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Walter Trout announces tour dates

Walter Trout will stage several dozen appearances across the U.S. in the coming months. He’ll begin in Atlanta, GA on March 21, and continue for appearances also in May and July. His broader itinerary features several UK shows and many primary European festivals throughout the summer alongside participating in Joe Bonamassa’s Keeping The Blues Alive at Sea II from August 23-28 in the Mediterranean. Joining Walter on all U.S. appearances are Teddy “Zig-Zag” Andreadis on keys, Johnny Griparic on bass, and Michael Leasure on drums.

Trout shares, “It has been a long winter, and we are so looking forward to a new beginning performing our music for you all. I have been playing my guitar every day – preparing for this moment of once again being on stage with my amazing band and seeing you all out there!”

Confirmed US appearances include:

3/21 Atlanta, GA City Winery

3/24 Durham, NC Blue Note Grill

3/26 Richmond, VA The Tin Pan

3/27 Annapolis, MD Rams Head On Stage

3/28 Sellersville, PA Sellersville Theater

3/29 New York, NY Sony Hall

3/30 Shirley, MA The Bull Run – SOLD-OUT

3/31 Pawling, NY Daryl’s House

4/01 Fairfield, CT StageOne at FTC

4/02 West Yarmouth, MA The Music Room Gallery & Wine Bar

4/04 Alexandria, VA The Birchmere

4/05 Warrendale, PA Jergel’s Rhythm Grille

4/07 Old Saybrook, CT The Katherine Hepburn Cultural Arts Center

4/08 Northampton, MA Iron Horse Music Hall

4/09 Plymouth, NH The Flying Monkey Performance Center

5/05 Cincinnati, OH The Ludlow Garage

5/06 St. Louis, MO Old Rock House

5/07 Kansas City, MO Knuckleheads

7/28 Duluth, MN West Theatre

7/29 Minneapolis, MN Dakota

7/30 Fargo, ND Fargo Blues Festival

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Jimmy's Jazz and Blues Club | Portsmouth, NH

Walter trout band, latest setlist, walter trout on july 14, 2024.

SPACE, Evanston, Illinois

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Walter Trout: Broken Tour 2024

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All of us are broken. But no one is beyond repair. It's a philosophy that Walter Trout has lived by during seven volatile decades at the heart of America's society and blues-rock scene. Even now, with the world more fractured than ever – by politics, economics, social media and culture wars – the fabled US bluesman's latest album, Broken, chronicles the bitter schisms of modern life but refuses to succumb to them.

"I've always tried to write positive songs, and this album is not quite that," considers the 72-year-old of an all-original tracklisting that rages and soothes. "But I always hold on to hope. I think that's why I wrote this album."

For the last half-century, however rocky his path, hope and resilience has always lit the way. The beat of Trout's unbelievable story are well-known: the traumatic childhood in Ocean City, New Jersey; the audacious move to the West Coast in '74; the auspicious but chaotic sideman shifts with John Lee Hooker and Big Mama Thornton; the raging addictions that somehow never stopped the boogie when he was with Canned Heat in the early-'80s ...

Even now, some will point to Trout’s mid-’80s guitar pyrotechnics in the lineup of John Mayall’s legendary Bluesbreakers as his career high point. But for a far greater majority of fans, the blood, heart and soul of his solo career since 1989 is the main event, the bluesman’s songcraft always reaching for some greater truth, forever surging forward, never shrinking back.

It’s a peerless creative streak underlined by the guitarist’s regular triumphs at ceremonies including the Blues Music Awards, SENA European Guitar Awards, British Blues Awards and Blues Blast Music Awards. The iconic British DJ ‘Whispering’ Bob Harris spoke for millions when he declared Trout “the world’s greatest rock guitarist” in his 2001 autobiography, The Whispering Years.

If he were a less questing artist, Trout could mark time and dine out on those past glories, leaving the polemics and calls-to-arms to a younger generation. But that’s not enough, considers the still-hungry veteran. “I have to grow. I want to be a vital contributing artist. I don’t want to come out every night and play my first hit, Life In The Jungle. I feel young. I know I’m not. But in my head, I’m still 25, still wanting to get better and do something I haven’t before. I have more to say.”

