star trek opening song

Theme from Star Trek

The "Theme from Star Trek " (originally scored under the title "Where No Man Has Gone Before" [1] and also known informally as the " Star Trek Fanfare ") is the instrumental theme music composed for Star Trek: The Original Series by Alexander Courage . First recorded in 1964 , it is played in its entirety during the opening title sequences of each episode. It is also played over the closing credits, albeit without its signature opening fanfare.

During the opening credits, the theme's opening fanfare is accompanied by the now-famous "Space: the final frontier" monologue spoken by William Shatner (with the exception of the pilot episodes, " The Cage " and " Where No Man Has Gone Before "). Throughout the opening credits, the theme is punctuated at several points by the USS Enterprise flying towards and past the camera. These "fly-bys" are accompanied by a "whoosh" sound effect created vocally by Courage himself. (Documentary: Music Takes Courage: A Tribute to Alexander Courage )

• 1 Conception and original use
• 2 Vocalization and lyrics
• 3 Later use
• 4 Other recordings and uses
• 5 External link

Conception and original use [ ]

Creator Gene Roddenberry originally approached composer Jerry Goldsmith to write the theme for Star Trek . Goldsmith, however, had other commitments and instead recommended Alexander Courage. ( Star Trek: The Motion Picture (The Director's Edition) commentary)

Courage was not a science fiction fan, referring to the genre as "marvelous malarkey." He thus saw the theme he was writing as "marvelous malarkey music." Courage composed, orchestrated and conducted the theme in one week. He drew inspiration from a Richard A. Whiting song he heard on the radio as a child called "Beyond the Blue Horizon". This song had a drawn-out tune with a steady, fast-paced beat underneath it, which Courage emulated when composing the theme. (Documentary: Music Takes Courage )

The theme used in " The Cage " – the unaired first pilot – featured a wordless melody line by soprano Loulie Jean Norman supported by electronic underpinnings. When a second pilot was ordered and the series was picked up, Norman's vocalizations were dropped from the theme.

The first season of The Original Series used two versions of the theme. On the original NBC and syndicated runs, five episodes – "Where No Man has Gone Before", the second pilot, along with " The Man Trap ", " Charlie X ", " The Naked Time ", and " Mudd's Women " – used a mixed electronic/orchestral arrangement for the opening credits, with the main melody line created electronically and accompanied by more traditional instrumentation, including a flute and an organ for both the opening and closing themes. When the series was remastered for video in the early 1980s, only "Where No Man Has Gone Before" retained this version of the theme over both the opening and closing credits, while the opening was restored to the other four episodes and placed on five others when the series was remastered again for DVD release. The closing credits for the other nine episodes, however, used a version that had only an orchestral arrangement. The mixed arrangement was first heard on " The Corbomite Maneuver " (the tenth episode aired, although it was the second episode produced), after which the show opened with the orchestral-only arrangement.

Vocalization and lyrics [ ]

For the second and third seasons , Loulie Jean Norman's wordless accompaniment was re-added to the theme. However, Norman's voice was made more prominent than it was for "The Cage".

When originally written (and as heard in "The Cage"), Courage had Norman's vocalizations and the various instruments mixed equally to produce a unique sound. According to Courage, however, Gene Roddenberry had it re-recorded with Norman's accompaniment at a higher volume above the instruments, after which Courage felt the theme sounded like a soprano solo. Roddenberry's version can be heard during the opening credits of each episode in the second and third seasons; Courage's version is heard during the closing credits.

Further souring the relationship between Roddenberry and Courage, Roddenberry wrote lyrics to the theme without Courage's knowledge – not in the expectation that they would ever be sung, but in order to claim a 50% share of the music's performance royalties. Although there was never any litigation, Courage commented that he believed Roddenberry's conduct was unethical, to which Roddenberry responded, " Hey, I have to get some money somewhere. I'm sure not going to get it out of the profits of Star Trek . " [2] Although the lyrics were never included on the series, they have been printed in several "TV Theme" songbooks over the years.

