movie, Captain's Log: William Shatner's Personal Account of the Making of Star Trek V: The Final Frontier .
• Several deleted scenes are available on the Special Edition DVD, including one of Sulu and Chekov visiting the Mount Rushmore monument, with the added face of an African-American woman.
• The novelization has some additional dialogue about Spock and McCoy speculating that the great barrier might not have been meant to keep them out, but to keep "God" in, prompting Spock to say that they may have yet to reach the final frontier.
• As had been the case with Star Trek IV: The Voyage Home , this film sports a rare instance of Trek product placement . Kirk and McCoy wear Levi's blue jeans for the first half-hour of the film, and Levi Strauss & Co. gets a credit at the end of the film.

Kraft Marshmallow Dispenser

• Spock makes an uncharacteristic mistake when he calls "marshmallows" by the name "marsh melons". The novelization shows that McCoy, knowing Spock would want to study what the ship had in the library computer about camping out before going out, paid a computer tech to change all references in the Enterprise computer about marshmallows to "marsh melons." The novel also includes characterizations of McCoy's and Kirk's reactions and McCoy having a silent laugh at Spock's error. In the final picture, McCoy simply stumbles over the pronunciation to continue the joke. Later, in the levitation boots scene on the Enterprise (mentioned below), Kirk again mentions "marsh melons", which some have thought to be the mistake, but is evidence he also recognized Spock's error. When they return to the camp site at the end of the novel, Spock has since then detected McCoy's activity and has had his misinformation corrected.
• The entire movie was filmed on such a tight schedule that many of the shots were set up in a matter of minutes, instead of hours.
• According to Shatner, the campfire scenes had to be shot in closer angles, because time and budget constraints prevented the production team from building the top of the trees on the set.
• The cloak with the numerous medals that Ambassador Korrd wore appeared again in Star Trek: The Next Generation as the cloak worn by the Klingon chancellor . The first chancellor to be seen, K'mpec (who first appeared in TNG : " Sins of The Father "), was also played by Charles Cooper .
• During location shooting, locals were hired to portray Sybok's "army" during his raid on Nimbus III . Because of the severe budget cuts and not enough number of these extras, many of them were re-used in different shots, running through the gates over and over again.
• One of Kirk's famous lines in this film is his prediction that he "will die alone." In the movie Star Trek Generations , Kirk dies after emerging from the Nexus in the 24th century . Although he dies apart from his closest friends (Spock and McCoy), Jean-Luc Picard is with him at his passing.
• Near the end of the film when Spock mentions that he lost his brother, Sybok, Kirk retorts, " Yes. I lost a brother once. I was lucky I got him back. " While Kirk's biological brother, George Samuel Kirk , died in TOS : " Operation -- Annihilate! ", he was clearly making a reference to Spock, who died in Star Trek II: The Wrath of Khan and was resurrected in Star Trek III: The Search for Spock . (However, Spock and McCoy look visibly surprised when Kirk mentions having lost a brother, creating a potential continuity error as both were present when George died.) This is the second time that Kirk refers to Spock as his "brother". The first time occurred in TOS : " Whom Gods Destroy ". The Star Trek V: The Final Frontier comic book adaptation had Kirk say " I've lost two brothers, but I was lucky to get one of them back. "
• After the Bird-of-Prey destroys "God", Kirk says, " So, it's me you want you Klingon bastards? ", a reference to a scene in Star Trek III: The Search for Spock in which Kirk calls them the same thing after Kruge kills his son, David Marcus .
• Shatner originally wanted Sybok's horse to be a unicorn, adding a more "mythical" approach to the character, but Gene Roddenberry disapproved of it, saying that it would turn Star Trek into a space fantasy instead of science fiction. ( citation needed • edit )
• This is the first Star Trek movie not to be nominated for a Hugo Award for "Best Dramatic Presentation".
• In an interview for the book Captains' Logs , Harve Bennett blamed the movie's failure on Star Trek: The Next Generation .
• Shatner had been so impressed with Production Designer Herman Zimmerman 's work on The Next Generation , that he hired Zimmerman to upgrade the Enterprise interiors for the film. Hence, the upgraded bridge from the movie resembles the bright atmosphere portrayed in The Next Generation . Decades later Zimmerman later jokingly commented after seeing the film, considered so flawed by many, " After the show was over, I was pretty sure I would never do another! " ( The Art of Star Trek , p. 249; Star Trek: 45 Years of Designing the Future )
• The Enterprise -A corridors are from The Next Generation . Except for the turbolift, they were not changed for the movie.
• The Enterprise -A bridge is mostly a new set, except for the turbolifts, Sulu and Chekov's helm console, the handrails, and some of the platforms on which the portions of the bridge stood. According to the Collector's Edition DVD text commentary, a new bridge set was necessary due to the original movie bridge set being mostly damaged by a sudden windstorm while in temporary storage at the Paramount studio parking lot (other sources have the reason for the new bridge set's construction as being because it had been extensively modified for use on TNG to the point that it could not be converted back), and only those few pieces used on the Enterprise -A bridge were salvaged from the original set. Captain Kirk would thus seem to briefly break character when he muses, " I miss my old chair. " The decoration from the salvaged set was also used for the Stargazer bridge and for the battle bridge in TNG.
• Another all-new set was the forward observation lounge where several dramatic scenes take place. According to Michael Okuda , this room was located on the forward-center edge of the saucer section (much like Ten Forward on the Enterprise -D). However, when looking at the exterior of the Enterprise -A, there are no windows which match the location of this room. The plan was to update the filming miniature with the three larger windows, however time and budget constraints forced the producers to omit this change as it was believed they would be unnoticed due to their small size. ( citation needed • edit )
• Nichelle Nichols, an accomplished singer and dancer, provided an authentic performance of the "fan dance" routine in this film; she was outraged when her vocals in the scene were later overdubbed in editing without her approval.

Unreleased Star Trek V: The Final Frontier video game

• A Bandai Nintendo Entertainment System action game was slated to be released in 1989 along with the movie. The game was canceled following the failure of the film at the box office. A prototype has surfaced and is circling the net as a ROM. It is notable for its many basic spelling errors (example: at one point Scotty is named "Scotto") and lack of an ending (the game may have been incomplete at the time it was scrapped).
• This film marked the return of Jerry Goldsmith to the Star Trek franchise. He returned again to compose the music for Star Trek: First Contact , Star Trek: Insurrection , and Star Trek Nemesis , and to compose the theme for Star Trek: Voyager . An attempt was made to bring Goldsmith on to compose for Star Trek VI: The Undiscovered Country after James Horner turned it down. However, Goldsmith also refused, citing the poor results of Final Frontier .
• Among the items featured in this film which were sold off on the It's A Wrap! sale and auction on eBay were a Starfleet Field Duty Commando division strip [5] and the stunt costume for David Richard Ellis . [6] The rock climbing costume worn by Shatner was also auctioned off. [7] The costume had "Boreal"-brand shoes.
• This is the only one of the first six Star Trek films not to feature any scenes based in and around Starfleet Headquarters in San Francisco .
• The otherwise very Star Trek friendly magazine Cinefantastique has made no mention whatsoever of this production in their publications.
• A draft version of the film's script was submitted on 29 February 1988 . [8]
• This is the first Star Trek film to use the 1986-2002 Paramount Pictures logo.
• CBS aired its one and only Star Trek movie network TV premiere with Star Trek V: The Final Frontier on December 3, 1991, a good three days ahead of Star Trek VI: The Undiscovered Country opening in cinemas nationwide.

Star Trek V continues the story of the previous film only a short time after its ending, where the Enterprise -A departs for its shakedown cruise. This film begins with the Enterprise back in spacedock and Scott filing in his shakedown cruise report. The previous film, Star Trek IV , is dated to 2286 , when Gillian from 1986 mentions that she has three hundred years of catching up to do, suggesting this film takes place in 2286, or at the latest in 2287 .

In the film, Caithlin Dar makes a reference that Nimbus III was established as a planet of galactic peace 20 years ago, when the Federation and the Klingon and Romulan Empires attempted unsuccessfully to usher into a new era of peace and co-operation. While not explicitly stated, these are references to the Organian Peace Treaty of 2267 at the end of " Errand of Mercy " and the Romulan-Klingon Alliance some time in or before 2268 based on references from " The Enterprise Incident " and " Reunion " These references give Star Trek V a timeframe from 2286 to 2288 .

In the Star Trek: The Next Generation episode " Evolution " (broadcast as the third-season premiere), it is mentioned by Lt. Commander Data that " [there] has not been a systems-wide technological failure on a starship in seventy-nine years. " The episode was the very first filmed TNG installment to air following the June 1989 theatrical release of Star Trek V: The Final Frontier (in September 1989), and this line of dialogue was very likely written by Michael Piller as a "nod" to the events of the most-recent movie, placing the events of the film in the year 2287 (seventy-nine years prior to the year 2366 ).

Another complicating factor is that the film itself makes it quite clear that it picks up just a few weeks after the events of Star Trek IV given how Kirk points out that Scotty said he could have the Enterprise ready in two weeks and Kirk gave him three. Additionally, we are told in Kirk's log entry at the start of Star Trek IV that the movie takes place three months after the end of Star Trek III which in turn picks up immediately where Star Trek II leaves off at. Kirk's birthday, which was celebrated in Star Trek II , was established as March 22 by an okudagram from ENT : " In a Mirror, Darkly, Part II ". Due to these factors, assuming Star Trek II takes place on March 22, 2285, Star Trek III is likely set in April 2285, Star Trek IV is likely set in July 2285, and Star Trek V is likely set in August 2285.

StarTrek.com , Star Trek Chronology , and Star Trek Encyclopedia , 3rd ed., p. 691 use the year 2287, or twenty years after the Organian Peace Treaty. Memory Alpha uses this year, as well.

Characters [ ]

During production of The Original Series , James Doohan took pains to conceal his right hand from the camera, due to it missing a finger as the result of an injury the actor suffered in the Second World War, and when close-ups of Scott's hands were required a body double was used. Thus, Scott canonically was not missing any fingers during the TOS timeframe. In this film, Doohan's injured hand is clearly visible in one scene, ( citation needed • edit ) establishing in canon that, at some point between TOS and Star Trek V , Scott lost a finger, for reasons as yet unrevealed.

Merchandise gallery [ ]

Awards and honors [ ]

Star Trek V: The Final Frontier received the following awards and honors.

Apocrypha [ ]

The novel The Fire and the Rose shows that as Spock began to regret undertaking the Kolinahr , that he remembered what Kirk had told Sybok about how the regrets and the pain one carries with them is part of what makes them who they are and it does help in Spock's decision to reverse the Kolinahr .

The Sha Ka Ree entity is identified in The Q Continuum trilogy as The One, a being that was drawn into this universe through the Guardian of Forever by the entity known as 0 , subsequently being defeated in a confrontation with the Q Continuum and locked away in the galactic center – having been reduced to only a head – until His repentance or the heat death of the universe, "whichever comes first."

Vonda McIntyre 's novelizations of Star Trek: The Wrath of Khan , Star Trek III: The Search for Spock and Star Trek IV: The Voyage Home had Hikaru Sulu 's rank at captain (based on cut material from Star Trek II ) for sake of continuity within the novels. When J.M. Dillard wrote novelization of Star Trek V: The Final Frontier , she included a reference that Sulu had taken a temporary reduction in rank back down to commander in order to serve on the Enterprise , a decision which, when Kirk found out, made him furious at Sulu for not thinking of his own career first, and after giving Sulu hell about that decision, Kirk thanked him afterward.

According to the novel The Sorrows of Empire , McCoy's mirror universe counterpart was also responsible for his father's death, though under dramatically different circumstances: he tortured him to death on the orders of the Terran Empire .

The massively-multiplayer online video game Star Trek Online features Nimbus III as a location players can travel to, including Paradise City and its featured bar. There are other adventures players can partake in out in the neighboring desert wasteland, including one of the first introductions of the Elachi race to non-Romulan players.

Links and references [ ]

Credits [ ], opening credits [ ].