As the pandemic burnt out, Trout got back to business: the career-long cycle of writing, touring and resting still as natural to him as breathing. But scarcely had the world’s turntable needles dropped on his latest album, 2022’s Ride, when Trout felt the first tingles of incoming inspiration. Alternating between his homes in the remote Danish fishing village of Vorupør and Huntington Beach, California – or sometimes even in the back of the van, still slick with sweat after that night’s gig – the twelve songs of Broken demanded to be born.

“A lot of times I put on headphones, listen to music that gets me emotional, and then start just writing lyrics,” explains Trout of a process that still fascinates him. “I think these songs are as honest as I can be. The band came down to my house for rehearsals so we could just go in the studio and blow through this stuff.”

Kingsize Soundlabs in LA was the scene of the crime – a familiar Trout Band haunt that also hosted 2019’s Survivor Blues – and producer Eric Corne once again the man behind the glass. “This is our 15th album together,” calculates the bluesman. “Eric and I just have a way of working, man. A friend who came into the studio and watched us and said, ‘Man, you guys are like a machine’. It’s unspoken.”

A few collaborators joined Trout for the first time. “I thought my friend Beth Hart could relate to the title track, Broken,” he says of the warrior princess whose fiery vocals coil with his own. “With that song, I was looking at the world – especially what’s going on in the United States – but also thinking about my recovery from the things that happened to me. I had the first verse – ‘Pieces of me seem to break away/I lose a little more every day’. But it was almost too much for me to go back into that shit. So my wife, Marie, was able to help me with the lyrics – and she nailed it. The guitar solo, that’s maybe my favourite on the record. I tracked it with the band, one take. I wanted to see if I could beat it – but they wouldn’t let me!”

Another set of star guests supply the rocket fuel on two of the album’s most rocking cuts, I’ve Had Enough and Bleed. “Dee Snider from Twisted Sister put up a live cut of me on his Twitter and said: ‘Listen to this fucking guitar hero’. We started talking, became friends, he came into the studio and I knew I had to write him a song. So I’m thinking, ‘Well, he did We’re Not Gonna Take It’. So I wrote I’ve Had Enough. And it’s rockin’, big time. Bleed came about when we were pretty much done. My drummer Michael Leasure said to me, ‘Hey, Walter, you played with John Lee Hooker and Canned Heat, this is your 31st album and you’ve never played a boogie. What’s the deal?’ So I said, ‘OK, fuck it, let’s do a boogie’. I can kinda play harmonica, but I thought, ‘Let’s elevate this thing’. There’s a young harmonica player in England who’s the best I’ve ever heard, Will Wilde. He has the soul and the power of Paul Butterfield, but couples that with blinding virtuoso technique.”

Elsewhere, in a flash of telepathy, Trout discovered the line he was singing as a placeholder lyric for the cowboy blues of Turn And Walk Away had already been written by Marie (“I have a box of lyrics, and I find this piece of paper, in my wife’s handwriting, from twenty years ago and the first line says: ‘It never occurred to me that you would ever set me free’. It fit the song perfectly”). As for the blues tune, Courage In The Dark, Trout believes it took no more than ten minutes. “I was actually reading a book of poetry in the van, and the line was something like, ‘In a world of darkness, it’s a necessity that you hold on to your courage’.”

For the wistful Talkin’ To Myself, Trout took inspiration from the hits that crackled from AM radio in his youth, paired with a lyric about his habit of yelling at the hotel TV on the road, and a highly successful first attempt to play a vintage electric sitar (“Y’know, it’s ’66, you’re riding in your car, and Paul Revere and The Raiders comes on – I wanted this song to sound like that”). But on No Magic (in the street), he acknowledges the march of time. “I’ve been living here in Huntington Beach for 50 years. For decades, I knew everybody on Main Street: ‘Hey Walter, what’s goin’ on?’ But I took a walk down there recently and realised there’s a new generation, with their own Steinbeckian society, and I felt like an anachronism. So when I say there’s no more magic out on the streets now, that’s just for me.”