Later use [ ]

Portions of the Theme from Star Trek have been used in all 13 Star Trek feature films . Most of the Star Trek films' opening themes start by quoting the opening fanfare from Courage's theme, before seguéing into the film's own theme. However, there are multiple exceptions to this tradition. Star Trek: The Motion Picture did not use the fanfare at all in the opening or closing music, although a subdued version of the Theme from Star Trek was created by Courage at the request of the film's main composer, Jerry Goldsmith . [3] This arrangement of the theme was used for the " Captain's Log " cues. The theme was quoted again in Star Trek III: The Search for Spock and Star Trek IV: The Voyage Home , most extensively in the final scenes.

Star Trek VI: The Undiscovered Country , scored by Cliff Eidelman , broke with the tradition again. The Theme from Star Trek did not appear in the opening music, although it was used towards the end. Star Trek Generations , scored by Dennis McCarthy , on the other hand, did use the fanfare in the opening credits (and extensively throughout the score) but it did not appear until the end of the main title music.

The score for Star Trek , composed by Michael Giacchino , again did not use the fanfare in the opening title music: instead, Giacchino subtly quoted the opening notes and various other Star Trek themes from past films throughout his score. For the end credits, a re-arranged version of the Theme from Star Trek , fully orchestrated and with The Page La Studio Voices accompanying the melody line, was used. This version was also used for the end credits of Star Trek Into Darkness and Star Trek Beyond .

The theme's opening fanfare was adapted by Dennis McCarthy as the opening for the Star Trek: The Next Generation theme (the remainder of which was an adaptation of Goldsmith's theme from Star Trek: The Motion Picture ). Courage's original theme can also be heard in the Star Trek: Deep Space Nine episode " Trials and Tribble-ations ", the Star Trek: Voyager episode " Shattered ", and the Star Trek: Enterprise series finale, " These Are the Voyages... "

Courage's theme was re-recorded for the remastered Star Trek episodes , with Elin Carlson emulating Norman's wordless vocalization.

Star Trek: Discovery composer Jeff Russo included Courage's fanfare at the end of the Discovery main titles. The theme returned in full at the end of the Season 1 finale, " Will You Take My Hand? ", playing over the closing credits after the USS Discovery intercepts a distress call from the USS Enterprise .

In the Star Trek: Strange New Worlds episode " Spock Amok ", at least a portion of the theme became diegetic (heard in the fictional universe) when a few notes of the fanfare could be heard on the PADD used to keep track of tasks for " Enterprise bingo ".

Other recordings and uses [ ]

TOS star Nichelle Nichols recorded a disco version of the theme. However, Nichols used different lyrics than those written by Gene Roddenberry. The late jazz musician Maynard Ferguson and his band also recorded a rendition of the song, a fusion version that was released on his 1977 album Conquistador . Ferguson's version was used as the opening theme for The Larry King Show on the Mutual Radio Network. The satirical rock band Tenacious D and the lounge band Love Jones recorded versions of the theme, as well, using Gene Roddenberry's lyrics.

Roy Orbison was a Star Trek fan and often opened his concerts with his band jamming to theme. [4]

The 1992 Paramount Pictures comedy Wayne's World was the first non- Trek film to use Courage's theme. In the film, the character of Garth Algar (played by Dana Carvey ) whistles the theme while he and Wayne Campbell ( Mike Myers ) lie on the hood of Wayne's car, looking up at the stars. When Garth finishes the tune, he tells Wayne, " Sometimes I wish I could boldly go where no one's gone before. But I'll probably just stay in Aurora. " The theme can also be heard in the films Muppets from Space (1999, starring F. Murray Abraham ) and RV (2006, starring Robin Williams and featuring Brian Markinson ).

At the 2005 Primetime Emmy Awards, TOS star William Shatner and opera singer Frederica von Stade performed a live version of the theme, with Shatner reciting the opening monologue and von Stade singing the wordless melody line.

In 2009, the theme was used as the wake-up call for the crew of mission STS-125 aboard Space Shuttle Atlantis .