• William Shatner
• Leonard Nimoy
• DeForest Kelley
• James Doohan
• Walter Koenig
• Nichelle Nichols
• George Takei
• David Warner
• Laurence Luckinbill as Sybok
• Gene Roddenberry
• Jerry Goldsmith
• Nilo Rodis-Jamero
• Peter Berger , ACE
• Herman Zimmerman
• Andrew Laszlo , ASC
• Ralph Winter
• William Shatner & Harve Bennett & David Loughery
• David Loughery
• Harve Bennett

Closing credits [ ]

• Kirk – William Shatner
• Spock – Leonard Nimoy
• McCoy – DeForest Kelley
• Scotty – James Doohan
• Chekov – Walter Koenig
• Uhura – Nichelle Nichols
• Sulu – George Takei
• St. John Talbot – David Warner
• Sybok – Laurence Luckinbill
• Korrd – Charles Cooper
• Caithlin Dar – Cynthia Gouw
• Captain Klaa – Todd Bryant
• Vixis – Spice Williams
• J'onn – Rex Holman
• " God " – George Murdock
• Young Sarek – Jonathan Simpson
• High Priestess – Beverly Hart
• Pitchman – Steve Susskind
• Starfleet Chief of Staff – Harve Bennett
• Amanda – Cynthia Blaise
• McCoy's Father – Bill Quinn
• Yeoman – Melanie Shatner
• Glenn R. Wilder
• Don Pulford
• Greg Barnett
• David Burton
• David Richard Ellis (stunt double for Laurence Luckinbill )
• Linda Fetters ( Feline bar dancer )
• James M. Halty (stunt double for George Takei )
• Freddie Hice (stunt double for DeForest Kelley )
• Thomas Huff (stunt double for DeForest Kelley)
• Joyce L. McNeal
• Tom Morga ( Starfleet field security crewman / Rock Man ( deleted scene ))
• Frank Orsatti
• Air Randall
• Bruce Wayne Randall
• R.A. Rondell
• Tom Wetterman
• Scott Wilder ( Starfleet field security crewman )
• Douglas E. Wise
• Burt "Skip" Burnam
• George Fortmuller
• Brooke Breton
• Bill Shepard , CSA
• Bran Ferren
• Keith Peterman
• Phil Caplan
• Kenneth Nishino
• Dick Meinardus
• Dennis B. Seawright
• Jeffrey S. Thorin
• David Ronne , CAS
• John Schuyler
• Stewart D. McDonald, Jr.
• Michael L. Wood
• Mike Edmonson
• Dodie Shepard
• John D. Bronson
• Raymond A. Phelps
• Joseph R. Markham
• Donna Barrett Gilbert
• Hazel Catmull
• Kenny Myers
• Michael Mills
• Jan Alexander
• Edouard Henriques III
• Katalin Elek
• Rolf John Keppler
• Ellis Burman
• Marion Tumen
• Donald O. Nygren
• Richard Hartley
• Carmon H. Howell
• Burton Lindemoen
• Jon A. Falkengren
• John M. Dwyer
• Anthony Brockliss
• Sandy L. Veneziano
• Ronald R. Wilkinson
• Richard Frank McKenzie
• Andrew Neskoromny
• Antoinette Gordon
• Michael Okuda
• Cari Thomas
• Rick Sternbach
• Barton M. Susman
• Kurt V. Hulett
• Richard J. Bayard
• John Matheson
• Gary A. Clark
• James H. Betts
• Linda Miller
• Jeff McGrath
• Michael Mann
• Raymond A. McLaughlin
• Gaston Veilleux
• Corky Randall
• Thomas B. Jones
• Terry Erdmann
• Bruce Birmelin
• George C. Villaseñor
• John A. Haggar
• Christopher E. Bennett
• Reel People, Inc.
• Mark Mangini
• Alan Howarth
• Michael J. Benavente
• Warren Hamilton, Jr. , MPSE
• David A. Whittaker , MPSE
• Wayne Allwine , MPSE
• David Spence
• Ron Bartlett
• Solange Schwalbe Boisseau
• Kenneth Dufva
• Gregory J. Curda
• Andrew Patterson
• Bill Voigtlander
• Sonny Pettijohn
• Destiny Borden
• Angie Luckey
• Ken Johnson
• David Moreno
• Chris Jenkins
• Gary Alexander
• D.M. Hemphill
• Scott Austin
• Marc Okrand
• Arthur Morton
• Bruce Botnick
• Record Plant Scoring
• Valerie Mickaelian Kucera
• Tony Criscione
• Marie Elder
• Paul F. Schlichting
• Eva Marie Friedrick
• Mary Jo Fernandez
• Charlene Bergman
• Kimberly Boyle
• Rebeca R. Brookshire
• Susan Sackett
• Wendell Johnson
• Deborah L. Campbell
• James Collins
• Barbara Harris
• Denali Productions, Inc.
• Robert Carmichael
• Stephen J. Ross
• Susan McCrae
• Rob Sweeney
• Michael Weis
• John McCloud
• Bernie Pock
• Paul Sibley
• Werner Braun
• Jim Bridwell
• Bill Russell
• Sean Plunkett
• Steven Haire
• Nadim Melkonian
• Troy Johnson
• Walter Shipley
• Dean Miller
• Joe Valentine
• Bill Killey
• Bob Stradling
• Associates & Ferren
• Eric Angelson
• James Shelly
• Patricia Barry
• Susan Le Ber
• Susan Coursey

Live Action Effects Unit [ ]

• Frost Wilkinson
• Phil Gosiewski
• Bruce Vaughn
• Phil Cullum
• Paul Jordan
• Seth Nathanson
• Bob Francis
• Miles Ambrose
• Otto Leichliter
• Ron Webster
• Chester Hartwell
• Kinnereth Ellentuck
• Alan D. Webb

Model Unit [ ]

• Peter Wallach
• Edward Lee Rapp
• Michael Sullivan
• Jack Riedel
• Robert Lyons
• Michael Faerman
• Rachel A. Drapkin
• Peterson Tooke
• Paul Michael Clemente
• David V. Mei
• Michael Tabacco
• Valentine Vignes
• Daniel Nauke
• Michael Gerzevitz
• Michael Kellough
• Thomas Quinn
• Noel Sheinberg
• Susan Tremblay
• David Drapkin
• David Bruce
• Maria Konwicka
• Veronica E. Lesser
• Gregory Jein, Inc.

Optical Unit [ ]

• Dick Swanek
• Robert Rowohlt
• John Alagna
• Mitch Wilson
• Robert Schulze
• Tom Snowden
• Louis Goold
• Michael Ventresco
• Gregory Harker
• Valerie Baiardi
• Eddie Stewart
• Stewart Brown

Additional Optical Effects [ ]

• Barry Hyman
• Peter Kiran
• Illusion Arts, Inc.
• Marc Sawicki
• Industrial Light & Magic
• Epic Records, Cassettes and Compact Discs
• Music by: Jerry Goldsmith
• Lyric by: John Bettis
• Performed by: Hiroshima
• Produced by: Dan Kuramoto
• Hiroshima courtesy of Epic Records
• Music by: Alexander Courage
• Dr. Charles A. Beichman , Infrared Processing and Analysis Center Jet Propulsion Lab, Pasadena
• Robert Parker
• Jack Morehead , Superintendent
• Bureau of Land Management
• California Film Commission
• State of California, State Lands Commission
• Madera County Film Commission
• Jet Propulsion Laboratory , Pasadena
• Reebok International, Ltd.
• Jack Daniel's
• Apple Computers
• Monster Cable ®
• International Scientific Instruments, Inc.
• Denton Vacuum, Inc.
• Princeton Gamma-Tech
• Carl Zeiss, Inc.
• de Graf/Wahrman, Inc.
• Base Gamma Electronic Systems
• Kraft, Inc.
• Levi Strauss & Co.
• Todd A-O/Glen Glenn Studios
• Technicolor ®
• Panavision ®
• Charles Bazaldua ( The Loop Group )
• Gene Cross as Sybok's follower
• David Dewitt
• Steven Johnson as Starfleet field security crewman
• Carlyle King (The Loop Group)
• Kevin Lindsay as alien bar patron
• Patrick Michael as Enterprise -A crewman
• Richard Penn (The Loop Group)
• Paige Pollack (The Loop Group)
• Susan Savage
• Gary Schwartz (The Loop Group)
• Carey Scott as voice of a teenage Spock ( deleted scene )
• Mike Smithson as Klingon helmsman
• Nimbus III bar patron
• " Wrinkles "
• Rhoda Williams as alien vocals
• Ilona Wilson as Nimbus III bar patron
• " Ape Face "
• " Bone Head "
• " Dark Eyes "
• " Leather Face "
• " Long Face "
• " Lost Soul "
• " Round Eyes "
• Nimbus III lookout party
• Alien sentry
• Klingon commander
• Seven Starfleet field security officers
• Four followers of Sybok
• Three Nimbus III bar patrons
• Terry Jackson
• David Wendler as stunt double for William Shatner (horse stunts)
• Tom Boyd – Musician: Oboe
• Cogswell Video Services, Inc. – Visual Effects Unit Video Assist Company
• Lynette Eklund – prison alien anatomy pieces artist
• Christopher Gilman and Global Effects, Inc. – Creator and provider of the cool suits
• Karen Hulett – Costume design
• Stuart Land – Prosthetics
• Lisa Logan – Cutter/Fitter
• David Nicksay – Executive Producer

References [ ]

2267 ; adventure ; alcohol ; Almighty ; amusement ; ancestor ; Andorian language ; angry ; animal ; arrest ; arrival ; arrogance ; ass ; attack ; attack course ; attack range ; attention ; audience ; authority ; backpack ; banishment ; barricade ; bath ; bay doors ; bean ; bearing ; betrayal ; belief ; birth ; blizzard ; blowscreen ; binoculars ; bipodal seeds ; brig ; boat ; " Bones "; booster rocket ; bourbon ; bowl ; brainwashing ; brig ; " by the book "; cadet ; campfire ; camping ; " Camptown Races "; capital city ; charge ; chariot ; choice ; cloaking device ; Columbus, Christopher ; command chair ; commander ; commercial ; communicator ; companion ; compliment ; computer library ; confrontation ; con man ; conn ; conspiring ; consul ; contact ; coordinates ; Copernicus ; course ; creature ; cricket ; culture ; cure ; custom ; danger ; darkness ; data ; David McCoy's condition ; death ; degree ; designer ; destination ; devil ; dinner ; disaster ; discovery ; distress signal ; dignity ; doctor ; dogma ; door ; dream ; ear ; Earth ; Eden ; El Capitan ; emergency assistance ; emergency channel ; Emergency Landing Plan B ; emergency sending apparatus ; emotion ; Enterprise -A, USS ; Enterprise -A dedication plaque ; estimate ; eternity ; Excelsior , USS ; Excelsior -class ; existence ; experience ; expression ; face ; faith ; family ; fan dance ; fantasy ; fear ; Federation ; Federation Federal ; feeling ; financing ; fishing ; flat ; flat Earth ; flattery ; flavoring ; footspeed ; forward observation room ; free-climbing ; French language ; friend ; Galactic Army of Light ; galactic core ; Galileo ; Galileo -type shuttlecraft ; garbage ; gate ; generation ; " get a grip on yourself "; ghost ; ghost town ; God ; government ; gravity ; Grayson, Amanda ; Great Barrier ; Great Horned Owl ; green ; guilt ; gunner ; hailing frequency ; half-brother (brother); hand ; heart ; heart attack ; Heaven ; " hello "; high priestess ; " hit the brakes "; hole ; horse ; hostage ; hostage tape ; hour ; Human ; humor ; hydro vent ; ID ; idea ; illusion ; immortal ; impulse power ; information ; ingredient ; intellect ; intelligence ; intention ; intention ; Iowa ; jailbreak ; jet boots ; job ; journey ; junior officer ; kellicam ; Klaa's Bird-of-Prey ; Klingons ; Klingon Bird-of-Prey ; Klingon Empire ; Klingon High Command ; Klingon language ; knowledge ; land ; landing bay ; leader ; letter ; levitation boots ; Levi's ; life support system ; light (artificial); light (natural); logic ; lookout party ; Luna ; lyric ; " macho "; " made love "; madman ; magic wand ; marshmallow ; Masefield, John ; maximum speed ; meaning ; melon ; Melville, Herman ; message ; metabolism ; Milky Way Galaxy ; mind ; miracle ; mister ; mood ; " Moon over Rigel VII "; " Moon's a Window to Heaven, The "; monkey ; Morse code ; mount ; mountain ; muscle ; mystery ; myth ; naked ; " neck of the woods "; " nervous wreck "; Neutral Zone ; Neutral Zone Treaty ; Nimbus III ; Nimbus III moons ; Nimbosian horse ; noise ; " oh my God "; " on board "; " on course "; " on leave "; online ; orbital shuttle ( unnamed orbital shuttle ); Orbital shuttle 5 ; Orbital shuttle 7 ; order ; " out of favor "; outcast ; " Pack Up Your Troubles "; pagan ; pain ; Paradise City ; Paradise Inn ; passion ; person ; phaser ; photon torpedo ; Pioneer 10 ; " piss me off "; place ; pleasure ; pool ; power source ; priority 7 ; princess ; prisoner ; probe ; problem ; pronunciation ; proof ; protective custody ; " put me out to pasture "; quadrant ; quest ; question ; Qui'Tu ; reality ; reason ; record time ; red alert ; renegade ; repairs ; representative ; rescue ship ; research ; respect ; revolutionary ; Rigel VII ; ritual ; rock ; Romulans ; Romulan ale ; Romulan language ; room ; round ; " Row, Row, Row Your Boat " ( rowboat ); San Francisco Fleet Yards ; scholar ; scope ; scotch whiskey ; Scots language ; " Sea-Fever "; second ; secret ; sense of humor ; settlement ; settler ; Sha Ka Ree ; Sha Ka Ree (planet); Shakedown cruise report, USS Enterprise (NCC-1701-A) ; shield ; shipmate ; shore leave ; shower ; sincerity ; sing-along ; skeleton crew ; sky ; sleep ; Sol ; soldier ; son ; song ; song title ; soul ; sound ; sound barrier ; Source, The ; Southern baked beans ; space ; Spacedock One ; speculation ; speech ; speed ; standard orbit ; standard orbital approach ; " stand by "; star ; Starfleet ; Starfleet Charter ; Starfleet Com Net ; Starfleet Command ; Starfleet Galactic Memory Bank ; Starfleet Operations ; starship ; status ; status report ; stream ; strength ; strike team ; student ; success ; superior officer ; surrender ; tall ship ; target ; Tennessee whiskey ; termite ; Terran ; terrorist ; " thank God "; thing ; thousand ; threat ; thruster ; time ; toilet ; tour ; tractor beam ; transmission ; transmitter ; transporter ; transporter beam ; transporter lock ; transporter room ; trash ; treasure ; triangle ; trick ; trigger ; truth ; tunnel ; turboshaft number three ; " under arrest "; understanding ; understatement ; Valhalla ; value ; vanity ; viewscreen ; voice ; violation ; Vorta Vor ; Vulcans ; Vulcan ; Vulcan language ; Vulcan lute ; Vulcan nerve pinch ; Vulcan princess ; warp engine ; warp speed ; warrior ; Watering Hole, The ; weapon ; " wee "; week ; weight ; " whip her into shape "; wildlife ; wisdom ; word ; workout ; year ; Yosemite National Park ; youth

Starfleet Galactic Memory Bank references [ ]

Feira incident ; field commander ; Klingon Imperial Command ; K'Rebeca sector ; Orion ; Shepard sector ; Starfleet Intelligence

Meta references [ ]

Unreferenced material [ ].