No words were required for the tender instrumental Love Of My Life (“Of course, it’s about Marie”), while the bluesman’s muse of three decades also inspired the gossamer balladry of I Wanna Stay (“I’m whispering that song – it’s meant to be as quiet and gentle and possible. That’s about the first time I made love to my wife”). The bright-eyed soul of Breathe was written by keyboardist, Richard T Bear and reimagined by Trout with a nod to the Faces’ heart-wrenching Debris. “I told the bass player Jamie Hunting, ‘I want you to play like Ronnie Lane here’. And I told Skip Edwards, the piano player: ‘I want Ian McLagan’. And they nailed it.”

For most of the new record, Trout reached for his battle-scarred Fender Stratocaster or Delaney signature model, plugging into his trusty Mesa/Boogie MkIV stage amp (no pedals required). But for the closing Falls Apart, he pushed the sonic envelope. “Anyone who thinks I’m just a blues guy, I’m gonna hit them with my version of Pink Floyd,” he laughs. “That outro has three different electric guitar rhythms, and two acoustic guitar rhythms in different inversions. Then there’s a Nashville-tuned guitar. Our middle child Biscuit, AKA Captain Buzzface, wrote the song and arranged and sang all the background vocals. I think that the kid wrote an epic song that is very fitting for the state of the world today. I have a hard time getting through that one without breaking down.”

With gallows humour, Trout notes that his new album opens with a track called Broken and ends with one called Falls Apart. He can’t deny the socio-political mood in the air, and as such, between those two bookends lie some of the most personal, bruised songs of his career (albeit twinned to some of his most rocking and defiant guitar work). Yet as the man says, as long as there’s love and music, there is always a light to guide us. “That Sixties idealism still burns in me and I want to make music that means something or helps somebody. I may be naïve but I’m ok with that. In the face of what’s happening in the world, I will stubbornly hold on to my idealism and hope. I want to make music that matters…”

Performer Links

• Date Wed, September 4, 2024
• Time 7:30 PM Doors 6:30 PM
• Ages 21 & Over
• Venue Rams Head On Stage
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CANCELLED ~ Walter Trout

Bluesman Walter Trout is a survivor. In 2014, he received a liver transplant and by 2015, he performed at the Royal Albert Hall in London. His 2019 album, Survivor Blues, spent two weeks on the Billboard Blues Chart at number one and remained in the top 10 for 12 weeks. A lesser artist might have taken that acclaim and enjoyed it, but Trout is not content with what is. “I wanted to make Survivor Blues to show my blues pedigree and my history of playing this music,” he said. “But that’s not all I am. I’m also a songwriter. Of course, everything I do is based in the blues and I’ll never turn my back on it. Ordinary Madness (new album) is a blues-rock album, but it’s also an evolution of my songwriting. The artists I respect most are the ones who seem to be fearless and push the envelope.” Trout began his journey as a musician in New Jersey, where the young guitarist was drawn to maverick songwriters like the Beatles, Dylan and Neil Young’s Crazy Horse. In 1974, he moved to California to be a sideman for greats like John Lee Hooker and Percy Mayfield and then became the lead guitarist for Canned Heat. From 1984-1989, he was the lead guitarist in John Mayall’s Bluesbreakers and then formed the Walter Trout Band. All along the way, he was crafting songs. Now he has Ordinary Madness, which is not, he says “Survivor Blues Volume Two.” “I dug in deep with regard to the craft of songwriting,” he said. For five decades, Walter Trout’s music has been a reminder to listeners that they are not alone. He has written about his personal tragedies, and now, as the world struggles with a tragedy that has touched everyone, he has taken 11 searingly honest songs that bring his fans even closer. “There’s a lot of extraordinary madness going on right now,” he has said of the COVID 19 crisis. “This album started because I was dealing with the flaws and weaknesses inside me. But it ended up being about everyone.” The album was completed just as the United States was shutting down and his themes of shared troubles couldn’t have come at a better time. The idea for the album was born as he scanned his social media feeds and noted his fans’ messages about how he and his wife inspired them. He was touched, but he knew his story was far from perfect. He has been open about ongoing struggles with mental health and he spent recent tours soothing himself by scribbling down thoughts and feelings. It was only later that he realized he had written the most honest lyric-sheet of his career and he felt he had an opportunity to let fans share and identify with him. “Everyone is dealing with something,” he said. “I’m no different from anybody else. Ordinary Madness doesn’t mean you’re gonna end up in a mental institution. It’s just about being human. It’s common humanity.” Ordinary Madness is that rare mix of a work that is deeply personal and completely universal. It has a relevance today that even Trout didn’t imagine at the beginning. “As the lyric says in (the cut) ‘Up Above My Sky,’ sometimes you to have to see through the darkness to the light,” he said. “I can’t wait to get back out there, meet the people at shows, hug them and pose for a photo. And I’m really looking forward to playing these songs live, because I think this album speaks to these times.”