For the 2021 inauguration of US President Joe Biden , acclaimed cellist Yo-Yo Ma played the fanfare of the theme as a prelude to his performance of another song significant to Star Trek , " Amazing Grace ". [5]

External link [ ]

• Theme from Star Trek at Wikipedia
• 2 Daniels (Crewman)

The Star Trek Theme Song Has Lyrics

The Star Trek theme song is familiar to pretty much anyone who lived in the free world (and probably elsewhere, too) in the late 20th century. The tune is played during the show's opening credits; a slightly longer version is played, accompanied by stills from various episodes, during the closing credits. The opening song is preceded by William Shatner (as Captain Kirk) doing his now-legendary monologue recitation, which begins: "Space, the final frontier ..."

The show's familiar melody was written by respected film and TV composer Alexander Courage, who said the Star Trek theme's main inspiration was the Richard Whiting song "Beyond the Blue Horizon." In Courage's contract it was stipulated that, as the composer, he would receive royalties every time the show was aired and the theme song played. If, somehow, Star Trek made it into syndication—which, of course, it ultimately did—Courage stood to make a lot of money. And so did the person who wrote the lyrics.

WAIT... THERE WERE LYRICS?

Gene Roddenberry, the show's creator, wrote lyrics to the theme song.

"Beyond the rim of the star-light, my love is wand'ring in star-flight!"

Why would Roddenberry even bother?

The lyrics were never even meant to be heard on the show, but not because the network (NBC) nixed them. Roddenberry nixed them himself. Roddenberry wanted a piece of the composing profits, so he wrote the hokey lyrics solely to receive a "co-writer" credit.

"I know he'll find in star-clustered reaches Love, strange love a star woman teaches."

As one of the composers, Roddenberry received 50 percent of the royalties ... cutting Alexander Courage's share in half. Not surprisingly, Courage was furious about the deal. Though it was legal, he admitted, it was unethical because Roddenberry had contributed nothing to why the music was successful.

Roddenberry was unapologetic. According to Snopes, he once declared, "I have to get some money somewhere. I'm sure not gonna get it out of the profits of Star Trek ."

In 1969, after Star Trek officially got the ax, no one (Courage and Roddenberry included) could possibly have imagined the show's great popularity and staying power.

Courage, who only worked on two shows in Star Trek 's opening season because he was busy working on the 1967 Dr. Doolittle movie, vowed he would never return to Star Trek .

He never did.

If you're looking for an offbeat karaoke number, here are Roddenberry's lyrics, as provided by Snopes :

Beyond The rim of the star-light My love Is wand'ring in star-flight I know He'll find in star-clustered reaches Love, Strange love a star woman teaches. I know His journey ends never His star trek Will go on forever. But tell him While he wanders his starry sea Remember, remember me.

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Every STAR TREK Opening Theme Song Ranked from Worst to Best

Find out which is the greatest opening in Star Trek television history. Star Trek is the most iconic television show ever. It’s also spawned one of the most successful movie franchises ever made.

Part of its success is the Star Trek theme song. The original song is so iconic people know it even if they’ve never seen an episode of the show. Over the years there have been many spin-offs of the show which each used a new theme song. Some have been brilliant and some have been horrible.

Most recently Star Trek: Discovery is airing   on CBS All-Access . Soon the upcoming Picard series will introduce a new theme song. We don’t know if the opening for Picard will match up with some of the others. But it’s time to look back at the history of the Star Trek opening songs and rank them from worst to best.

Make it so.

11. Star Trek: Enterprise Season 3-4 (2003–2005)

Composed by Dennis McCarthy

Enterprise’s theme song is the first (and last) time Star Trek uses a contemporary song for the opening. Dennis McCarthy scored the pilot episode. Executive producer Rick Berman promised something new for Star Trek’s sixth spin-off series. He said the opening would “be using a little bit more contemporary kind of music. […] It’s not all of a sudden that the show is going to be scored with electric guitars. It’s going to be a little hipper.”