Mount Rushmore National Memorial ; Nimbosian ; Rock Man

Related topics [ ]

• Vulcan mythology
• Star Trek V: The Final Frontier (Special Edition)
• Star Trek V: The Final Frontier (soundtrack)

External links [ ]

• Star Trek V: The Final Frontier at StarTrek.com
• Star Trek V: The Final Frontier at Memory Beta , the wiki for licensed Star Trek works
• Star Trek V: The Final Frontier at Wikipedia
• Star Trek V: The Final Frontier at the Internet Movie Database
• Star Trek V: The Final Frontier script  at Star Trek Minutiae
• " Star Trek V: The Final Frontier " at MissionLogPodcast.com
• 2 Daniels (Crewman)
• 3 Bell Riots

Memory Beta, non-canon Star Trek Wiki

A friendly reminder regarding spoilers ! At present the expanded Trek universe is in a period of major upheaval with the continuations of Discovery and Prodigy , the advent of new eras in gaming with the Star Trek Adventures RPG , Star Trek: Infinite and Star Trek Online , as well as other post-57th Anniversary publications such as the ongoing IDW Star Trek comic and spin-off Star Trek: Defiant . Therefore, please be courteous to other users who may not be aware of current developments by using the {{ spoiler }}, {{ spoilers }} OR {{ majorspoiler }} tags when adding new information from sources less than six months old (even if it is minor info). Also, please do not include details in the summary bar when editing pages and do not anticipate making additions relating to sources not yet in release. THANK YOU

The Final Voyage

• 1 Description
• 2.1 Log entries
• 3.1 Characters
• 3.2 Starships and vehicles
• 3.3 Locations
• 3.4 Races and cultures
• 3.5 States and organizations
• 3.6.1 Lifeforms
• 3.6.2 Materials and substances
• 3.6.3 Weapons
• 3.7 Ranks and titles
• 3.8 Other references
• 4.1 Chronology
• 4.2 Production history
• 5.2 Related stories
• 5.4 Connections
• 5.5 External link

Description [ ]

Summary [ ], log entries [ ], references [ ], characters [ ], starships and vehicles [ ], locations [ ], races and cultures [ ], states and organizations [ ], science and classification [ ], lifeforms [ ], materials and substances [ ], weapons [ ], ranks and titles [ ], other references [ ], timeline [ ].

Set near Prime Directive , Black Fire and The Lost Years .

Chronology [ ]

Production history [ ], appendices [ ].

• As Kamar subjected Willard Decker to illusions of being haunted by the dead crew of Matthew Decker 's USS Constellation , Decker's ship was misidentified as the USS Constitution .

Related stories [ ]

Other "final mission" stories appeared in:

• Allegiance in Exile
• " A Bright Particular Star "
• Forgotten History
• The Lost Years
• " Mission's End "

Connections [ ]

External link [ ].

• The Final Voyage article at Memory Alpha , the wiki for canon Star Trek .
• 1 Ferengi Rules of Acquisition
• 2 Odyssey class
• 3 Typhon class

Star Trek timeline: Boldly go on a chronological journey through the Trek universe

From the Original Series to Discovery’s final season, here’s how the Star Trek timeline fits together

The Star Trek timeline now spans billions of years and it's growing all the time. And even though Star Trek: Discovery makes its final voyage on May 30, that expansion is set to continue with upcoming new seasons of Star Trek: Strange New Worlds and Star Trek: Lower Decks. This franchise has come a long way since Star Trek creator Gene Roddenberry sent Kirk, Spock, and co. on their original five-year mission in the ’60s.

But with hundreds of hours of missions spread across 11 TV shows and 13 movies, knowing where to begin with the Star Trek timeline can be something of a challenge. With that in mind, we’ve assembled the key events that shaped Federation history into one massive chronology, featuring moments from The Original Series, The Next Generation, and its spin-offs, as well as all of the films and the TV shows of Trek's 2017 comeback – including Discovery and Star Trek: Picard .

We’ve even included the parallel "Kelvin" continuity of the J.J. Abrams Star Trek movie and its sequels, an alternative sequence of events kickstarted when a rogue Romulan ship from the future destroyed the USS Kelvin – killing James T. Kirk’s dad, George, and forever altering Kirk and Spock’s destinies. 

That said, because the numerous spin-off Trek comics and novels aren’t traditionally considered part of the official Star Trek timeline, we’ve left them out. We’ve also steered clear of the long-running Mirror Universe (y'know, the one where evil Spock has a goatee), so there isn’t too much timey-wimey stuff going on that you’d have to be Data to understand it. 

But before we engage the warp drive and explore the history of the future, here’s an at-a-glance guide to how the various movies and TV shows fit into the Star Trek timeline. And beware – spoilers ahead!

The Prime Star Trek timeline

• Star Trek: Enterprise (2001-2005)
• Star Trek: The Cage (1965)
• Star Trek Discovery pre-time jump (2017-2019)
• Star Trek: Strange New Worlds (2022-ongoing)
• Star Trek: The Original Series (1966-1969)
• Star Trek: The Animated Series (1973-1974)
• Star Trek: The Motion Picture (1979)
• Star Trek 2: The Wrath of Khan (1982)
• Star Trek 3: The Search for Spock (1984)
• Star Trek 4: The Voyage Home (1986)
• Star Trek 5: The Final Frontier (1989)
• Star Trek 6: The Undiscovered Country (1991)
• Star Trek: The Next Generation (1987-1994)
• Star Trek: Deep Space Nine (1993-1999)
• Star Trek: Generations (1994)
• Star Trek: Voyager (1995-2001)
• Star Trek: First Contact (1996)
• Star Trek: Insurrection (1998)
• Star Trek: Nemesis (2002)
• Star Trek: Lower Decks (2020-ongoing)
• Star Trek: Prodigy (2021-ongoing)
• Star Trek: Picard (2020-2023)
• Star Trek: Discovery post-time jump (2020-ongoing)

The Kelvin Star Trek timeline

• Star Trek (2009)
• Star Trek Into Darkness (2013)
• Star Trek Beyond (2016)

Star Trek timeline

Around 4.5 billion years ago - A species later dubbed "the Progenitors" seed numerous planets with their DNA, influencing the evolution of humans, Klingons, Cardassians, Vulcans, Romulans, and others. This explains why so many Star Trek aliens can be played by actors in prosthetics. (The Chase, Star Trek: The Next Generation; Star Trek: Discovery season 5)

Hundreds of thousands of years ago  - A mysterious alien probe – known universally as the Sphere – starts gathering detailed information about the galaxy. Thousands of years later, the USS Discovery will travel to the distant future to protect its secrets. (Star Trek: Discovery season 2)

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Around 200,000 years ago - An ancient alien species is wiped out by an uprising of synthetic beings. They leave eight stars in an implausible arrangement, the Conclave of Eight, to serve as a warning to future generations. (Star Trek: Picard season 1) 

1893 - The time-travelling crew of the USS Enterprise-D encounters The Adventures of Tom Sawyer author Mark Twain in San Francisco. (Time’s Arrow, Star Trek: The Next Generation)

1930 - Having been sent back to 20th century New York by a malevolent portal known as the Guardian of Forever, James T. Kirk is forced to allow peace campaigner Edith Keeler to die in order to save millions of lives in World War 2. (The City on the Edge of Forever, Star Trek: The Original Series)

1947 - Ferengi Quark, Rom, and Nog crash land in 20th century Roswell, New Mexico, and are captured by US authorities who (correctly, to be fair) think they’re aliens. (Little Green Men, Star Trek: Deep Space Nine)

1986 - Kirk, Spock, and the rest of the original Enterprise crew travel back in time to kidnap a pair of humpback whales who can save the future from an alien probe. (Star Trek 4: The Voyage Home)

1996 - Genetically enhanced tyrant Khan Noonien Singh and 84 of his followers escape the Eugenics Wars on Earth (remember those?), going into suspended animation on the SS Botany Bay. (Space Seed, Star Trek: The Original Series)

~2022/23 - Enterprise security officer La'an Noonien Singh arrives in 21st century Toronto alongside a parallel universe version of James T. Kirk. With a Romulan time traveller out to change history by preventing the Eugenics Wars (which haven't yet happened in this adjusted timeline), she rescues a young boy named Khan from the Noonien-Singh Institute for Cultural Advancement. (Tomorrow and Tomorrow and Tomorrow, Star Trek: Strange New Worlds)

2024  – Picard and La Sirena's crew arrive in the 21st century to fix the event that's created a dystopian alternative timeline. Along the way they meet a younger version of Guinan (who already owns her bar at 10 Forward Avenue) and an ancient ancestor of Data's creator – another of Brent Spiner's many Star Trek roles . (Star Trek: Picard season 2)

2063 - In the wake of World War 3, Zefram Cochrane makes Earth’s first successful warp flight, attracting the attention of some passing Vulcans who subsequently introduce Earth into the interstellar community – all while the crew of the Enterprise-E fight to stop the Borg assimilating the planet. (Star Trek: First Contact)

2151 - Suliban fighting in a Temporal Cold War shoot down Klingon warrior Klaang over Broken Bow, Oklahoma – bringing about humanity’s first contact with a Klingon. The prototype USS Enterprise (NX-01) sets off on a mission to return him to Qo’noS – against the wishes of the Vulcans and their massive superiority complex. (Broken Bow, Star Trek: Enterprise)

2153 - A group of Borg who survived the attempted invasion of Earth in 2063 are accidentally thawed by a research team in the Arctic. It doesn’t end well. (Regeneration, Star Trek: Enterprise)

An alien probe fires a massive energy beam at Earth’s surface, causing destruction across the American continent. The Enterprise is redeployed to the Delphic Expanse to fight back against the perpetrators, the Xindi. (The Expanse, Star Trek: Enterprise) 

2164 - The USS Franklin, commanded by Captain Balthazar Edison, goes missing – that might just prove important later… (Star Trek Beyond)

2230 - Spock is born on Vulcan.

2233 - James T. Kirk is born. He's from Iowa – he only works in outer space.

2233 (Kelvin timeline) - First officer George Kirk (father of James T.) sacrifices himself to save his crewmates when the USS Kelvin is destroyed by time-travelling 24th century Romulan ship the Narada, kickstarting the so-called "Kelvin" timeline. (Star Trek, 2009)

Every Star Trek Discovery Easter egg and hidden reference you might have missed

2230s (exact date unknown) - After her parents are killed in a Klingon attack, Michael Burnham is adopted by Sarek and Amanda Grayson on Vulcan. Her adoptive brother, Spock, has his first sighting of a “ Red Angel ”. (Will You Take My Hand?, Star Trek: Discovery)

2254 - The USS Enterprise, captained by Christopher Pike, discovers the survivors of crashed survey ship SS Columbia on Talos IV – though it turns out they’re an illusion created by the telepathic Talosians. (Star Trek: The Cage)

2256 - The USS Shenzou’s first officer, Commander Michael Burnham, defies the orders of Captain Philippa Georgiou by attacking a Klingon vessel, and is charged with mutiny. The Federation/Klingon War begins at the Battle of the Binary Stars. (The Vulcan Hello/The Battle at the Binary Stars, Star Trek: Discovery)

2257 - The Federation/Klingon War ends, with the hydro bomb Section 31 plant at the heart of Qo’noS helping maintain peace between feuding Klingon houses. (Will You Take My Hand, Star Trek: Discovery) 

With the Enterprise under repair, Christopher Pike assumes command of the Discovery on a mission to understand the so-called “Red Angels” – and track down his AWOL science officer, Spock. (Brother, Star Trek: Discovery)

2258 - In order to save all life in the universe from a rogue Federation AI known as Control, Michael Burnham uses the Red Angel time travel suit (created by her parents) to carry data collected by a millennia-old alien probe into the future. The USS Discovery and its crew follow her on a one-way trip through the wormhole. (Such Sweet Sorrow, Star Trek: Discovery)

2258 (Kelvin timeline) - The Narada reappears and destroys Vulcan, as an act of revenge on Spock. The Enterprise (commanded by Christopher Pike) engages the Romulan ship, but with Pike incapacitated, James T. Kirk eventually assumes command of the ship – and defeats the Narada. (Star Trek, 2009)

(Kelvin timeline) In the wake of Vulcan’s destruction, Admiral Alexander Marcus tries to increase Starfleet’s military capabilities – and subsequently discovers 20th century vessel the SS Botany Bay years earlier than in the Prime timeline. Khan Noonien Singh is revived and recruited by the Federation's shadowy spy branch, Section 31. (Star Trek Into Darkness)

2259  – Commanded by Captain Christopher Pike, the USS Enterprise boldly goes where no one has gone before – aside from all the Star Trek crews who came before. Pike and his team also meet a pair of animated Starfleet officers from the future, spend an entire episode singing and dancing (Subspace Rhapsody), and survive several scary encounters with the reptilian Gorn. They also encounter the cocky young first officer of the USS Farragut – a guy who goes by the name of James T. Kirk. (Star Trek: Strange New Worlds seasons 1 and 2) 

2259 (Kelvin timeline) - Going under the pseudonym John Harrison, Khan wages a one-man war on the Federation – all in the name of recovering his crew from suspended animation. The Enterprise crew eventually defeat him and put him back into stasis, but Kirk dies in the process. Luckily Dr. McCoy is able to use some of Khan’s blood to revive his captain – phew! (Star Trek Into Darkness)

2260 (Kelvin timeline) - The USS Enterprise begins its (other) famous five-year mission. (Star Trek Into Darkness)

2263 (Kelvin timeline) - Three years into the five-year mission (with things starting to get boring), the Enterprise is destroyed by Krall’s swarm ships, marooning the crew on an alien planet. It turns out Krall was the captain of the aforementioned USS Franklin, who’s spent the last century using alien tech to keep himself alive – and developing a colossal grudge against the Federation. He’s eventually killed on new Federation starbase, the USS Yorktown. James T. Kirk and crew are assigned to a new ship, the Enterprise-A. The original Spock Prime – the one who travelled back in time – passes away on New Vulcan (Star Trek Beyond).