59 S.W. Flagler Avenue Stuart, FL 34994 Phone: (772) 286-7827 Fax: (772) 283-2374 Email: info@lyrictheatre.com

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CANCELLED – Walter Trout w/ Shaw Davis & the Blackties – $20/25

March 15, 2020 @ 5:00 pm.

Skipper’s Smokehouse along with Walter Trout announce the cancellation of this weekend’s show – a statement from Walter is below.

Due to cancellations of several shows because of COVD-19 making continued touring unsustainable, and Walter’s concern that bringing people together at a time when social distancing may slow the spread of the virus, Walter and his management have made the difficult decision to postpone the dates on the rest of the March US tour. On a personal level , Walter also feels it is best to model responsible behavior since he has a compromised immune system after his liver transplant six years ago. Being grateful for the donated liver includes not taking any undue risks that may jeopardize this gift of life he was provided.

This is a very difficult decision and we do not make it easily. We have enormous respect for the promoters and all the people who work at music venues who will suffer along with us financially, and of course for the fans we disappoint.

We hope we all will emerge stronger after this crisis passes.

If you already have tickets, please return to the point of purchase for a refund. Tickets purchased on the web will be refunded automatically and you do not need to take any action – the refunds could take a couple of days to hit your account/card.

As of now, Skipper’s Smokehouse is open our regularly scheduled hours.

We greatly appreciate everyone’s support and understanding while navigating this unknown territory we’re living in.