The song “Faith of the Heart” is written by Diane Warren and sung by Rod Stewart for Robin Williams’ comedic-drama Patch Adams (1998). The song was a hit and charted at number three on the US Hot Adult Contemporary Tracks and number 60 on the UK Singles Chart. It’s used for Star Trek and sung by Russell Watson . It’s a good song and some of the lyrics match up with the idea of space travel.

You have to inspire the courage of the producers for trying something new but it doesn’t work. There’s a tradition of Star Trek shows opening with a grand orchestral theme. This song sounds like a Rod Stewart concert. After fans complained the song is different in the third and final season of Enterprise .

The new version has a higher pitch and is sped up. They added tambourine and a more pronounced electric guitar. Star Trek managed to make a bad decision even worse.

10.  Star Trek: Enterprise  Season 1-2 (2001–2002)

Dennis McCarthy first made music for the Next Generation pilot episode and scored dozens of other episodes. McCarthy later composed the theme for the shows  Deep Space Nine and  Voyager. Plus he scored the soundtrack for movies like  Star Trek: Generations . 

The opening of  Enterprise uses the song “Faith of the Heart” sung by British crossover opera singer Russell Watson. Fans hated it so much that fans created many petitions to get rid of it. “[We] urgently request that you remove [‘Faith of the Heart’] and in its place utilize a score that is without vocals, as traditionally used by [the] ‘Star Trek’ television series,” one petition said.

“We wish to express our unmitigated disgust with the theme song that has been selected for the new ‘Enterprise’ series,” another online petition said. “It is not fit to be scraped off the bottom of a Klingon’s boot.”

“I’m in the horrible minority of people who like the song,” Rick Berman defended the song telling Sci-Fi Wire . “I think it fits beautifully. I think it’s a song that’s got a lot of hopefulness and uplifting qualities to it. And I like it. I’ve met a lot of other people who like it, but I’ve also heard a tremendous amount of banter about people who don’t. And what’s a Star Trek series without something for people to hate?”

Whatever you think of the song it was used as a wakeup call for NASA missions .

9. Star Trek: Enterprise Season 4 “Mirror Darkly” (2005)

Composed by Dennis McCarthy & Kevin Kiner

In 2005 the series Enterprise traveled to an alternate “evil mirror universe” for several episodes. To complete the feel that the show had traveled to another world they changed the opening. The theme song has a more militaristic tone and a darker feel.

It works well, especially when shown along with images showing how Earth entered into a long-standing war. Considering it replaced a pop song it’s even more impressive. Unfortunately, it only lasted a few episodes before going back to “Faith of the Heart”.

8. Star Trek: Discovery  (2017-2019)

Composed by Jeff Russo

When CBS started work on the Star Trek prequel Star Trek: Discovery they hired Jeff Russo to compose a new opening theme. Russo has started in a ’90s alternative rock band named “Tonic”. After that, he started composing songs for video games and television shows. He won an Emmy for his work on the FX series Fargo .

He describes himself as a life-long fan of Star Trek and Jerry Goldsmith’s work on The Next Generation in particular. The theme for Discovery sets itself apart because they decided to focus on emotion rather than exploration. It starts with the familiar fanfare for Star Trek and then uses stringed instruments to give a sense of mystery and hope. It ends with the theme again which implies the future of the franchise.

It’s a solid piece that relies on fan recognition. So it doesn’t stand out on its own.

7. Star Trek: The Original Series (1966–1969)

Composed by Alexander Courage

The theme for Star Trek played over every episode in the show’s three seasons. It’s called “Where No Man Has Gone Before”. It’s an instrumental piece and opens with a monologue by William Shatner starting with “Space. The final frontier”. The song itself relied on wind instruments and percussion by bongo drums, which was a popular instrument at the time.

Alexander Mair “Sandy” Courage Jr. was an Academy Award-nominated, Emmy Award-winning composer, arranger, conductor, and orchestrator of television shows and movies like Jurassic Park (1993), Star Trek: First Contact (1996), and Hello, Dolly! (1964).