2266 - The USS Enterprise’s five-year mission to explore strange new worlds, to seek out new life, and new civilisations, and to boldly go where no one has gone before, begins under the command of Captain James T. Kirk. (Star Trek: The Original Series)

2267 - After Spock mutinies, Christopher Pike (gravely injured by a radiation leak a year earlier) is taken to the off-limits Talos 4, where the illusions of the telepathic Talosians allow him to live an active life. (The Menagerie, Star Trek: The Original Series) 

The Enterprise discovers SS Botany Bay, and awakens Khan Noonien Singh from suspended animation. After he tries to take over the ship, Khan and his crew are exiled to Ceti Alpha 5. (Space Seed, Star Trek: The Original Series)

Early 2270s (exact year unknown) - The refitted USS Enterprise (commanded once again by Admiral James T. Kirk) encounters V’Ger, a 20th century space probe (Voyager 6 under an alias) that has gained sentience and threatens to destroy planet Earth. (Star Trek: The Motion Picture)

2285 - While on a training mission, the USS Enterprise is critically damaged by Khan Noonien Singh, who has escaped exile on Ceti Alpha V and seeks revenge on Kirk. The Genesis planet is created by detonation of the top secret Genesis torpedo, and Spock dies after sacrificing himself to save the Enterprise. (Star Trek 2: The Wrath of Khan) 

Kirk, McCoy, and the rest of the surviving Enterprise crew defy Starfleet orders to commandeer the ship for a mission to the Genesis planet to recover Spock’s body. After they unexpectedly encounter a hostile Klingon Bird-of-Prey, Kirk self-destructs the Enterprise – but Spock is resurrected. (Star Trek 3: The Search for Spock)

2286 - A mysterious space probe appears in Earth's orbit, attempting to make contact with now-extinct humpback whales. Kirk and co. pilot their commandeered Bird-of-Prey back to 20th century Earth to find some whales. Admiral Kirk is demoted to captain as punishment for his insurrection, and the USS Enterprise-A goes into active service. (Star Trek 4: The Voyage Home)

Live long and prosper with the best Star Trek merchandise around

2287 - The new Enterprise is commandeered by Spock’s half-brother, Sybok, who plans to meet God (yes, really) at the centre of the galaxy. The question “What does God need with a starship?” has never felt so pertinent. (Star Trek 5: The Final Frontier)

2290 - Hikaru Sulu assumes command of the USS Excelsior, breaking up the Enterprise “dream team” – it was probably about time, to be fair... (Star Trek 6: The Undiscovered Country)

2293 - Praxis, the Klingon moon responsible for most of the empire’s power production, explodes. With Kirk and the classic crew due for retirement, they set off on one last mission to escort the Klingon ambassador to peace negotiations with the Federation – and end up having to foil a complex plot to scupper the whole thing. (Star Trek 6: The Undiscovered Country) 

Captain James T. Kirk is presumed dead when the Nexus energy ribbon has a close encounter with the newly launched Enterprise-B. Predictably, however, it’s not the end… (Star Trek: Generations)

2330s (exact year unknown) - Data is created by pioneering scientist Dr Noonian Soong. (Datalore, Star Trek: The Next Generation)

2344 - The USS Enterprise-C answers a distress call from a Klingon outpost on Narendra III. Surrounded by Romulan Warbirds, it faces certain destruction until it disappears into a mysterious temporal rift… (Yesterday’s Enterprise, Star Trek: The Next Generation)

2356 - Future Seven of Nine Annika Hansen is assimilated by the Borg – along with her scientist parents – on their ship, The Raven. (The Raven, Star Trek: Voyager)

2364 - Commander William T. Riker joins the crew of the USS Enterprise-D, under the command of Jean-Luc Picard. Omnipotent being Q appears and puts humanity on trial. (Encounter At Farpoint, Star Trek: The Next Generation)

2365 - Q shows up again, and transports the Enterprise to uncharted space for Starfleet’s first encounter with the Borg. (Q Who, Star Trek: The Next Generation)

2366 - The Enterprise-C emerges from that aforementioned temporal rift and creates a new timeline where the Federation is at war with the Klingons. (Yesterday’s Enterprise, Star Trek: The Next Generation) 

The Borg show up in Federation space to start an invasion. Jean-Luc Picard is assimilated, becoming Locutus, and Starfleet is almost wiped out at the Battle of Wolf 359. (The Best of Both Worlds, Star Trek: The Next Generation)

2368 - Now an ambassador, Spock turns up on Romulus trying to reunify the Vulcan and Romulan races. (Unification, Star Trek: The Next Generation)

2369 - The Cardassians cease their occupation of Bajor and vacate their space station, Terok Nor. Starfleet moves in and renames it Deep Space Nine, with Benjamin Sisko taking command. It looks like it's going to be a relatively straightforward gig – until a wormhole opens to the Gamma Quadrant on the other side of the galaxy. (Emissary, Star Trek: Deep Space Nine)

2370 - Starfleet makes first contact with the Dominion, an alliance of races led by shapeshifting Founders from the Gamma Quadrant. (The Search, Star Trek: Deep Space Nine)

2371 - It turns out James T. Kirk wasn’t dead after all – he was just living inside the Nexus energy ribbon, a place where all your dreams come true. When El-Aurian scientist Dr Tolian Soran threatens to destroy entire worlds to get back inside the Nexus, Jean-Luc Picard enlists Kirk’s help to stop him – which doesn’t end well for Kirk, who ends up dead for the final time. The Enterprise-D also crashes on the surface of Veridian III, though it won't be the last we see of the ship... (Star Trek: Generations) 

USS Voyager (under the command of Captain Kathryn Janeway) and a ship of Maquis freedom fighters are transported to the distant Delta Quadrant by an alien “caretaker”. The two crews become BFFs implausibly quickly – and for some reason, invite Neelix on board. (Caretaker, Star Trek: Voyager)

2373 - The Borg have another crack at invading Earth. Seemingly defeated, they launch a last ditch attempt to assimilate humanity in the past – so Jean-Luc Picard and crew take their shiny new Enterprise-E back in time to stop them. It's our first introduction to the Borg Queen, who does her best to seduce Data. She succeeds for approximately 0.68 seconds. "For an android," he says, "that is nearly an eternity." (Star Trek: First Contact) 

Meanwhile, back in the Borg’s home territory of the Delta Quadrant, Voyager forms an unlikely alliance with the Collective to battle Species 8472 from “fluidic space”. Borg drone Seven of Nine, Tertiary Adjunct of Unimatrix 01 (AKA, Seven of Nine) joins the Voyager crew. (Scorpion, Star Trek: Voyager) 

The Dominion War kicks off between the Dominion (led by the Changelings) and the Federation. (Star Trek: Deep Space Nine)

2375 - The Dominion War ends. Benjamin Sisko, the Bajoran “emissary”, relocates to the wormhole to commune with its residents – aliens who have no sense of linear time. (What You Leave Behind, Deep Space Nine) 

The Enterprise-E crew uncovers a shady Federation plot to relocate the near-immortal inhabitants of a paradise planet, in order to harness its youth-giving properties. It’s difficult to care about any of it. (Star Trek: Insurrection)

2378 - USS Voyager finally makes it back to Federation space, after a future version of Janeway uses a lethal pathogen to wipe out many of the Borg. Following seven years of exemplary service, Ensign Harry Kim is still an Ensign. (Endgame, Star Trek: Voyager)

2379 - Shinzon, a clone of Jean-Luc Picard, takes control of the Romulan senate – and his overtures towards peace with the Federation turn out to be a front for war. The Enterprise eventually stops him, but Data has to sacrifice himself to save the day. (Star Trek: Nemesis)

2380  - The USS Cerritos, under the command of Captain Carol Freeman, continues to specialise in “Second Contact” situations. (Star Trek: Lower Decks)

2381 - A pair of USS Cerritos crew members, Ensigns Beckett Mariner and Brad Boimler, are transported back to Pike's Enterprise for some unashamed fan worship. (Those Old Scientists, Star Trek: Strange New Worlds)

2383 - A ragtag group of alien kids stumbles on the abandoned USS Protostar in the Delta Quadrant. Their guide? A holographic version of Kathryn Janeway. (Star Trek: Prodigy)

2385  - Members of the Romulan Zhat Vash experience the Admonition on the “grief world” of Aia, driving many to madness and suicide. Their leader, Commodore Oh, instigates the uprising of synthetic workers at the Utopia Planitia Fleet Yards on Mars, leaving 92,143 people dead and the planet burning. Facing heavy losses, Starfleet abandons its rescue mission to help rescue the residents of Romulus from an upcoming supernova. Admiral Jean-Luc Picard resigns in protest. (Star Trek: Picard season 1) 

2387 - With a supernova threatening to destroy Romulus, Spock – still active after all these years, remarkably – attempts to save the planet by using “red matter” to create a black hole that will engulf the exploding star. He fails – and he, and Romulan ship the Narada, are sucked into the black hole and back in time, creating the new, parallel "Kelvin" timeline. (Star Trek, 2009)

2390  - Starfleet vessel the Ibn Majid encounters a pair of synthetic lifeforms. Under orders from Commodore Oh, the captain executes the two androids before taking his own life. First Officer Chris Rios is so traumatised by the experience – expunged from Federation records – that he leaves Starfleet six months later. (Broken Pieces, Star Trek: Picard)

2399  - Having discovered that the late Data had a pair of ridiculously advanced twin daughters, the long-retired Jean-Luc Picard ventures back into space after years on the family vineyard. After some close encounters with rogue Romulans, militant AI, and a few Borg, Picard succumbs to his terminal Irumodic Syndrome – but is reborn in a new android body. (Star Trek: Picard season 1)

2400 - Now running Starfleet Academy, Picard once again finds himself back on a starship when a spatial anomaly appears, broadcasting his name in multiple languages. After ending up in a totalitarian alternative timeline – possibly with a bit of help from Q – he gathers up the crew of La Sirena to travel back to a pivotal event in 2024. A severely weakened Q later dies sending Picard and co back to their own time. Or does he...? (Star Trek: Picard season 2)

2401 - Jean-Luc Picard learns that he and long-term love interest Beverly Crusher have a son. They join forces with the rest of the crew of the USS Enterprise-D (now resurrected by Geordi La Forge) to combat a new Changeling threat to the Federation. It later turns out that Jack is part-Borg, and that the Borg Queen (severely damaged by the pathogen in the Star Trek: Voyager finale) has been pulling the strings all along. (Star Trek: Picard season 3)

2402 - Jack Crusher, now an Ensign in Starfleet, is assigned to the USS Enterprise-G, commanded by Seven of Nine. Q – not so dead after all – appears in Jack's quarters, telling him that humanity's trial continues... (The Last Generation, Star Trek: Picard) 

3069  - The so-called Burn causes the cataclysmic destruction of dilithium across the galaxy, massively curtailing warp travel across the Alpha Quadrant. (Star Trek: Discovery season 3)

The Federation is involved in a Temporal War that leads to a galaxy-wide ban on time travel. During this period, Temporal Agent Daniels travels back to 2151 to infiltrate Captain Archer's Enterprise, and overthrow a Suliban plot. (Star Trek: Enterprise; Star Trek: Discovery)

3188 - Michael Burnham emerges from the wormhole, and joins forces with courier Cleveland 'Book' Booker. (Star Trek: Discovery season 3)

3189 - Discovery arrives in the 32nd century and discovers a universe where the Federation has been decimated by the Burn, and the biggest power in the Alpha Quadrant is now the Emerald Chain criminal syndicate. With the spore drive now one of the most important resources in the galaxy, Captain Saru and crew work to discover the cause of the Burn – and restore the Federation to past glories. (Star Trek: Discovery season 3)

3190  - As numerous worlds sign up to rejoin the resurgent Federation, a mysterious Dark Matter Anomaly destroys Book's homeworld and threatens all life in the Alpha Quadrant. Now (somewhat belatedly) captaining the Discovery, Michael Burnham leads the Federation's defences. (Star Trek: Discovery season 4)

3191 - The Discovery sets off on an interstellar treasure hunt to find the Progenitor technology that kickstarted all humanoid evolution in the galaxy billions of years ago. There are other interested parties, however, and Starfleet ends up going head-to-head with the Breen, mysterious former allies of the Dominion. After tracking down the tech, Captain Burnham decides to throw it into the event horizon of a black hole so that no one else can use it, reasoning that the Progenitors' legacy lives on through the existing species of the Alpha Quadrant. Dr Kovich admits he's actually aforementioned temporal agent Daniels. (Star Trek: Discovery season 5)

~3220  -   Zora, the sentient AI controlling Discovery, departs for her final mission, following a top-secret directive to travel to pre-assigned co-ordinates – and wait. All she knows is that 'craft' – whatever or whoever that is – will be involved somehow.    (Life, Itself, Star Trek: Discovery)

~4200  - Zora is still waiting. She runs into a soldier from Alcor IV named Craft, and the pair form a close friendship as she introduces him to Taco Tuesdays and classic movies. (Calypso, Short Trek)

All caught up? Great, now come and discover the best Star Trek episodes that every Trekkie should watch right now, or watch the video below for a complete guide to the Star Wars timeline – that other sci-fi galaxy far, far, away... 