– Ownership, Management and Staff of Skipper’s Smokehouse –

Walter Trout Walter Trout is the beating heart of the modern blues rock scene, respected by the old guard, revered by the young guns, and adored by the fans who shake his hand after the show each night. After five decades in the game, Trout is a talismanic figure and part of the glue that bonds the blues community together, at a time when the wider world has never been so divided. He’s also the only artist with the vision, talent and star-studded address book to pull off a project on the scale of We’re All In This Together. “It was quite a piece of work to get this record together,” he admits. “But I guess I have a lot of friends, y’know…?” Before you even hear a note, We’re All In This Together has your attention. Drafting fourteen A-list stars – including Joe Bonamassa, Kenny Wayne Shepherd, John Mayall and Randy Bachman– and writing an original song for each, Trout has made the most tantalizing album of the year and found solace after a run of solo albums that chronicled his near-fatal liver disease of 2014. “Now was the right time for this record,” he says. “Battle Scars [2016] was such an intense piece of work, written with tears coming down my face. I needed a break from that, to do something fun and light-hearted. This album was joyous for me.” Scan the credits of We’re All In This Together and you’ll find nods to every twist and turn ofTrout’s electrifying backstory. There’s keys man and long-time friend Skip Edwards, who came up on the same early-’70s New Jersey circuit where Trout cut his teeth as the precocious lead guitarist for Wilmont Mews. There’s organ wizard Deacon Jones, the West Coast bandleader who brought a twenty-something Trout into the orbit of blues titans like John Lee Hooker and Big Mama Thornton. “Deacon sorta discovered me when I moved to LA in the ’70s,” reflects Trout. “So I owe him.” Trout also welcomes a fistful of compadres from recent all-star project Supersonic Blues Machine, in the form of Warren Haynes, Robben Ford and Eric Gales. Then there’s John Mayall: the ageless British blues-boom godfather who hired a troubled Trout for the Bluesbreakers 1985 and now blows harp on “Blues For Jimmy T.” “Am I proud to call myself a former Bluesbreaker?” Trout reflects. “Yeah, of course. What a credential. That is a very exclusive club, and I know that when I’m gone, that’s gonna be one of the big things that they’ll remember me for: that I was a Bluesbreaker for five years.” Since he struck out alone in 1989, Trout’s solo career has been every bit as celebrated. Touring tirelessly and spitting out classic albums that include 1990’s flag-planting Life In The Jungle, 1998’s breakthrough Walter Trout and 2012’s politically barbed Blues For The Modern Daze, he’s won international acclaim and enjoyed ever-growing sales in a notoriously fickle industry. Years on the road have also brought him tight friendships, as evidenced by 2006’s cameo-fuelled Full Circle album and this year’s unofficial sequel, We’re All In This Together. “The new album was originally gonna be called Full Circle Volume 2,” notes Trout, “but I wanted to make the title a positive statement in this time of madness.” In another departure, whereas Full Circle saw each guest visit the studio to track their part, the advance of recording technology in the intervening decade meant Trout’s collaborators on We’re All In This Together were able to supply their contributions from afar. “In the studio, it was the core band of me, Sammy Avila [keys], Mike Leasure [drums] and Johnny Griparic [bass] on every cut, with Eric Corne producing,” he explains, “and then, for most of the tracks, people sent us their parts. But it’s very hard to tell we’re not in the studio together. If you listen to the Warren Haynes track, when we get into that guitar conversation on the end – it sounds like we’re looking each other right in the face, y’know?” They say you can judge a man by the company he keeps. If that’s the case, then We’re All In This Together is further proof of Walter Trout’s position at the hub of the blues scene. This is the sound of an artist not just getting by with a little help from his friends, but positively thriving, on an album that is sure to light another rocket under his blooming late career. “I’m 66 years old,” considers Trout, “but I feel like I’m in the best years of my life right now. I feel better than I have in years physically. I have more energy. I have a whole different appreciation of being alive, of the world, of my family, of my career. I want life to be exciting and celebratory. I want to dig in. I want to grab life by the balls and not let go, y’know…?”  https://www.waltertrout.com

w/ Shaw Davis & the Blacktop  Shaw Davis is rapidly establishing himself in the realm of Roots & Blues Rock. Born April 4, 1995, the young guitarist has burst his way onto the scene and has already been named one of “50 Modern Blues and Rock Artists In 2019” by Rock and Blues Muse. Shaw Davis & The Black Ties feature an incendiary brand of Hard Blues, Psychedelia, and Roots Rock that continues to resonate with fans and crowds across the country. Backed by drummer, Bobby Van Stone, and bassist, Patrick Stevenson, the power trio has become a mainstay on the national club circuit and have performed with the likes of Foghat, The Guess Who, Blackberry Smoke, Samantha Fish, Chris Duarte, Mike Zito, Albert Castiglia, Walter Trout, Popa Chubby, GE Smith, JP Soars, Anthony Gomes and Eric Tessmer.

   Formed in the summer of 2016 out of Pompano Beach, Florida, the bands second album Tales From The West was nominated for three Independent Blues Music awards. Currently, the group is working on their third studio album with producer and former guitarist for Johnny Winter, Paul Nelson at the helm. The album is set to release in the Spring of 2020.