Courage was inspired by the Richard Whiting song “Beyond the Blue Horizon,” giving him the idea for a song which was a “long thing that…keeps going out into space…over a fast-moving accompaniment.”

The original song is a masterpiece of its time evoking a feel of adventure and excitement and has been used in several pieces for Star Trek since then. Unfortunately, it feels dated. Bongo drums fell out of fashion decades ago. The operatic singing by  Loulie Jean Norman feels out-of-place. Iconic, but not quite as good as others.

6. Star Trek: The Animated Series (1973–1974)

Composed by Ray Ellis (Yvette Blais), Norm Prescott (Jeff Michaels)

Raymond Spencer Ellis arranged many hit records in the 1950s and 1960s. He later started working with Filmation on their animated series. He used his wife’s name “Yvette Blais” as a pseudonym. Norman Prescott was co-founder and executive producer at Filmation Associates and worked with Ellis on the theme song. He used the pseudonym “Jeff Michael” after his sons Jeff and Michael.

Paramount decided to revive the original series for a Saturday morning cartoon. They decided to make the theme more modern.

Like the original song, it starts with Shatner’s monologue “where no man had gone before”. Then it moves onto a song with a much faster pace and tone than the original. The tone is slightly different as well but manages to capture the same feel of the original song. Plus, there’s no singing.

5. Star Trek: Deep Space Nine Season 1-3 (1993–1995)

Jerry Goldsmith was contacted to do the theme song but declined because of scheduling problems. Dennis McCarthy has done a ton of work on Star Trek and he admired the Star Trek: The Next Generation song. He said that he loved the trumpets and French horns in the theme so McCarthy used wind instruments to write the song for DS9 .

It’s different from other songs because it’s the first show to focus on a starbase instead of a spaceship. So the feel of the song is very different for the fourth television spin-off. Berman said he wanted to emphasize the loneliness of the station. McCarthy told SyFy he wanted the theme to say, “We are alone” and he accomplished it. It’s different but beautiful. In 1993 he won an Emmy for “Outstanding Individual Achievement in Main Title Theme Music” on DS9.

4. Star Trek: Picard (2019-)

Composed by Jeff Russo

CBS All Access went in a different direction with the theme song for Picard. Instead of relying on strings and a large orchestra to play the song it goes smaller. The song is thoughtful, serene and melodic. It’s not bombastic like the N ext Generation  theme or slow like  Deep Space Nine.

But it does owe a debt to the 90s Star Trek series. In the TNG episode “The Inner Light” Picard is knocked unconscious by an alien probe. He lives 40 years of life as an alien scientist named Kamin in the span of a few minutes. During the episode, he hears a flute song played by his “son” Batai (Daniel Stewart). After Picard returns to his normal life, he still remembers how to play and plays a melody on a flute. That flute and song have a special place in Picard’s life since it’s the family he never had but “lost”. It’s not a coincidence. The composer said he wanted to use a flute to evoke some of the feelings from the episode.

Russo told  The Ready Room  he wanted to “change to a feeling of emotional contentment for him because as we come to see, he lives on a chateau. And it’s sort of what we always thought would happen at the end of The Next Generation, and those movies where he would always sort of end up … That was his happy place. And then I wanted to … evoke how he has been awoken again.”

It ends with a small section of the theme from  Star Trek: The Next Generation . It’s lovely, thoughtful and moving.

3. Star Trek: Deep Space Nine Season 4-9 (1996–1999)

For the fourth season to the final season, the song changed. It’s actually better in many ways. The show had changed by the fourth season. New characters joined the show like Leeta (Chase Masterson) the Dabo girl. Other characters, like Worf (Michael Dorn) from Next Generation, returned. The starship USS Defiant was added to allow the show to travel to different parts of space.

All these changes led the producers and McCarthy to rework the theme song to make it lighter. The reworked song makes the show brighter and gives more hope. Star Trek is all about hope and it fits wonderfully.