Richard is a freelancer journalist and editor, and was once a physicist. Rich is the former editor of SFX Magazine, but has since gone freelance, writing for websites and publications including GamesRadar+, SFX, Total Film, and more. He also co-hosts the podcast, Robby the Robot's Waiting, which is focused on sci-fi and fantasy. 

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‘Star Trek: Picard’ Trailer Teases Final Voyage, Plus Ed Speleers & Todd Stashwick Join Cast (VIDEO)

Star Trek: Picard

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It’s not just the major  The Next Generation reunion we have to look to look forward to in the third and final season of  Star Trek: Picard , as the official trailer shows.

The new preview, which debuted during the Kansas City Chiefs vs. Cincinnati Bengals AFC Championship Game, offers a look at what’s to come for Jean-Luc Picard ( Patrick Stewart ) and those around him one last time ( maybe? ) as well as introduces two new characters. Plus, check out the final season key art (below) as well ahead of the February 16 premiere on Paramount+.

“You and I have traveled to the far reaches of space, but something’s different now. This is the end, my friend,” Riker ( Jonathan Frakes ) says. Watch the trailer above for a look at, along with all the TNG reunion goodness, the beginning of the final voyage, the life-and-death stakes, and an ominous warning from Beverly Crusher ( Gates McFadden ) to Jean-Luc to “trust no one.”

As the video also reveals, Ed Speleers and Todd Stashwick have joined the cast. Speleers will play a series regular character who aids Beverly Crusher’s medical efforts on worlds Starfleet has forgotten, while Stashwick will recur as captain of the U.S.S. Titan .

In the farewell for this  Star Trek series, a desperate message from a long-lost friend draws Starfleet legend Admiral Jean-Luc Picard into the most daring mission of his life, forcing him to recruit allies spanning generations old and new. This final adventure sets him on a collision course with the legacy of his past and explosive, new revelations that will alter the fate of the Federation forever.

“[Jean-Luc] felt abandoned by Crusher — she just disappeared out of his life. He adored her and that was never resolved. [But she has a] surprise, when she appears, that thrills and then enrages him,” Stewart teased of that reunion to TV Insider .

Joining Stewart in the final season, along with Frakes, McFadden, and these new cast members, are  LeVar Burton , Michael Dorn , Marina Sirtis , Brent Spiner , Jeri Ryan , and Michelle Hurd .

See Patrick Stewart & 'Picard' Cast in Our TCA Portrait Studio

Star Trek: Picard is produced by CBS Studios in association with Secret Hideout and Roddenberry Entertainment. Alex Kurtzman , Akiva Goldsman , Terry Matalas, Stewart, Heather Kadin, Aaron Baiers, Rod Roddenberry , Trevor Roth, Doug Aarniokoski, and Dylan Massin executive produce. Matalas also serves as showrunner.

Star Trek: Picard , Third and Final Season Premiere, Thursday, February 16, Paramount+

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Star Trek: Discovery Sadly Ending After 5th Season at Paramount+

The final frontier.

The latest season of Star Trek: Discovery will, unfortunately, be its last, as the Paramount+ exclusive series will reportedly be cancelled after its fifth season.

Star Trek has made a resurgence in recent years, with Lower Decks filling an animated series slot and the iconic Picard series as a sequel to the critically acclaimed Next Generation, which is still going strong with Patrick Stewart at the helm. But not all the news is good, as the generally critically favoured tar Trek : Discovery series is set to receive the cancellation treatment at the curtain call of season five. tar Trek : Discovery premiered in 2017, and the fifth and final season will air in 2024.

Star Trek: Discovery The epic final season comes to  @ParamountPlus  in 2024. pic.twitter.com/g768brFt51 — Star Trek on Paramount+ (@StarTrekOnPPlus) March 2, 2023

President of CBS Studios, David Stapf, gave credit to the series stating “When we first started talking about the return of Star Trek eight years ago, we never could have imagined the indelible impact  Star Trek: Discovery  would have,” with “The series brought back a beloved global franchise, and just like its predecessors  Discovery  honored Star Trek’s legacy of ‘infinite diversity in infinite combinations,’ representing the best of what we could be as humans when we celebrate our differences,” on the critical and cultural impact of the show, THR reports .

Fans have taken to Twitter to voice their outrage and disappointment over the news, as well as Actor Anthony Rapp posted his thoughts on the cancellation after portraying the role of Commander Paul Stamets for 55 episodes on the series. Rapp Tweets , “It has been the privilege of a lifetime to join the #StarTrek universe. Thank you to all of you who’ve welcomed us into your hearts. To say that I will miss working with my incredible Disco family is a profound understatement. They’ve made my world better in every way,” regarding his time on Star Trek: Discovery .

It has been the privilege of a lifetime to join the #StarTrek universe. Thank you to all of you who’ve welcomed us into your hearts. To say that I will miss working with my incredible Disco family is a profound understatement. They’ve made my world better in every way. https://t.co/vEeBuXDVOw — Anthony Rapp SAG-AFTRA National Board Member (@albinokid) March 2, 2023

Fans can catch up on the series on Paramount +, and can look forward to the final voyage in 2024.

Philip Watson is a Queens, New York local that has had a fascination with gaming since waking up early to play the Marvel vs. Capcom Arcade cabinet at the local laundromat before school. After working many half-careers, he realized his passion was always the excitement before the laundromat, but not for the laundry.

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Star Trek V: The Final Frontier Delivers Profound Cinematic Moments

In honor of the film's 35th anniversary, let's reflect on this underrated gem and relive these highlights!

StarTrek.com

Situated between Star Trek IV: The Voyage Home and Star Trek VI: The Undiscovered Country in the pantheon of films centered around James T. Kirk's U.S.S. Enterprise , Star Trek V: The Final Frontier is often overlooked when debates erupt regarding Star Trek 's most profound cinematic scenes.

Existing in the shadow of other popular Star Trek releases is not easy, yet The Final Frontier delivers an abundance of meaningful moments and profound dialogue, particularly related to the triumvirate of Kirk, Spock, and Leonard McCoy.

In honor of The Final Frontier 's 35th anniversary, let's reflect on this underrated gem and relive these highlights in the order in which they appeared in the film.

1. "I knew I wouldn’t die because the two of you were with me." — Captain Kirk

Star Trek V: The Final Frontier

Following Kirk's plunge from the El Capitan summit, he was chastised by Dr. McCoy for his reckless behavior.

The captain's assertion that he always knew he would die alone was key on two fronts, as it exemplified his unwavering trust in Spock and McCoy while also offering insight into his views on death as he entered the later stages of his life. Kirk's maturity, both in terms of his friendships and his outlook on mortality, was met in perfect fashion by his friends. As Spock gazed, McCoy sought to break the seriousness by stating, "Well, I’ll call Valhalla and have them reserve a room for you."

2. "What do we do when shore leave comes along? We spend it together." — Dr. McCoy

The doctor chased Kirk's commentary on death with his own observation that, despite their squabbles aboard ship, they were still drawn to one another in their downtime. McCoy references their lack of family ties, building upon the idea of aging officers reevaluating the courses they had chosen for themselves.

As is often the case in The Final Frontier , the weighty dialogue is flavored with light humor. Marsh melons, campfire songs, and Spock's "Were we having a good time?" inquiry — exquisitely punctuated by McCoy's "God, I liked him better before he died" response — underscore their friendly banter and illustrate the many frontiers their bond has endured.

3. "You mean he's your 'brother' brother? You made that up." — Captain Kirk

Furious at Spock for disobeying his order to shoot Sybok, Kirk vented his anger by confronting the Vulcan about the perceived betrayal. Though he declined McCoy's enthusiastic offer to hold Spock so Kirk could enact corporal punishment, the captain was confused by his friend's decision willingness to place the ship at risk. Spock's admission that Sybok was, in fact, his brother perplexed the captain even further, as it riffed on their previous conversation about lacking family and offered a quintessential Spock declaration, "Technically you are correct. I do not have a brother. I have a half-brother."

McCoy's disposition instantly shifted into Spock's favor, once again providing a look into the trio's complex and ever-evolving relationship.

4. "All my knowledge, and I can't save him." — Dr. McCoy

In a bid to rally McCoy to his cause, Sybok presented the doctor a harrowing vision that harkened back to his father's last days. For all of the incredible cures he devised throughout his time in Starfleet, McCoy helplessly stood by as his father's condition deteriorated. At his father's request, McCoy released him from his agony by administering a swift and painless death. The tragedy became amplified when a cure for the elder McCoy's condition was discovered not long after the doctor's merciful act.

Dealing with loved ones who have terminal illnesses is a universal struggle that all humans can relate to, and McCoy's gut-wrenching memory furnished us with what was perhaps the doctor's most powerful character moment in all of Star Trek .  

5. "I don't want my pain taken away. I need my pain!" — Captain Kirk

Having already witnessed Sybok put McCoy and Spock through their own trials, Kirk refused to indulge in what he perceived as a con man's mind games. The captain asserted that pain and guilt could not be taken away with the wave of a magic wand, doubling down by proclaiming they're things we carry with us and make us who we are.

While some may argue with the validity of that reasoning, one can't help but find Kirk's analysis to at the very least be thought-provoking and another indication of where he was at on his personal journey. With McCoy convinced of Sybok's authenticity, Kirk's plea of "If we lose them, we lose ourselves" can be seen as a way to sway the doctor's point of view or an effort to persuade the captain of his own argument.

6. "I am not the outcast boy you left behind those many years ago." — Spock

Further underlining the critical nature of this moving scene, Spock denied Sybok's entreaty to join him on his journey through the Great Barrier with an air of reserved self-assurance that only he could deliver. While McCoy found sadness in Sybok's vision and Kirk was provoked to anger by the conversation, Spock reacted with the conviction of a person who was completely secure with who they were as an individual.

Long gone were his days of feeling out of place, as his time on the Enterprise helped guide him on his path and set him apart from the boy Sybok knew. Spock had found himself, and he had also found his place. The Vulcan's certainty in choosing his friends over his own half-brother granted McCoy with his own sense of clarity, as the doctor resisted his drive to follow Sybok and opted to remain by Kirk and Spock.  

7. "Is it possible?" — Captain Kirk

Once through the Great Barrier and in range of what Sybok referred to as Sha Ka Ree, Kirk joined Spock and McCoy in marveling at what they saw before their eyes. The captain turned to the plaque emblazoned with the motto, "To boldly go where no man has gone before," reevaluating his views on Sybok's quest and electing to command the endeavor himself.

The notion of apparent foes coming to a peaceful compromise is about as " Star Trek " as something can be, as is the aspiration to seek out and understand the unknown. In the wake of their recent emotional ordeals related to pain and family, Kirk and his two colleagues nevertheless managed to shift gears and demonstrate that they each had the heart of an explorer.

8. "What does god need with a starship?" — Captain Kirk

As Sybok conversed with what he believed to be the God of Sha Ka Ree, Captain Kirk began to sense that all was not as it seemed. Recognizing the alleged deity's interest in the Enterprise , Kirk boldly asked what an all-powerful god would need with such a means of transportation. The question drew the entity's ire, resulting in an energy beam being directed at the captain. Spock immediately took up Kirk's inquiry and received the same punishment, leading McCoy to conclude, "I doubt any god who inflicts pain for his own pleasure."

The exchange expertly returned to the ongoing theme of pain while also underlining Starfleet's need for scientific analysis and evidence to back up any remarkable revelations.

9. "You were never alone." — Spock

Captain Kirk ensured that his friends were safe and faced the false "God of Sha Ka Ree" on his own, but Spock swiftly returned aboard a Klingon Bird-of-Prey to rescue him. Once reunited with Spock, Kirk admitted that he thought was going to die. Spock shook off the claim, reminding that such a fate had not been possible at the time, as the captain was never alone.

The touching declaration underlined the unrelenting bond the two officers had forged, and Kirk was moved to the point of embracing Spock. Whether spoken to infuse the moment with his signature brand of deadpan levity or as a way to steer clear of a very un-Vulcan hug, Spock stated, "Please, Captain. Not in front of the Klingons." Given Spock's predilection for choosing his words wisely, the most likely explanation for his reluctance toward an emotional display was that it had simply been rooted in a wish to keep their friendship private.

10. "I lost a brother once. I was lucky, I got him back." — Captain Kirk

As McCoy and Spock speculated about whether or not god was really "out there," Kirk proposed that perhaps such a deity existed within their hearts. Spock contemplated his brother's death, leading Kirk to reference Spock's own demise and the joy he felt over getting him back. McCoy recalled the captain's earlier comment that people like them don't have families, to which Kirk replied, "I was wrong."

Enlightened, moving, and heartfelt, this moment tied together the film's themes about family, friendship, loss, growth, and wisdom. Kirk willingly showcases his fallibility, and the scene segues full-circle into The Final Frontier 's closing scene that depicted Kirk, Spock, and McCoy revisiting their campfire and embracing their familial relationship with song.

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Jay Stobie (he/him) is a freelance writer, author, and consultant who has contributed articles to StarTrek.com, Star Trek Explorer, and Star Trek Magazine, as well as to Star Wars Insider and StarWars.com. Learn more about Jay by visiting JayStobie.com or finding him on Twitter, Instagram, and other social media platforms at @StobiesGalaxy.

The Best Star Trek Movie According To Rotten Tomatoes

To date, there have been six feature films based on "Star Trek," four based on Star Trek: The Next Generation," and three set in a rebooted timeline (called the Kelvin timeline by fans). Those 13 films were all released theatrically from 1979 to 2016, averaging one film every three years or so. Up next, "Star Trek: Section 31" is slated for release on Paramount+ sometime in 2025, and it will be the first "Star Trek" TV movie. There has also long been talk of making a fourth film in the Kelvin timeline, but that movie's fate is currently a question mark; I'll believe it when I see it.