   Their self-titled debut album was released on June 14, 2017 to a sold-out release concert at The Funky Biscuit in Boca Raton, Florida and continues to receive steady airplay on blues/rock radio stations in the United States as well as the UK.  The debut album also received an impressive review from Blues Magazine:

“We have a new young guitar hero! Shaw Davis of South Florida. Fierce, raw guitar licks… his guitar tears, barks and bites… We will certainly enjoy this guitarist in the future.”

In January of 2018, the trio released “Alive From Legacy”, a three-track live record intended to capture the energy of the band’s live shows. After its release, the live EP received an excellent review from Rock and Blues Muse:

“Dynamism, precision, and outright fury. It’s like a three-pronged sonic offensive – the guitar pierces, the bass rattles, and the drums batter. For fans of the heavier end of blues rock, it’s a beating your eardrums will gladly take.”

October 20, 2018 brought their sophomore album to life, Tales From The West, with more impressive reviews and airplay while debuting at #20 on the Roots Music Report Blues Rock Chart.

“They’re a three-man wrecking crew that infuse the Blues with Hard Rock muscle to gratifying effect.” -The Rock Doctor

“The hard-charging, rising Blues Rocker leads his trio through a blistering set that shows he never heard of a sophomore jinx. Tipping his hand that he’s charting a course of being a Road Warrior that lights up the night, this hard-hitting set defies fashion and conventional wisdom simply by being incendiary. Hot stuff throughout.”

– Midwest Records

“The next generation of pure, unadulterated Blues Rock…this is only the beginning for this remarkable trio.” – Rock and Blues Muse

https://www.shawdavisblackties.com

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Walter Trout

Walter Trout & special guest Laura Evans

Blues-Rock’s Resilient Icon Walter Trout is riding a creatively formidable wave and heading into 2024 with an album raucous, wild and poignant in Broken. The album features guest appearances from  powerhouse singer Beth Hart, Twisted Sister's Dee Snider and Harmonica virtuoso Will Wilde. It will be released on March 1 via Provogue / Mascot Label Group.

All of us are broken. But no one is beyond repair. It's a philosophy that Walter Trout has lived by during seven volatile decades at the heart of America's society and blues-rock scene. Even now, with the world more fractured than ever – by politics, economics, social media and culture wars – the fabled US bluesman's latest album, Broken, chronicles the bitter schisms of modern life but refuses to succumb to them.

For the last half-century, however rocky his path, hope and resilience has always lit the way. The beat of Trout's unbelievable story are well-known: the traumatic childhood in Ocean City, New Jersey; the audacious move to the West Coast in '74; the auspicious but chaotic sideman shifts with John Lee Hooker and Big Mama Thornton; the raging addictions that somehow never stopped the boogie when he was with Canned Heat in the early-'80s.

With gallows humour, Trout notes that his new album opens with a track called Broken and ends with one called Falls Apart. He can't deny the link between the personal and the socio-political mood in the air, and as such, between those two bookends lie some of the most raw and bruised songs of his career. Still hope leads the way with the notion that music can help us overcome brokenness - one note at a time.

Laura Evans

It has been a standout year for Laura Evans who is an artist standing out amongst the crowd with her effortless blend of Blues, Rock & Soul, her latest album releases have now reached over 2 million streams on Spotify, she has graced the cover of the 'Nu Blue' playlist and receives continued support from Cerys Mathews at BBC Radio 2 and BBC Radio Wales. Laura had a busy touring schedule in 2023 & 2024 fresh from sell out shows on her UK tour followed by 11 dates on her European tour across the Netherlands, Germany & France. Her live performances have been described as a girl who is the ‘real deal’ and Classic Rock Magazine compares her to Stevie Nicks jamming with Blackberry Smoke, embracing notes of Americana, pop and bluesy rock and roll.

‘Laura Evans is a real firecracker, can’t wait to hear more from her this year’

Cerys Matthews, BBC Radio 2

Doors - 19:30

Advance Tickets - £30.00

Door Tickets - £32.00

Age Restriction - 14+ as long as with an Adult 18+ at all times

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Rams Head On Stage, 25 West St, Annapolis, MD 21401-2420, United States,Annapolis, Maryland

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