2. Star Trek: Voyager (1995–2001)

Composed by Jerry Goldsmith

Jerry Goldsmith is a legend in the industry with a long list of awards including 18 Academy Award nominations. He won an Oscar for The Omen (1976) and was nominated for Star Trek: The Motion Picture in 1979.

Unlike The Next Generation which used music from his movie Star Trek: The Motion Picture, he decided to write a new song. The song is a beautiful sweeping theme that has stunning pictures of the ship soaring through space. The Voyager theme is somber and lonely but not sad. It’s uplifting.

The Voyager opening theme song is wonderful.

1. Star Trek: The Next Generation Season 1-7 (1987–1994)

Composed by Dennis McCarthy, Jay Chattaway, Ron Jones, Alexander Courage, Jerry Goldsmith

When the producers were planning out the first Star Trek show in decades they wanted to make sure the music would meet fan expectations. So they turned to the work of Jerry Goldsmith and used a piece from Star Trek: The Motion Picture. Specifically, they took a piece that played several times in the soundtrack. The first time is before the Enterprise’s first warp test.

The song is perfect for the opening as it has a feel of hope and majesty. The original song was performed by a 100-piece orchestra. Too much for a TV show so they scaled it back and McCarthy led the original orchestration of a slightly different version of the song.

It opens with the opening of the original Star Trek theme. Then Patrick Stewart says a version of the “Where no man has gone before” monologue. After that, the song begins and blows the doors off. It’s the best theme Star Trek has ever had and set the standard for all other openings.

Which is your favorite Star Trek theme song? Which one do you hate? Let us know in the comments below!

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WATCH: The Surprising Musical Origins of Star Trek’s Theme Song

Beginning with the now-famous monologue by William Shatner, “Space: the final frontier”, the opening notes of Star Trek’s theme song have become ingrained in the minds of fans around the world.

The iconic song, written by Alexander Courage in 1964, is played at the opening and closing credits of every episode of the original series and has been reinterpreted in some form for each Star Trek feature film.

In a new video released by Canada’s CBC Music, host Tom Allen explores the connection between the song and some of history’s greatest classical music composers, including Beethoven, Brahms, and Mahler.

Check out the video below.

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Star trek tng: 10 things you didn't know about the theme song and intro.

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I’m Glad Voyager’s Tom And B’Elanna Are No Longer Star Trek's Only Successful Romance

After 57 years, star trek settles the truth about trelane's godlike species, star trek's upcoming prequel movie is pulling the same trick for the 4th time.

From the moment your eyes settle on the vast expanse of stars, the first ambient sounds hit your ears, and you hear the mellifluous voice of Sir Patrick Stewart's cadence reciting, "Space: the final frontier..." you prepare your senses for the first thrilling notes of one of the most recognizable theme songs of all time. With much fanfare, the theme for  Star Trek: The Next Generation  sends your senses on an adventurous march through space, the  Enterprise- D shooting across the title sequence with each blast from the brass, each flurry of the harp, and each pounding of the percussion.

Longtime Star Trek fans will recognize it as one of the franchise's most definitive pieces of music, able to instantly transport them to an emotional state of nostalgia. It's selection as the theme song for the first new Star Trek television series since the original premiered was not an easy one, mired by bureaucratic decision making and creative differences. Did you know there was also an alternate theme? Read on for 10 things you didn't know about the  TNG  Theme Song and Intro!

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IT WAS TAKEN FROM STAR TREK: THE MOTION PICTURE

For the first time in over ten years, the cast of the original Star Trek series came together to make  Star Trek: The Motion Picture.  Released in 1979, it would feature the crew of the original USS  Enterprise  being reassembled for another mission.

To capture the spirit of the original series, creator Gene Roddenberry wanted a rousing new theme song that would make audiences feel the pull to adventure of space exploration. He liked it so much, that he decided it would be used as the theme for the first new Star Trek series since the original,  Star Trek: The Next Generation.

IT WAS WRITTEN BY A FAMOUS COMPOSER

The composer of  TNG's  soaring theme song was none other than Jerry Goldsmith, long renowned in Hollywood for his particularly bombastic and exciting scores. He went from being a humble clerk typist in the musical department at CBS in the '50s to writing some of the most famous theme songs for film and television.