The longstanding general consensus is that the odd-numbered "Star Trek" films are bad and unsuccessful, while the even-numbered films are amazing hits. "Star Trek: The Motion Picture," for instance, was something of a disappointment at the box office, but "Star Trek II: The Wrath of Khan" is held by many to be one of the best in the franchise. "Star Trek III: The Search for Spock," despite being an emotionally intense adventure, is often seen as a stopgap film used solely to bring Spock (Leonard Nimoy) back from the dead. It was followed by "Star Trek IV: The Voyage Home," a popular comedy film that was very financially successful. And so on.

Critical consensus, however, breaks that pattern handily, at least as far as approval ratings on Rotten Tomatoes go. The highest-rated film in the "Star Trek" franchise is an odd-numbered film. The #1 film's approval rating is only slightly higher, however, than a celebrated even-numbered "Star Trek" film from the 1990s. Although the "Star Trek" shows are most notable for their sense of diplomacy and willingness to tackle heady, philosophical problems, the highest-rated films in the series are the most violent, action-oriented ones.

Star Trek (2009)

With a 94% approval rating, based on 356 reviews, J.J. Abram's 2009 "Star Trek" movie is the best reviewed of all the "Star Trek" films on RT. Some Trekkies may find this fact disappointing since Abrams' film is a massive departure for the franchise. Rather than continue with any extant "Star Trek" lore, Abrams created an alternate timeline wherein he could reintroduce Kirk, Spock, and all the rest as younger, hotter, more tempestuous versions of themselves. This was high-octane "Star Trek," full of fights and explosions and death and drama. It's more like "Star Wars" than "Star Trek." Many of the details of Abrams' films — the ships, the characters' personality traits — were derived merely from what a non-Trekkie might know about "Star Trek" through cultural osmosis; Abrams infamously admitted that he knew little about "Star Trek" when he took on the project.

One might understand why Abrams' film was such a hit. A mass audience unfamiliar with "Star Trek" could get excited about a clean "restart," now unthreatened by the decades of lore that came before, while long-term Trekkies could attend out of morbid curiosity. A full-bore reboot of a major entertainment franchise is also a surefire way to generate a lot of ink in the entertainment press, assuring that "Star Trek" would be talked about for a full year leading up to its release.

It certainly didn't hurt that dazzlingly attractive actors played the familiar Enterprise crew. Chris Pine, Zachary Quinto, John Cho, Zoe Saldana, Anton Yelchin, Karl Urban, and Simon Pegg portrayed the leads roles, and most critics, even those who didn't like the film, admitted that the casting was pretty spot on. The only major criticisms were that the plot was thin, sacrificed in favor of fast pacing and endless action.

Make it so, numbers two and three

With a 93% approval rating, Jonathan Frakes' 1996 actioner "Star Trek: First Contact" came in as the second highest-rated "Star Trek" film on RT. That film, like Abrams', was violence-forward, featuring the kind of plot one finds in typical Hollywood action movies. In the film, an unthinking species of cyborgs called the Borg travel back in time to the year 2063 to stop humanity from launching their first faster-than-light starship and ushering in a utopian age of exploration . The characters, although not well-suited to action — AT ALL — fire weapons and make action-y quips in ways they never had before. This film, mind you, was based on "Star Trek: The Next Generation," a series even more thoughtful and diplomatic than the original.

The action proved to be palatable to a mass audience, however, and "First Contact" was a huge hit. Critics certainly liked it. The only people who complain about "First Contact" are snotty old-school Trekkies like me, who whinge about how unlike the TV show it was.

Third highest-rated, with an 87% approval rating, is Nicholas Meyer's celebrated "Star Trek II: The Wrath of Khan" from 1982. That film was slower and more thoughtful than the films above, but is certainly more action-packed than "Star Trek: The Motion Picture," which was infamously sluggish. It also featured an amazing Ricardo Montalban as the hammy title villain, a character that is difficult to resist.

It was "Wrath of Khan" that introduced the notion that "Star Trek" movies needed a "supervillain" character, and one motivated by revenge. This notion has hamstrung several "Star Trek" movies, leaving their stories uninspired. Four "Star Trek" films in a row had vengeance-bent supervillains at their core: "Nemesis," the 2009 film, "Star Trek Into Darkness," and "Star Trek Beyond."

The lower decks

The lowest-rated "Star Trek" film, as Trekkies might predict, is "Star Trek V: The Final Frontier," which has a shockingly low 23% approval rating. That film, as mentioned, was directed by William Shatner and felt sloppy and slapped-together. The special effects are terrible in "The Final Frontier," and the story is badly written. One must admit, however, that the central concept is an excellent idea. In the film, the Enterprise is hijacked and taken to a place in the galaxy where God — the actual physical manifestation of God — lives. "Star Trek" has always been a humanist series, eschewing faith and religion for science and reason. To have "Star Trek" characters facing a real deity would cause an interesting philosophical conflict.

With a mere 38% approval rating, 2002's "Star Trek: Nemesis" is the second lowest-rated of the franchise. That film tried the "supervillain" story, forcing the crew of the Enterprise-E to face off against a bitter clone of Captain Picard (Patrick Stewart). The story is convoluted and not interesting, and none of the cast looked like they wanted to be there. Also, "Nemesis" came immediately after 9/11, and it seemed that the world was more keen on stories of destruction and vengeance; the diplomatic world of "Star Trek" couldn't exist at that time. It's no wonder "Nemesis" and the TV series "Star Trek: Enterprise," which ran concurrently, both failed.

And third-worst-ranked, with a 48% approval rating, is "Star Trek Generations" from 1994 . The first film to be based on "THe Next Generation," the film was all too obsessed with "passing the torch" from Captain Kirk to Captain Picard. Never mind that Picard had already led seven successful seasons of "The Next Generation," and should have had a story of his own. It's clunky, not very creative, and weirdly stodgy.

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Review: ‘Star Trek: Lost to Eternity’ Pulls At Leftover TOS Movies Threads To Spin A Fun Adventure

| August 14, 2024 | By: Dénes House 14 comments so far

Star Trek: The Original Series: Lost to Eternity Written by Greg Cox Published by Pocket Books

KIRK: No, no, no. All I need is the radio frequency to track them. GILLIAN: What are you talking about? I’m coming with you. KIRK: You can’t. Our next stop is the twenty-third century. GILLIAN: I don’t care? I’ve got nobody here. I have got to help those whales! ( Star Trek IV: The Voyage Home )

And so, cetacean specialist Dr. Gillian Taylor disappeared from San Francisco that morning in 1986, never to be seen again. Or not for a long time, at any rate. What did her friends and co-workers think about her disappearance? Was there a police investigation? When combined with the other strange occurrences in those three days, like the capture and loss of an odd Russian spy aboard a US Navy aircraft carrier, that same spy’s disappearance from a local hospital the next day, and odd happenings around Golden Gate Park, did Dr. Taylor’s missing person’s case raise any red flags in the United States government? Well Greg Cox’s new Star Trek book has that covered, and more so.

Star Trek: The Original Series: Lost to Eternity takes place in three time periods: in 2024, following podcaster Melinda Silver and her producer, Dennis Berry, as they try to track down leads on that 1986 cold case for their true-crime podcast; in 2268, following the USS Enterprise under the command of Captain James T. Kirk during the third year of the Enterprise’s mission as they investigate a missing persons case of their own; and in 2292 (a year before Star Trek VI: The Undiscovered Country ), following the Enterprise-A under the command of Captain James T Kirk, escorting delegates from a first contact species to a conclave with representatives of the Federation and the Klingon and Romulan Empires. Cox loves balancing stories in multiple timelines, which has become a sort of calling card of his writing. Here, he expertly balances each storyline, bringing all of them to an action-packed and stirring conclusion.

For my money, the most interesting story by far takes place in 2024 as Melinda interviews supporting characters from the story told in Star Trek IV: The Voyage Home— people who interacted with Gillian at the Cetacean Institute, the pizzeria, and the hospital, and with Kirk, Spock, Chekov, and others throughout the film. As her investigation heats up, she and her conspiracy theorist producer find themselves in increasing danger and their journalistic drive and ethics are severely challenged. Melinda Silver is a spunky and resourceful journalist, and the tale told here feels very much of our time, bringing a freshness to the Star Trek stories I grew up loving.

The 2268 story is harrowing and filled with action, teasing out some of the boundaries of adherence to the Prime Directive in a situation where our crew must retrieve a kidnapped scientist whose research could be deadly in the wrong hands. In this, we see Kirk and his crew at their prime, working undercover and clashing with Klingons and many others. Of special note is Kirk’s Klingon counterpart on the planet, a smoky Klingon spy reminiscent of a buff Emma Peel. I greatly enjoyed this part of the adventure.

I was delighted to see Saavik on the cover of this novel. She plays a major role in the 2292 storyline, and it’s fantastic to see this part of the story through her eyes. While this is the era in which everything finally comes together, it is the weakest of the three storylines. Though Cox takes great pains to craft distinct personalities for each of the Klingons and Romulans, the Klingon captain with whom Kirk interacts the most is just an annoying, shouty impediment to progress. I prefer Kirk’s main adversaries to be clever and worthy of respect.

That said, the delights of this book far outweigh the slight annoyances. Cox has taken the question of “What happened after Gillian Taylor disappeared in 1986?” and run with it in fascinating and fun directions. Every page is layered with references to previous Trek adventures as characters believably connect what they are currently doing with their past experiences, enriching both the characters’ inner lives and the fun for the diehard fan reader. And in the Osori, Cox has crafted a new alien species with a unique and interesting take on immortality and space exploration, an approach that challenges the worldviews of the Federation and its sometime foes. The package is all wrapped up in the hopeful idealism that marks the best of Star Trek.

This book is a lot of fun and rewards both the casual fan and the committed Trekkie alike.

Available Now

Greg Cox’s Star Trek: The Original Series: Lost to Eternity was released by Pocket Books on July 23. You can order it on Amazon in paperback and  Kindle e-book .

Lost to Eternity is also available as an audiobook on CD now and also Audible .

Find more news and reviews of  Star Trek merchandise .

DISCLAIMER: We may link to product affiliate links that support TrekMovie by earning a small commission when you purchase through them.

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Okay fine I am buying this one! Been a long time since there was a Trek novel I wanted to buy!

Weird timing. I just finished watching Voyage Home on Pluto and wondered at the end whatever became of Dr. Taylor. Gonna pick up this book pronto! Thanks!

shame savvik was written out of the OS movies but glad they did not bring her back in TUC so she would become a villain.

means she can reappear either in books or maybe on screen one day.

I wonder if the book will touch on Chekov leaving 23rd century tech (a Klingon communicator and phaser) with the FBI, when he ran from the room where he was being questioned aboard the naval vessel USS Enterprise (CVN-65).

It should be the basis for the tech Cochrane uses for the Phoenix! I guess McCoy didn’t blunder nearly as much as Pavel hahaha

Having finished it- no, it does not. :-)

This so sounds like it will be my next audio book binge! I just hope it is offered in that format given the story’s narravitve story telling. In Generations I always thought if “Antonia” was not going to be Carol she totally should have been Gillian. Like WTF about Antonia? Talk about no heart tugs driving the story at all!

Taylor was in (or at least referenced IIRC) in the first Department of Temporal Investigations book. Her time in the 23rd century has been poked at before, but I love the idea of the podcast in 2024. Why aren’t they doing anything this interesting on Paramount+?

Just another example (Star Wars included) of how these companies are wasting their best writers on print only and not licensing their work or plots for film / tv. (Una McCormack not withstanding)

Excellent. Just finished reading it. It answers some questions about the Voyage Home, while some questions it doesn’t. I won’t say anything because of spoilers, but in some parts it feels like you are watching a Original Series episode because Kirk and company and their mannerisms are spot on from the show. I highly recommend it. Read it only in 15 days which is good for me.

I haven’t read a Star Trek novel in years. Back in High School I read a lot of them, but then I kind of got disillusioned for three reasons. One was that they had no bearing whatsoever on continuity. I understand that there was a recent reset in the novelverse thanks to post-Voyager/Nemesis etc. stories not adhering to what has been shown in the new ST series like Picard and Prodigy.

The second reason was that, as sci-fi books, they weren’t particularly imaginative or groundbreaking. I mean, they’re not Dune, or Ringworld, or a Peter Hamilton, Stephen Baxter, Benford, Brin, Bear, or Poul Anderson novel or short story collection. They’re pretty light weight in that regard, not really that substantial. Part of that is the fact that they are written by some first time writers and the like. There are exceptions. I gave away a lot of my ST books but I kept the ones I thought were the best. Greg Bear actually wrote one, Corona, I think it was. I really liked the two Diane Duane books I read too. And I actually have a couple of the major ones that I have yet to read.

I can tell you that the worst books I read were those by Sondra Marshak. They’re awful.

This book by Greg Cox, though, sounds interesting. Maybe I’ll pick it up.

I must be the only person on Earth who likes the Marshak/Culbreath books. Except TRIANGLE, now that is a steaming pile — but I love the first three, I think they got the character voices amazingly right. Though it is kind of weird, I never saw the antagonist in their PHOENIX novels as he was described, I just always see Darth Vader! Must have been proximity to when STAR WARS came out.

I want to pick this up. t’s awesome to see the spin-off characters from the movies featured.

I hope from Paramount Plus that they do TV-movies with Sulu, Chekov, Saavik, Harriman, and Dr. Gillian Taylor.

Interesting that the cover illustration depicts the Robin Curtis Saavik, as opposed to Kirstie Alley…

The novels featuring Saavik that I’ve read all seem to follow Vonda McIntyre’s lead, retaining the character’s dual heritage instead of the awful retcon Nimoy sprung on us (and poor Curtis) by making her straight Vulcan in TSFS. But I always see Curtis when I think of the character, because Alley just came off like a jittery cheerleader to me in most of TWOK. Her ‘prepare for warp speed’ line is just as bad as Curtis’ ‘david is dead’ but the difference is that nobody could play the latter without getting a bad laugh, whereas anybody should have been able to do the former without causing flinches across the viewing audience.

I still think most of Alley’s acceptance from fans came from the fact she took her jacket off long enough to show she had a significant bustline.

Here’s How You Can Watch All 13 ‘Star Trek’ Movies for Free

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The Big Picture

• Stream all 13 Star Trek movies for free on Pluto TV.
• A new Star Trek movie in the works, set decades before the 2009 film with input from J.J. Abrams.
• The Starfleet Academy series set in 32nd Century will relaunch after Discovery 's events, featuring familiar Trek alums.

All Star Trek movies are beaming up to streaming service Pluto TV. The service will host all 13 theatrical Star Trek releases. You’ll be able to watch the crew from The Original Series , The Next Generation , and the crew from the Kelvin timeline. The channel is called Star Trek: The Motion Pictures Channel. As of Tuesday, it’s officially live. The channel featuring the 13 films will be available for a limited time. The world of Star Trek has been available, both movies and television series have been available on Paramount+ and, before that, Hulu and Netflix.

The following Star Trek movies are now available on the Pluto TV channel, for free:

Star Trek (2009)

• Star Trek Beyond
• Star Trek Generations
• Star Trek II: The Wrath of Khan
• Star Trek III: The Search for Spock
• Star Trek Into Darkness
• Star Trek: The Motion Picture
• Star Trek IV: The Voyage Home
• Star Trek V: The Final Frontier
• Star Trek VI: The Undiscovered Country
• Star Trek: First Contact
• Star Trek: Insurrection
• Star Trek: Nemesis

Where is Star Trek Boldly Going?

It was announced earlier this year that Simon Kinberg ( X-Men ) is slated to produce a Star Trek feature film for the big screen. According to THR, the film would be set decades before the 2009 Star Trek movie directed by JJ Abrams . The movie will still feature Abrams’ input. Back in May, THR reported that the film would explore the world of Star Trek in a time period much closer to our own, featuring the development of Starfleet and initial contact with alien life.

This will be in contrast to the upcoming Starfleet Academy series set in the 32nd Century, contemporary with Star Trek: Discovery . That show will feature Starfleet officials relaunching the Academy after the events of Discovery ’s five seasons.

Much of the main cast was announced for at this year's San Diego Comic Con , including Trek alums such as: Robert Picardo and Mary Wiseman reprising their roles as The Doctor ( Star Trek: Voyager) and Tilly ( Star Trek: Discovery .)

You can now watch the world of Star Trek 's movies for free on PlutoTV.

J.J. Abrams' 2009 movie Star Trek rebooted the iconic sci-fi franchise in a totally new timeline. When a Romulan ship travels back in time and alters the past, the lives of James T. Kirk (Chris Pine), Spock (Zachary Quinto), and the future crew of the USS Enterprise are drastically changed. In this new timeline, the Romulan Nero (Eric Bana) sets out for revenge on Spock, setting off a chain of events that reshape the entire universe.

Watch on PlutoTV

Every Star Trek Movie Comic Book Adaptation, Ranked

• Star Trek movie comic book adaptations have been released by various publishers throughout the franchise's history.
• Some of the adaptations took liberties with the original scripts, but still featured awesome and poignant moments.
• The comic book adaptations provide fans with additional scenes and perspectives that were not in the final movies.

Comic books have been an essential component of the Star Trek franchise for most of its history. Publishers such as Gold Key, Marvel, DC and IDW have taken turns with the Star Trek license, giving fans new and exciting adventures in the final frontier. Nearly every incarnation of the franchise has appeared in comic book form, and some publishers have also created original material.

Another component of the Star Trek comic book experience is the movie adaptations. In the 1980s, it was common practice for major publishers to release books adapting popular movies—and Star Trek was one of them. Here are all the Star Trek movie comic book adaptations, ranked.

Star Trek III: The Search for Spock

Published by dc comics, 1984.

Star Trek III: The Search for Spock is arguably the best of the odd-numbered Trek films, but its comic book movie adaptation takes some liberties with the script, namely in the sequencing of events. For example: the comic adaptation begins with the arrival of the USS Grissom at the Genesis Planet, an event that occurred a third of the way through the actual movie. However, the adaptation is not without awesome and poignant moments that did not make it into the final movie, including an epitaph spoken by Edith Keeler in “City on the Edge of Forever.”

Related: 2023 Proved Star Trek's "Deep Space Nine Sequel" More Than Deserves the Name

Star Trek: Generations

Published by dc comics, 1994.

The first Star Trek: The Next Generation movie adaptation would be the last published by DC Comics , as they would lose the license shortly afterward. Fan opinion on Generations remains divided, with its critics pointing to numerous plot holes, such as the Nexus. DC’s adaptation of Generations does not plug any of these holes, but is still an enjoyable read nonetheless. The comic book version of Generations is notable for including a scene not in the original cut of the film, such as Captain Kirk’s orbital sky-dive. While rough cuts of it are now available to watch, for many years this was the only way for fans to see it.

Related: Star Trek vs Alien Crossover Was Meant to Give Picard His Ultimate Challenge

Star Trek IV: The Voyage Home

Published by dc comics, 1986.

Star Trek IV: The Voyage Home is probably the most accessible of the original Trek films: a light-hearted romp with a serious environmental message. The Voyage Home’s comic book adaptation is a faithful one , largely sticking to the original film’s script. Writer Barr adds some dialogue, including a brief exchange between former Enterprise officers Doctor Chapel and Yeoman Janice Rand . Artists Sutton and Villagran are, like Barr, firing on all thrusters here. Star Trek IV: The Voyage Home is widely regarded as one of the best films in the franchise overall, and its comic book adaptation is worthy of the name.

Star Trek: First Contact

Published by marvel comics, 1996.

Star Trek: First Contact is a tense, nail-biting film , and its adaptation reflects that. Published by Marvel as part of their short-lived “Paramount Comics” imprint, Star Trek: First Contact stays faithful to Brannon Braga and Ronald D. Moore’s original screenplay, but is forced to cut some scenes due to spatial limitations. However, this does not deter one bit from the adaptation. Star Trek: First Contact’s movie adaptation was one of a few to receive a reprint years later from IDW, who currently holds the Trek comic license.

Star Trek VI: The Undiscovered Country

Published by dc comics, 1991.

Star Trek VI: The Undiscovered Country was the last ride of the original crew of the Enterprise , a bittersweet end to a glorious run, and its comic book adaptation perfectly captures this tone. Part of the adaptation’s success can be attributed to Peter David , who has written numerous Trek comics and novels, many of which are fan favorites. David and artist Gordon Purcell, who also illustrated a good portion of DC’s Star Trek output, deliver a first-rate adaptation, one that flows just as well as the source film. The Undiscovered Country is one of Trek’s finest hours, and its comic book adaptation is just as good.

Star Trek V: The Final Frontier

Published by dc comics, 1989.

Among fans, Star Trek V: The Final Frontier is regarded as one of the weakest entries in the franchise, but its comic book adaptation shines. Peter David, who had just finished up on DC’s first Star Trek comic, turns in an excellent adaptation that makes the original shine. Drawn by James W. Fry, Star Trek V: The Final Frontier’s comic adaptation hits all the right notes, perfectly distilling the film’s best parts. The comic book version of The Final Frontier was then used to inaugurate DC’s second line of Star Trek comics, which launched shortly thereafter.

Related: 10 Biggest Changes to Star Trek Canon Delivered By Its Epic 'God War'

Star Trek II: The Wrath of Khan

Published by idw, 2009.

Despite being regarded as one, if not the best, Star Trek films, The Wrath of Khan never received a comic book adaptation when it was released in 1982, as Star Trek comics were in limbo at the time, with DC acquiring the license soon after. IDW rectified this problem in 2009, releasing a three-issue adaptation of the movie, which bucked the trend of Trek movie adaptations being one-shots. Thanks to the extra space afforded writer Andy Schmidt and artist Chee Yang Ong, this adaptation shines. Ong’s art especially compliments the movie’s dark tone.

Star Trek: The Motion Picture

Published by marvel comics, 1979.

The modern era of Star Trek comics began with Marvel’s adaptation of Star Trek: The Motion Picture. Initially released as the first three issues of Marvel’s Star Trek comic, The Motion Picture’s adaptation is easily the best of the franchise. Some of its success can be attributed to the legends that worked on it: writer Marv Wolfman and artist Dave Cockrum. Wolfman and Cockrum were on a roll in the late 1970s, and they brought this energy to the adaptation of Star Trek: The Motion Picture . Later released as a one-shot edition by Marvel, the adaptation was reprinted by IDW in the 2000s, giving fans the chance to experience this amazing book again.

The practice of adapting movies to comic book form has largely fallen by the wayside. While the Star Trek movie adaptations may seem relics of a bygone era, they are in fact an important part of the lore.

Marvel and 'Star Wars' take note. 'Star Trek' is now Hollywood's ultimate shared universe

From 'Discovery' to "Strange New Worlds' via 'Lower Decks' and 'Prodigy', 'Star Trek' is leading the way.

Shared universes go back way further than Tony Stark, Steve Rogers and co sitting down for some post-Chitauri shawarma. Superheroes have been moonlighting in each other's comic books for decades, while Cheers regulars frequently paid Frasier a visit in Seattle. It wasn't until Marvel Studios launched the MCU ( Marvel Cinematic Universe ), however, that the concept started to gain serious mainstream traction. 

By incorporating the contrasting adventures of Iron Man, Captain America, Thor and Black Widow into one gigantic, overarching narrative, Marvel successfully blended cinematic spectacle with the "must-watch-every-episode" ethos of serialised TV. The MCU's famous end-credits stings also had the unexpected side-effect of convincing us all to stick around until the end of the closing titles of every movie, y'know, just in case. 

From a business point of view it's one of the shrewdest creative decisions ever made in Hollywood, a move that helped turn the MCU into the most lucrative franchise in history, while spawning an army of imitators. Some fell quickly by the wayside — Universal's planned Dark Universe didn't survive beyond its first release, "The Mummy" — while others (most notably DC's original answer to the MCU) simply felt tired in comparison. But with apologies to box-office behemoths Marvel, Star Wars and the Monsterverse home of Godzilla and King Kong, the most exciting shared universe of them all is currently located somewhere on the final frontier.

It's not quite "Infinite Diversity in Infinite Combinations" (sorry, Mr Spock), but " Star Trek "'s guiding principle since "Discovery" brought the franchise back to TV in 2017 has been variety. "Discovery" started out as an "Original Series" prequel, before warping off to the even-more-distant future of the 32nd century. That left a gap in the timeline for the less serialized voyages of a pre-Kirk Enterprise in " Strange New Worlds ". "Picard" picked up the story of the ageing Jean-Luc Picard two decades after "The Next Generation" crew's final voyage, while a pair of animated series — kids' show " Prodigy " and all-out comedy "Lower Decks" — were given freedom to take the most daring swings in "Trek" history. 

Throw upcoming spy adventure " Section 31 " and cadet-themed "Disco" spin-off " Starfleet Academy " into the mix, and it's clear that — beyond the obligatory warp drives, phasers and frequent violations of the Prime Directive — the main element unifying these very different series is their shared universe. Even their settings are far enough apart — geographically and chronologically — that there's little danger of storylines colliding in Spacedock. 

The contrast between the Alpha Quadrant and a certain galaxy far, far away is stark. Until " The Acolyte ", every canonical "Star Wars" movie and TV show had been set within a few generations of the Skywalker family tree. But even ignoring the limitations of that brief timeline, there's a creeping homogeneity to much of the saga's storytelling and dialogue. 

Scenes from "The Acolyte" (set around a century before "The Phantom Menace") feel interchangeable with moments in " Ahsoka " (several years after "Return of the Jedi"), while the powers-that-be at Skywalker Ranch seem more preoccupied with plugging holes in existing lore than telling stories for their own sake. What was the final episode of "The Acolyte" season one if not a prequel to the prequel trilogy?

"Star Wars" should be an exhilarating interstellar playground capable of supporting any story you can imagine, but it's increasingly constrained by strict rules that must, it seems, never be broken. "Star Wars" is calling out for its own "Lower Decks"-style comedy" , while the upcoming "'Goonies' in space" " Skeleton Crew " could be the kid-oriented launchpad that Prodigy has been for "Trek". "Star Wars" arguably needs both because right now, all that canon could easily feel daunting to anyone eager to take those precious first steps into a larger world.

Not that the current iterations of "Star Trek" deny the franchise's rich past. The glorious final season of "Picard" was a nostalgia-fest from start to finish, bringing back familiar friends and foes to give the "TNG" crew the send-off they deserved — if it's possible to replicate your cake and eat it, that season showed the way. "Prodigy" also goes big on the deep cuts, but crucially, it doesn't matter if you have no idea that the name of the USS Voyager-A's resident whale (Gillian) is a reference to "Star Trek IV". Or that a mention of the "dysfunctional" crew of the Cerritos is a callback to "Lower Decks". All of the in-jokes are simply window dressing holding the universe together, without excluding newcomers. 

That's the genius of the modern "Star Trek" universe, whose guiding lights clearly understand that expecting every viewer to be up-to-speed with the more than 900 episodes and 13 “Star Trek” movies in the back catalogue would be a surefire route to failure. The MCU and "Star Wars" lived charmed lives when they were built around a relatively small number of movies, but both franchises are now too vast and unwieldy to demand that even casual viewers become completists. 

Nobody should have to watch everything , so surely it's better for everyone if we accept that some people will set their targeting computers on "The Mandalorian" but avoid " Andor ", just as some "Discovery" fans can skip "Picard" without feeling they're missing out. 