He wrote the original theme for the '60s spy series  The Man From U.N.C.L.E.,   as well as blockbuster films like Poltergeist , Alien, Total Recall, Airforce One,  and  The Mummy.  His themes are atmospheric, full of percussion and horns, and have lots of character, making each one as unique as the other.

IT ALMOST NEVER HAPPENED

The theme song for  TNG  may have come out of the music for  Star Trek: The Motion Picture,  but it almost never happened. Goldsmith had started composing the music for the film and finished a section to be used when Admiral Kirk and Scotty fly over the refit  Enterprise.

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Director Robert Wise liked the sound he was creating, but ultimately had to reject it on the basis that it wasn't cohesive, and didn't have an overall "theme". So back Goldsmith went to the drawing board until he came up with the theme song we have today, used in not just  Star Trek: The Next Generation   but four other Star Trek films as well.

IT ALMOST SOUNDED LIKE A SUPERMAN RIP-OFF

When production first began on  TNG,  several themes were considered. They could either use the theme from the original series, by Alexander Courage, or they could compose something entirely new. The alternate version of the theme exists on Youtube and as you'll hear, sounds very different from the theme  TNG  ended up having.

The alternate theme sounds like  The Last Starfighter,  with elements of   Superman  and even a few fantasy films of the '70s and '80s. It has a swashbuckling feel, which definitely speaks to a call for adventure, but ultimately sounds a little too cheesy, almost like the theme for the fictitious  Galaxy Quest  television show.

THE WORDS OF ITS TITLE SEQUENCE ARE SPECIFIC

Prior to the main theme starting up, the voice of Patrick Stewart, aka Captain Jean-Luc Picard can be heard over ambient music, just as Captain Kirk's voice could be heard prior to the theme of the original Star Trek series. They recite an introductory speech that is nearly identical, save for a few key phrases.

Picard's states, "Space: the final frontier. These are the voyages of the starship Enterprise. It's continuing mission: to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before!". "Continuing mission" was put in place of the "five-year mission" as stated in the original, and "where no one has gone before" replaced "where no man has gone before" as a more gender-neutral choice.

IT WAS INTENDED TO DRAW IN LONGTIME TREKKIES

As Star Trek: The Next Generation  was the first Star Trek television program in over two decades, it came at a time when longtime Trekkies were still used to seeing the cast of the original series in feature films. Producers didn't know how they would react to a new series so they selected a theme song that would be recognizable to them.

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By using the theme song from the first Star Trek film, they hoped longtime Star Trek fans would be drawn into the show and give it a chance. By not using a new theme song, producers thought the new series wouldn't seem so alien to a skeptical audience.

IT CURTAILED HAVING TO PAY GENE RODDENBERRY ROYALTIES

Though Gene Roddenberry is credited as being Star Trek's creator, he's also been credited for almost causing its destruction. A polarizing figure in his own franchise like Star Wars creator George Lucas , he often felt that every decision he made was in the best interest of his creation when occasionally it only benefited him.

Case in point, when he felt that he wouldn't stand to make any profits off of the original series, he decided to compose lyrics for its theme so that at least he would get 50 percent of the royalties for the writing credit. If Paramount used his theme (even without the lyrics) for  TNG  they'd have to pay him royalties.

LICENSING AND EXPENSES PLAYED A PART

When producers for  TNG  were discussing what theme to go with for the series, they had to be careful about licensing, rights, and ultimately expenses. They hadn't used the original series theme again composed by Alexander Courage because of the issues surrounding having to pay Gene Roddenberry writing credits as well, so they turned to another composer.

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To commission a new piece of orchestral music at the time was going to be expensive. Hollywood composers operate at guild rates, and paying any of them for a new Star Trek show on an untested audience was a great risk, so recycling the theme song from  Star Trek: The Motion Picture  was the least expensive and convoluted option.