Besides, we probably shouldn't be surprised that it's "Trek" leading the way, because this isn't Starfleet's first away mission to a shared universe. Back in the ’90s "The Next Generation", "Deep Space Nine", "Voyager", four movies and even prequel series "Enterprise" shared characters and plotlines, to the extent that after hundreds of hours of TV, planet Earth was losing interest in shows that were becoming increasingly formulaic. Sound familiar? The franchise's latest overseers have boldly taken note — now "Star Wars", the MCU and the rest should follow in their warp trails.

"Discovery", "Picard", "Strange New Worlds" and "Lower Decks" are all available to stream on Paramount Plus, along with "The Original Series", "The Next Generation", "Deep Space Nine", "Voyager" and "Enterprise". "Prodigy" is available on Netflix.

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Richard's love affair with outer space started when he saw the original "Star Wars" on TV aged four, and he spent much of the ’90s watching "Star Trek”, "Babylon 5” and “The X-Files" with his mum. After studying physics at university, he became a journalist, swapped science fact for science fiction, and hit the jackpot when he joined the team at SFX, the UK's biggest sci-fi and fantasy magazine. He liked it so much he stayed there for 12 years, four of them as editor. 

He's since gone freelance and passes his time writing about "Star Wars", "Star Trek" and superheroes for the likes of SFX, Total Film, TechRadar and GamesRadar+. He has met five Doctors, two Starfleet captains and one Luke Skywalker, and once sat in the cockpit of "Red Dwarf"'s Starbug.  

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• Mars Tafts I have been a Star Trek fan since 1966 and even I don't believe this article. Reply
• Amin Abakery Is this some kind of Joke? Paramount did worse to Star Trek than they did to Halo, than Disney ever did to Star Wars, its an insult not just to science but to morality and human decency. I used to grow up watching star trek, proud that it was written by scientists and good people like her. Now it seems to be written by your average twitter user. With an adulterer Spock and mushroom drive spinning ships. Reply
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Pluto TV Just Quietly Added the Most Radical Sci-Fi Movie Franchise — For Free

Set a course.

As tempting as it is to be cynical about large sci-fi franchises, every single long-running film series has its ups and downs. You don’t have to feel sorry for struggling multi-million dollar epics, but some scrappy sci-fi movies, like 1977’s Star Wars , are hits out of the gate, while other franchises are perpetually behind the eight ball. You might think Star Trek is an indestructible brand name, but as a film series, it’s been a scrappy story of endurance and adaptability.

After hitting Paramount+ in July, all 13 Star Trek films are now also streaming for free on Pluto TV. Here’s why you should watch all of them, even the infamous ones.

Despite being around for nearly 60 years and producing nearly 800 hours of content, Star Trek isn’t considered an entertainment juggernaut in the same sense as Star Wars and Marvel. There are two essential reasons for this, which become apparent when you watch the films. Star Trek is more overtly political than Marvel or Star Wars, and it changes storytelling modes on a dime.

George Takei as Sulu and William Shatner as Kirk in The Wrath of Khan .

The second point is most obvious when you watch the Trek films in order. In 1979, Star Trek: The Motion Picture had been conceived as a pilot for a second live-action TV series, and the story has the hallmarks of a classic 1960s Trek episode. Directed by Robert Wise ( The Day the Earth Stood Still and West Side Story ), the film scans like 2001: A Space Odyssey with Star Trek nomenclature. Although it made money, it also cost a ton of money, and so when it was time for Star Trek II , the budget was slashed, and director Nicholas Meyer had to come up with an epic using a handful of interior sets. The result was 1982’s The Wrath of Khan , which is shot like a WWII submarine thriller, features a revenge story at its core, and cranks up The Original Series’ nautical vibes.

The pivot from The Motion Picture to The Wrath is a microcosm of just how different the Trek movies can be from each other. The franchise attempted to recapture the magic of Wrath with Nemesis in 2002 and Into Darkness in 2013, but other Trek movies are departures from the departures. The Search for Spock is essentially a mystical road trip movie, while The Voyage Home is an ecological time travel comedy. The Final Frontier is a commentary on religious extremism, while The Undiscovered Country is a political thriller that dissects Western prejudices and imperialist policies, while also touching on aging.

Patrick Stewart as Captain Picard in Star Trek: First Contact .

You can find these themes in Star Wars and Marvel films, but structurally, Star Wars and Marvel films are quite similar to each other. There’s a lot of fighting, and we can generally guess the story beats before they happen. Trek films are nothing like that. There’s no fight at the end of The Voyage Home . The J.J. Abrams-produced reboots are a bit more formulaic, but even the most action-y of them, Star Trek Into Darkness , features moments where Kirk and Spock hesitate to slay their enemy.

The movie franchise tries to bring the philosophy of the various Trek TV series to the big screen, which tends to create some quirks. In 1996’s Star Trek: First Contact , while blasting away at invading Borg, Captain Picard hides in the holodeck, dons a 1940s tuxedo, and acts like hard-boiled Sam Spade-esque detective Dixon Hill. No other sci-fi action movie would do this, but even in the middle of their biggest blockbuster, Star Trek will always take a break to do something contemplative, goofy, or both.

You can watch all the Star Trek films on Pluto TV .

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Den of Geek

Modern Star Trek Needs to Bring Back ‘Filler’ Episodes

The days of 20-episode seasons of Star Trek may be long behind us, but we think that's kind of a shame...

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Earlier this year, Cinemablend asked Star Trek writer-producer Alex Kurtzman whether he thought that a modern Star Trek show could ever reach 100 episodes in the age of streaming. This was fairly standard for previous franchise entries that would later be syndicated to other networks, with The Next Generation , Deep Space Nine , and Voyager all broadcasting nearly 200 episodes across seven seasons—though poor, unloved Enterprise was cancelled just two episode before hitting triple figures (whether you think this is a tragedy probably depends on how recently you re-watched that prequel series).

Kurtzman, who has been a key creative figure in modern Trek since 2009’s J.J Abrams-directed big-screen reboot, said that hitting such a milestone in the era of streaming was “unlikely.” But he also suggested that this wasn’t necessarily a bad thing: “You can talk to old writers of old Trek series, and they’re like, ‘Man, there’s a bunch of filler episodes in there. We are just trying to get to 22 a season,’ you know … and we all know which of those episodes were [filler], we know the ones that were truly stellar from the ones that felt like they were kind of spinning their wheels.”

Regardless of one’s personal feelings about Kurtzman or his approach to Star Trek , his observations are not without merit. For such a beloved and influential franchise, televised Star Trek has historically had, to put it charitably, variable quality control. While a more conventional syndicated crime procedural from, say, the mid-’90s might never reach particularly mind-blowing heights, you could be pretty confident that an average episode would be competent and baseline watchable. 

Not so with Star Trek . Tuning in to watch live in the ’80s, ’90s or even early 2000s, you truly had no idea what might be waiting for you. It could be a tense, exciting adventure. It could be thought-provoking, high-concept science fiction. It could be a poignant character piece, or a diverting bit of comedy fluff. It could conceivably be one of the worst episodes of television you would ever see in your life.

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But what if that’s actually a good thing?

A Different Time

It’s important to put Kurtzman’s remarks in context. The current era of streaming TV is vastly different from that which produced the likes of TNG, DS9 and Voyager. In the ’80s and ’90s, US cable and broadcast networks wanted seasons of 22 episodes or more so that they would have enough content to pump into people’s living rooms between September and May, assuming that people watched less television during the summer. This nine-month period was in turn roughly split into a September-December block and a January-May block—hence the breaking up of TV shows into “seasons,” terminology that has since found its way over to the UK, even though our model for TV production is very different

It was also increasingly profitable for shows to be “syndicated,” i.e. sold to other networks in various different markets, both national and international. That’s why UK viewers were able to tune into TNG on BBC2 from September 1990, three years after the show’s US debut, a gap it’s pretty impossible to imagine fans putting up with these days. The more episodes available, the more valuable the package.

This is all a roundabout way of saying that the 22-episode season model was not one born out of an artistic or creative impulse. The motive was profit. After all, t paraphrase one of the Ferengi Rules of Acquisition, a production company without profit is no production company at all. 

Of course, the streaming era is no different in that respect. The motive is the same, it’s only the model that has changed—in a world with so many more options for entertainment, competition for attention has become much more intense. And in this new landscape of increased competition and decreased attention spans, even a legacy brand like Star Trek can’t assume enough viewers to justify the cost of a 22-episode season—costs that would likely be prohibitive anyway, as most streaming services seem to be operating at a loss even now. Audiences are no longer limited to what happens to be showing on TV at a particular time of day, and a season of around 10 episodes has therefore become the ideal model, with creatives being forced to adapt as a result.

For Kurzman, this is ultimately a positive thing. It means 10 lean, focused episodes, where the excitement—and by extension the audience’s investment—is constantly maintained, and all the money is always on screen rather than stretched to breaking point. It means heavy serialization, story arcs, big action, and big emotions. No bottle episodes, obtuse chamber pieces, or quirky character experiments.

No “filler.”

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The joy of “filler”.

But Star Trek ’s mission, famously, is “to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no-one has gone before.” And longer seasons—while undoubtedly stressful for writers and prone to dramatic fluctuations in quality—are arguably a more comfortable fit for such a mission, because of the increased room for experimentation.

Kurtzman seems to be suggesting that without the requirement to fill a 22-episode season, the wheat is naturally going to be separated from the chaff, and only the truly great ideas will make it to screen. A sort of televisual survival of the fittest that will only ever produce episodes that really deserve to be seen, filtering out the odd ducks where the production team is “spinning its wheels.” But there’s no guarantee that lessening the quantity automatically improves the quality, and this approach risks throwing the baby out with the bathwater. 

Would a more modern, 10-episode season of The Next Generation find space for stories like “The Inner Light,” the Hugo Award-winning season 5 episode in which Captain Picard experiences 40 years of life as an alien scientist? It’s a quiet, meditative, hugely poignant episode, with no battles and few flashy special effects. A streaming audience could conceivably be put off by its deliberate, thoughtful pace—but what a tragedy to potentially lose such a memorable, moving story, in service of such a risk-averse model. 

What about “Data’s Day,” whose heavily comic A-plot focuses on the android Data’s confusion over human marriage rituals, with a political assassination consciously relegated to the B-plot? At best, you can imagine these two plots being reversed for a modern version, on the assumption that audiences will be more attracted to the thrilling political machinations. A beloved main character bumbling around, learning more about what it is to be human? Don’t waste my time.

Okay, two acknowledged classics there, of course it would be a shame to lose them. But what about acknowledged disasters? There are almost too many examples to list across TNG ’s much maligned first couple of seasons. Would you really try to court a fickle streaming audience by subjecting them to season 1’s “Justice,” in which the reviled Wesley Crusher falls afoul of some cheerful, scantily clad hippies who happen to have the death penalty for minor acts of vandalism?

The thing is, while it’s hard to defend “Justice” on its own merits—it is, in a word, crap—in the broader context of Star Trek , it’s helpfully illustrative. The episode is trying, in its own half-baked and cringeworthy way, to show us a strange new world, and use that setting to generate a compelling moral dilemma. The execution is lacking, even by the standards of the time, let alone those of the modern era. But it’s far closer to the beating heart of Star Trek , to its true mission statement, than 50 minutes of exploding spaceships designed to distract someone from scrolling TikTok.

There’s also a reluctance here to embrace sillines—because old Trek was silly, and we don’t want to remind people of that, because it’s embarrassing. But silliness is part of Star Trek ! It’s in its DNA. Even Deep Space Nine , which leaned much more heavily into serialization and moral ambiguity—and brought us one of Star Trek ’s finest ever “filler” episodes in “Far Beyond the Stars”—knew when to give us a lighter, frothier instalment. The season 7 episode “Take Me Out to the Holosuite” took place right in the thick of the Dominion War, in which millions died and many ethical boundaries were crossed—and it was a perfect bit of low-stakes fun to break up the drama. In a 10-episode Dominion War season for the streaming era, there simply wouldn’t be time for Sisko to settle an old rivalry with a Vulcan captain via the medium of holographic baseball. 

And that’s a terrible shame, because not everything has to be epic. Not everything has to be about destiny or intergalactic conspiracies or battles for the future of the universe or shouting. Sometimes it’s just nice to see characters we care about doing fun, silly, or interesting things, between exploring strange new worlds.

Speaking of which…

A Brighter Future

If there’s one modern Star Trek show that seems to appreciate this, it’s Strange New Worlds . The Discovery spin-off, following the adventures of Captain Pike and Mr. Spock on board a pre- Captain Kirk USS Enterprise, feels much closer to the spirit of older Trek , finding space between arc episodes and action thrillers for quirky character pieces like season 1’s “Spock Amok,” in which Spock switches bodies with his fiancé T’Pring, or season 2’s musical episode “Subspace Rhapsody.”

Are all these episodes completely successful? No. But they speak to a desire to grow, to explore, to experiment. To show us new settings, new dilemmas, new ideas. The kinds of stories that only Star Trek can tell.

It was only natural, when the 2009 movie reboot came out, that Star Trek would be re-tooled into something more action-packed, more straightforwardly thrilling. Even the TNG movies had already started to go that way. And in 2024, the time of slow-paced TV with silly foam foreheads is long gone. 

But there are many different franchises that can indulge our appetite for space battles, chases, and fist fights, while only one can give us an annoying boy genius falling on some flowers and being condemned to death by scantily-clad space hippies.

Sorry, what was that? You want me to defend the TNG episode “Code of Honor” now?

Oh dear, is that the time? I must be going…

Stefan Mohamed

Stefan Mohamed is an award-winning author and performing poet based in Bristol. He is the author of four novels and three books of poetry. You can…