IT WAS ALMOST USED FOR STAR TREK PHASE II

Prior to word of  TNG  airing, there had been talk of doing another Star Trek series but involving the cast of the original series with a few new crew members. This was after the premiere of  Star Wars  in 1977 when producers felt continuing to have Star Trek compete in the science fiction film arena was too risky.

Star Trek: Phase II  as it was referred to had already started the casting and writing process, but ultimately Paramount Studios decided to continue cranking out Star Trek films, beginning with  Star Trek: The Motion Picture  in 1979 where the theme song for  TNG  was first heard. Concepts for characters and storylines from  Phase II  would wind up in  TNG  as well.

THE INTRO HAS BEEN REMASTERED FOR BLU-RAY

If you're streaming  TNG  today on Netflix or Hulu, chances are you're watching it in the digitally remastered Blu-ray glory it deserves. Even the beige interiors of the '90s sets look sharp and smart, and the bridge which once had all the charm of a hotel lobby now seems cleared for action.

All of the exterior shots of planets, the Milky Way, and the rest of the solar system in the Alpha Quadrant got their special effects beefed up as well. The  TNG  intro got shiny new lettering, as well as all of its galactic splendor restored thanks to the highly qualified folks at Industrial Light and Magic.

NEXT:  10 Things You Didn’t Know About The Big Bang Theory Theme Song And Intro

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Black Mirror season 7 cast revealed in a cryptic computer message

The netflix anthology series’ cast will star paul giamatti, peter capaldi and the crew of the uss callister..

Get ready to question humanity’s control over the technology that surrounds us because another season of Netflix’s Black Mirror is in the works. Earlier today, the official Black Mirror X page revealed the cast of the new season coming next year along with some other interesting clues and Easter eggs.

The video features an old, flickering computer screen that appears to unload a complete data dump of the entire cast for season 7. Some of the names that jumped out at us includes Oscar nominee Paul Giamatti, Doctor Who star and Oscar winner Peter Capaldi (he won in 1995 with his live action short film Franz Kafka’s It’s a Wonderful Life ), Awkwafina, Issa Rae, Tracee Ellis Ross and Rashida Jones.

The list also included some of the cast who played virtual crew members of the USS Callister from the iconic fourth season episode of the same name. The names from the USS Callister episode that appeared on the list include Cristin Milioti, Jimmi Simpson, Billy Magnussen, Milanka Brooks and Osy Ikhile.

We’ve known for a while now that series creator Charlie Brooker has been planning to revisit the crew of the USS Callister . The season 4 opening episode starred Jesse Plemmons as the chief technology officer named Robert of a top tier game studio and a big fan of a Star Trek -esque TV show called Space Fleet . By day, he gets pushed around and little credit for the company’s success from his colleagues and staff. He uses immersive virtual reality technology to play as Space Fleet Capt. Robert Daly   away from work on a virtual starship and takes out his frustrations and anger on the crew in increasingly cruel and inhumane ways. The crew members were replicated in the game using his boss and staff members’ DNA that Robert obtained without their permission or knowledge. The crew revolt and escape to the open Internet while leaving a seething “Capt. Robert” stranded in the game.

TCKR_Confidential_NotForDistribution.mp4 pic.twitter.com/NdaGRQYtba — Black Mirror (@blackmirror) September 19, 2024

Of course, this wouldn’t be a true Black Mirror reveal if it didn’t contain some clues and hidden items in the teaser. The loading screen features the studio name Tuckersoft, a reference to the game studio in the interactive “Bandersnatch”   movie. The cast names are listed in alphabetical order by first name but they’ve been broken into eight groups. There are some cryptic phrases between the scrolling group names like “Too soon?”, “A rose for a rose” and “Shields 58 percent.”

Could these be episode titles? The latter definitely sounds like a reference to the USS Callister and Brooker and company love symbolic episode titles taken from songs for their tech hell stories like “Shut Up and Dance” and “Hang the DJ.” The new Black Mirror episodes haven’t even landed yet and they’ve already screwing with our heads.

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